Louis Armstrong And His All Stars - Now You Has Jazz
Жанр: Vocal Jazz
Страна исполнителя (группы): USA
Год издания: 2018
Аудиокодек: MP3
Тип рипа: tracks
Битрейт аудио: 320 kbps
Продолжительность: 36:50
Наличие сканов в содержимом раздачи: Буклет PDF
Треклист:
01. When It's Sleepy Time Down South
(3:24)
02. C'est si bon (It's So Good)
(3:33)
03. Someday
(4:44)
04. Nobody Knows The Trouble I've Seen
(2:31)
05. Jerry
(4:34)
06. Now You Has Jazz
(7:02)
07. New Orleans Function
(6:22)
08. When The Saints Go Marching In
(4:41)
Louis Armstrong's All Stars
Louis Armstrong -
tp, vo
Trummy Young -
tb
Joe Darensbourg -
cl
Billy Kyle -
p
Billy Cronk -
b
Danny Barcelona -
d
Jewell Brown -
vo
Rec.: 1961-1962.
Несколько слов на английском
Whether they called him “Satchmo” or simply the “man with the silver trumpet”, millions of people, from Mongolia to Munich, Milano and Mozambique, recognized the cherubic countenance, gravel voice, and high, rhythmic notes that bought thousands to greet him and hear him wherever he went – the magnetism was, at times, as awesome as his music could be. Louis Armstrong was one of the greatest musicians jazz ever produced, perhaps – and few, if any, will argue against this – the greatest.
"More than any other jazz musician before or since, Louis Armstrong had a propensity for entertaining that stood him in good stead when it came time for the cameras to roll. It helped that he had a one-of-a-kind singing and speaking voice and could handle dialogue like a champ and mug shamelessly, but Louis' presence on film was every bit a musical one as it was that of an comic entertainer. Working with the Turner Classic Movie network, Rhino has compiled 25 tracks taken from Armstrong's appearances in the MGM movies The Strip, Cabin In the Sky, Glory Alley, High Society and When the Boys Meet the Girls. Five of the selections ("It's A Most Unusual Day," "One O'Clock Jump," "I'm Coming Virginia," "I Got Rhythm" and "Ain't It the Truth") are compiled from alternate takes and unissued material. While some see Pops as a clown in these films (those of whom are unable to connect the dots between extraordinary musicianship and fine comedic talent, thus making one legendary entertainer), the music reveals that his strong jazz roots were always close to the surface, making for great music to listen to when you can't watch all the mugging that went with it. Nobody put more real jazz into the movies than Louis Armstrong, and here's a solid collection of some of the very best of it." (Cub Koda, AMG)
