(Hindustani, Sarangi + Tabla, Indian Classical, Nimbus Records) [WEB] Aruna Narayan with Sanjay Jhalla - Raga Bairagi Bhairav, Raga Shuddh Sarang & Raga Madhuvanti - 1995, FLAC (tracks), lossless

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soloneba

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soloneba · 07-Ноя-18 11:26 (6 лет 8 месяцев назад, ред. 25-Янв-19 00:15)

Aruna Narayan / Raga Bairagi Bhairav, Raga Shuddh Sarang & Raga Madhuvanti
Жанр: Hindustani, Sarangi + Tabla, Indian Classical
Носитель: WEB
Страна-производитель диска (релиза): UK
Год издания: 1995
Издатель (лейбл): Nimbus Records
Номер по каталогу: NI 5447
Страна исполнителя (группы): India
Аудиокодек: FLAC (*.flac)
Тип рипа: tracks
Битрейт аудио: lossless
Продолжительность: 01:08:35
Источник (релизер): 7digital
Наличие сканов в содержимом раздачи: да (front, back, inlay)
Треклист:
Raga Bairagi Bhairav (27:41)
1 Alap 7:40
2 Composition In Vilambit Tintal And Drut Tintal 20:01
Raga Shuddh Sarang (24:28)
3 Alap 7:53
4 Composition In Vilambit Tintal And Drut Tintal 16:35
Raga Madhuvanti (16:26)
5 Alap 8:17
6 Composition In Drut Tintal 8:09
Еще один великолепный альбом Аруны Нараян:
Aruna Narayan - Râga Gujari Todi, Râga Barwa, Râga Bhairavi 2002, FLAC (tracks+.cue), lossless
Доп. информация: http://arunanarayan.com/
front+back


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Path: ...\Aruna Narayan - Raga Bairagi Bhairav, Raga Shuddh Sarang & Raga Madhuvanti (1995) [FLAC]
1 -=- 1 - Raga Bairagi Bhairav_ Alap.flac -=- CDDA (100%)
2 -=- 2 - Raga Bairagi Bhairav_ Composition in Vilambit Tintal and Drut Tintal.flac -=- CDDA (100%)
3 -=- 3 - Raga Shuddh Sarang_ Alap.flac -=- CDDA (100%)
4 -=- 4 - Raga Shuddh Sarang_ Composition in Vilambit Tintal and Drut Tintal.flac -=- CDDA (99%)
5 -=- 5 - Raga Madhuvanti_ Alap.flac -=- CDDA (100%)
6 -=- 6 - Raga Madhuvanti_ Composition in Drut Tintal.flac -=- CDDA (100%)
Summary 99,83% CDDA
183702548
Об исполнителе (англ.) | About Artist (en)
Born in Mumbai, India, Aruna Narayan Kalle is the daughter of the renowned Sarangi maestro Pandit Ram Narayan. The Sarangi, an ancient North Indian bowed instrument is considered one of the most difficult to master. It had therefore remained relatively undeveloped in both its physical and musical aspects. Its traditional role as an accompaniment instrument for vocal music kept it further in the background. Aruna’s father however, emerged as its messiah and due to his efforts the Sarangi is now well ensconsed in the mainstream of the Indian performing arts.
Although Aruna began her music training at the rather late age of eighteen, she made fast progress studying intensively with her father for several years. She has fully captured her father’s disciplined, serious style, yet has also developed a unique voice for her instrument with a warm and generous musical temperament. Her playing is impressive in its subtlety, precision and grace as well as in its powerful and weighty bowing. As a recipient of Pandit Ram Narayan’s musical legacy, Aruna has consistently worked towards maintaining a highly respectable profile for her instrument.
She has an impressive concert schedule, performing regularly in several countries in Europe, the US and Canada. More recently, she was a featured soloist in a unique presentation of the music of Vivaldi’s Four Seasons, performed by Tafelmusik Baroque Orchestra. This project was very well received in a series of concerts in Canada, the US, China and the Far East. An hour long documentary film about this project with an exclusive profile of her has been aired by the CBC and the Bravo channels on several occasions. She was also a featured soloist with the Endymion Ensemble of The UK, performing the works of new composers. The series of concerts was presented by the Arts Council, UK. Her recent appearance was with the San Francisco East Bay Symphony, performing a new work by Nolan Gasser, which featured her as a soloist, representing Indian music. The premier concerts received enthusiastic accolades from both the audience as well as in press.More recently, she performed at the Royal Albert Hall, London at the BBC Proms.
Her music has been featured in several international and Hollywood films and she regularly teaches in the school system introducing young people to Indian music and the Sarangi. Her recordings are available on the Nimbus (UK) and Zig-Zag (France) labels. In addition to her international performances, she frequently appears in the National Programme of Music on Doordarshan (TV) and other networks in India. Presently she resides in Toronto, Canada where she teaches and performs.
http://arunanarayan.com/bio/
Об альбоме (англ.) | About Album (en)
Bowed instruments do not seem to enjoy the same popularity in contemporary North India as the current favourites among plucked instruments, the sitar and sarod. As a bowed instrument, the sarangi is extremely versatile and unites the best aspects of both vocal and instrumental music. It comes the closest of any instrument to the voice in its expressive qualities.
http://www.wyastone.co.uk/rag-bairagi-bhairav-rag-shuddh-sarang-rag-madhuvanti.html
Состав | Artists
Sarangi – Aruna Narayan
Tabla – Sanjay Jhalla
Tambura – Marianne Svašek, Uma Mehta
Аруна Нараян Калле (родилась в 1959 г., в Мумбаи, Индия) – дочь знаменитого маэстро саранги Пандита Рама Нараяна. Древний североиндийский инструмент саранги с точки зрения техники исполнения считается одним из самых трудных в освоении. Этот струнный смычковый инструмент лютневого типа традиции хиндустани классифицируется как инструмент группы тата-вадья. Ранее саранги использовали как аккомпанирующий инструмент для сопровождения вокальных композиций (кхайял, тхумри), танцев (в основном, в стиле катхак) и театрализованных представлений. Поэтому в музыкальном аспекте традиционная роль саранги удерживала его на заднем плане. Однако отец Аруны – виртуоз игры на саранги Рам Нараян – изменил ситуацию и сделал его лидирующим сольным инструментом, вписав таким образом саранги (наряду с ситаром, сантуром, сародом и др.) в список канонических индийских классических инструментов.
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