Charpentier - La Descente d’Orphée aux Enfers Æàíð: Classical opera Ñòðàíà-ïðîèçâîäèòåëü äèñêà: Made in France Ãîä èçäàíèÿ äèñêà: 2017 Èçäàòåëü (ëåéáë): Harmonia Mundi Íîìåð ïî êàòàëîãó: HMM902279 Äàòà çàïèñè: 2016 Àóäèîêîäåê: FLAC Òèï ðèïà: image+.cue Áèòðåéò àóäèî: lossless Ïðîäîëæèòåëüíîñòü: 54’52” Èñòî÷íèê: ðåëèçåð ñàéò-èñòî÷íèê/íèê/äðóãîå: Ðîé Ìîâðè÷, ïîäàðîê Íàëè÷èå ñêàíîâ â ñîäåðæèìîì ðàçäà÷è: äà
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01: Premier Acte - Overture 02: Scène 1 - “Inventons mille jeux divers” (Daphné, Eurydice, Œnone, Aréthuse, Chœur de Nymphes) 03: Scène 1 - “Compagnes fidèles” (Entrée des Nymphes, Eurydice) 04: Scène 1 - “Soutiens-moi, chère Œnone” (Eurydice) 05: Scène 2 - “Ah! Bergers, c’en est fait” (Orphée, Chœur de Nymphes et de Bergers) 06: Scène 2 - Entree de Nymphes et de Bergers désespérés 07: Scène 2 - “Lâche amant” (Orphée) 08: Scène 3 - “Ne tourne point, mon fils” (Apollon, Orphée) 09: Scène 3 - “Que d’un frivole espoir” (Orphée, Chœur de Nymphes et de Bergers) 10: Second Acte “l’Enfer”; Scène 1 - “Affreux tourments” (Ixion, Tantale, Titye) 11: Scène 2 - “Quelle touchante voix” (Ixion, Tantale, Titye) 13: Scène 2 - “Je ne refuse point” (Orphée) 14: Scène 2 - “Il n’est rien aux Enfers” (Chœur des Furies) 15: Scène 2 - Entrée des Fantômes 16: Scène 3 - “Que cherche en mon palais” (Pluton) 17: Scène 3 - “Je ne viens point ici” (Orphée) 18: Scène 3 - “Pauvre amant” (Proserpine, Chœur d’Ombres Heureuses, de Coupables et de Furies) 19: Scène 3 - “Eurydice n’est plus” (Orphée) 20: Scène 3 - “Le destin est contraire” (Pluton) 21: Scène 3 - “Tu ne la perdras point” (Orphée) 22: Scène 3 - “Quel charme impérieux” (Pluton, Proserpine, Chœur d’Ombres Heureuses, de Coupables et de Furies) 23: Scène 3 - “Souviens-toi du larcin” (Orphée) 24: Scène 3 - “Je cède, je me rends” (Pluton, Orphée) 25: Scène 4 - “Vous partez donc” (Ixion, Tantale, Titye, Chœur d’Ombres Heureuses, de Coupables et de Furies) 26: Scène 4 - Entree des Fantômes
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MARC-ANTOINE CHARPENTIER La Descente d’Orphée aux Enfers Orphée - Robert Getchell (haute-contre) Eurydice - Caroline Weynants (dessus) Daphné - Violaine Le Chenadec (dessus) Œnone - Caroline Dangin-Bardot (dessus) Aréthuse - Caroline Arnaud (dessus) Proserpine - Lucile Richardot (bas-dessus) Ixion - Stephen Collardelle (haute-contre) Tantale - Davy Cornillot (taille) Apollon / Titye - Étienne Bazola (basse-taille) Pluton - Nicolas Brooymans (basse) Chorus & Ensemble - Ensemble Correspondances Conductor - Sébastien Daucé Enregistrement janvier 2016 à Grenoble, MC2 Audio CD (August 25, 2017)
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Exact Audio Copy V1.2 from 12. August 2016 EAC extraction logfile from 30. August 2017, 20:48 Sébastien Daucé, Ensemble Correspondances / La Descente d’Orphée aux Enfers Used drive : MATSHITADVD-RAM UJ8G6 Adapter: 1 ID: 0 Read mode : Secure Utilize accurate stream : Yes Defeat audio cache : Yes Make use of C2 pointers : No Read offset correction : 103 Overread into Lead-In and Lead-Out : No Fill up missing offset samples with silence : Yes Delete leading and trailing silent blocks : No Null samples used in CRC calculations : Yes Used interface : Native Win32 interface for Win NT & 2000 Used output format : User Defined Encoder Selected bitrate : 768 kBit/s Quality : High Add ID3 tag : No Command line compressor : C:\Program Files (x86)\Exact Audio Copy\Flac\flac.exe Additional command line options : -6 -V -T "ARTIST=%artist%" -T "TITLE=%title%" -T "ALBUM=%albumtitle%" -T "DATE=%year%" -T "TRACKNUMBER=%tracknr%" -T "GENRE=%genre%" -T "COMMENT=%comment%" -T "BAND=%albuminterpret%" -T "ALBUMARTIST=%albuminterpret%" -T "COMPOSER=%composer%" %haslyrics%--tag-from-file=LYRICS="%lyricsfile%"%haslyrics% -T "DISCNUMBER=%cdnumber%" -T "TOTALDISCS=%totalcds%" -T "TOTALTRACKS=%numtracks%" %hascover%--picture="%coverfile%"%hascover% %source% -o %dest% TOC of the extracted CD Track | Start | Length | Start sector | End sector --------------------------------------------------------- 1 | 0:00.00 | 2:02.36 | 0 | 9185 2 | 2:02.36 | 4:46.41 | 9186 | 30676 3 | 6:49.02 | 3:01.46 | 30677 | 44297 4 | 9:50.48 | 1:01.72 | 44298 | 48944 5 | 10:52.45 | 2:17.49 | 48945 | 59268 6 | 13:10.19 | 1:16.70 | 59269 | 65038 7 | 14:27.14 | 0:40.54 | 65039 | 68092 8 | 15:07.68 | 2:05.59 | 68093 | 77526 9 | 17:13.52 | 3:46.09 | 77527 | 94485 10 | 20:59.61 | 1:14.40 | 94486 | 100075 11 | 22:14.26 | 2:04.11 | 100076 | 109386 12 | 24:18.37 | 1:32.74 | 109387 | 116360 13 | 25:51.36 | 1:01.28 | 116361 | 120963 14 | 26:52.64 | 1:20.05 | 120964 | 126968 15 | 28:12.69 | 1:06.62 | 126969 | 131980 16 | 29:19.56 | 0:55.47 | 131981 | 136152 17 | 30:15.28 | 2:33.65 | 136153 | 147692 18 | 32:49.18 | 1:13.16 | 147693 | 153183 19 | 34:02.34 | 2:24.03 | 153184 | 163986 20 | 36:26.37 | 1:31.23 | 163987 | 170834 21 | 37:57.60 | 2:19.55 | 170835 | 181314 22 | 40:17.40 | 1:29.14 | 181315 | 188003 23 | 41:46.54 | 2:52.09 | 188004 | 200912 24 | 44:38.63 | 2:13.33 | 200913 | 210920 25 | 46:52.21 | 4:52.27 | 210921 | 232847 26 | 51:44.48 | 3:06.25 | 232848 | 246822 Range status and errors Selected range Filename C:\Users\Roy\Music\CHARPENTIER - La Descente\CD (FLAC + CUE)\Marc-Antoine Charpentier - La Descente d’Orphée aux Enfers.wav Peak level 80.7 % Extraction speed 4.0 X Range quality 100.0 % Test CRC C7021BBB Copy CRC C7021BBB Copy OK No errors occurred AccurateRip summary Track 1 not present in database Track 2 not present in database Track 3 not present in database Track 4 not present in database Track 5 not present in database Track 6 not present in database Track 7 not present in database Track 8 not present in database Track 9 not present in database Track 10 not present in database Track 11 not present in database Track 12 not present in database Track 13 not present in database Track 14 not present in database Track 15 not present in database Track 16 not present in database Track 17 not present in database Track 18 not present in database Track 19 not present in database Track 20 not present in database Track 21 not present in database Track 22 not present in database Track 23 not present in database Track 24 not present in database Track 25 not present in database Track 26 not present in database None of the tracks are present in the AccurateRip database End of status report ---- CUETools DB Plugin V2.1.6 [CTDB TOCID: prprKOekEBGalnTqfX8HVlAtCJs-] found Submit result: prprKOekEBGalnTqfX8HVlAtCJs- has been confirmed Track | CTDB Status 1 | (2/2) Accurately ripped 2 | (2/2) Accurately ripped 3 | (2/2) Accurately ripped 4 | (2/2) Accurately ripped 5 | (2/2) Accurately ripped 6 | (2/2) Accurately ripped 7 | (2/2) Accurately ripped 8 | (2/2) Accurately ripped 9 | (2/2) Accurately ripped 10 | (2/2) Accurately ripped 11 | (2/2) Accurately ripped 12 | (2/2) Accurately ripped 13 | (2/2) Accurately ripped 14 | (2/2) Accurately ripped 15 | (2/2) Accurately ripped 16 | (2/2) Accurately ripped 17 | (2/2) Accurately ripped 18 | (2/2) Accurately ripped 19 | (2/2) Accurately ripped 20 | (2/2) Accurately ripped 21 | (2/2) Accurately ripped 22 | (2/2) Accurately ripped 23 | (2/2) Accurately ripped 24 | (2/2) Accurately ripped 25 | (2/2) Accurately ripped 26 | (2/2) Accurately ripped ==== Log checksum 9F4166D3D78EC3526A15BE64CBFA78C642F6861E1A886159585B5210C6DB4469 ====
Ñîäåðæàíèå èíäåêñíîé êàðòû (.CUE)
REM DATE 2017 REM DISCID 6E0CDA1A REM COMMENT "ExactAudioCopy v1.2" PERFORMER "Sébastien Daucé; Robert Getchell; Caroline Weynants; Violaine Le Chenadec; Caroline Dangin-Bardot; Caroline Arnaud; Lucile Richardot; Stephen Collardelle; Davy Cornillot; Étienne Bazola; Nicolas Brooymans; Ensemble Correspondances" TITLE "La Descente d’Orphée aux Enfers" FILE "Marc-Antoine Charpentier - La Descente d’Orphée aux Enfers.flac" WAVE TRACK 01 AUDIO TITLE "Premier Acte - Overture" PERFORMER "Sébastien Daucé, Ensemble Correspondances" ISRC FR7JM1655010 INDEX 01 00:00:00 TRACK 02 AUDIO TITLE "Premier Acte; Scène 1 - “Inventons mille jeux divers” (Daphné, Eurydice, Œnone, Aréthuse, Chœur de Nymphes)" PERFORMER "Sébastien Daucé, Violaine Le Chenadec, Caroline Weynants, Caroline Dangin-Bardot, Caroline Arnaud, Ensemble Correspondances" ISRC FR7JM1655020 INDEX 01 02:02:36 TRACK 03 AUDIO TITLE "Premier Acte; Scène 1 - “Compagnes fidèles” (Entrée des Nymphes, Eurydice)" PERFORMER "Sébastien Daucé, Caroline Weynants, Ensemble Correspondances" ISRC FR7JM1655030 INDEX 01 06:49:02 TRACK 04 AUDIO TITLE "Premier Acte; Scène 1 - “Soutiens-moi, chère Œnone” (Eurydice)" PERFORMER "Sébastien Daucé, Caroline Weynants, Ensemble Correspondances" ISRC FR7JM1655040 INDEX 01 09:50:48 TRACK 05 AUDIO TITLE "Premier Acte; Scène 2 - “Ah! Bergers, c’en est fait” (Orphée, Chœur de Nymphes et de Bergers)" PERFORMER "Sébastien Daucé, Robert Getchell, Ensemble Correspondances" ISRC FR7JM1655050 INDEX 01 10:52:45 TRACK 06 AUDIO TITLE "Premier Acte; Scène 2 - Entree de Nymphes et de Bergers désespérés" PERFORMER "Sébastien Daucé, Ensemble Correspondances" ISRC FR7JM1655060 INDEX 01 13:10:19 TRACK 07 AUDIO TITLE "Premier Acte; Scène 2 - “Lâche amant” (Orphée)" PERFORMER "Sébastien Daucé, Robert Getchell, Ensemble Correspondances" ISRC FR7JM1655070 INDEX 01 14:27:14 TRACK 08 AUDIO TITLE "Premier Acte; Scène 3 - “Ne tourne point, mon fils” (Apollon, Orphée)" PERFORMER "Sébastien Daucé, Étienne Bazola, Robert Getchell, Ensemble Correspondances" ISRC FR7JM1655080 INDEX 01 15:07:68 TRACK 09 AUDIO TITLE "Premier Acte; Scène 3 - “Que d’un frivole espoir” (Orphée, Chœur de Nymphes et de Bergers)" PERFORMER "Sébastien Daucé, Robert Getchell, Ensemble Correspondances" ISRC FR7JM1655090 INDEX 01 17:13:52 TRACK 10 AUDIO TITLE "Second Acte “l’Enfer”; Scène 1 - “Affreux tourments” (Ixion, Tantale, Titye)" PERFORMER "Sébastien Daucé, Stephen Collardelle, Davy Cornillot, Étienne Bazola, Ensemble Correspondances" ISRC FR7JM1655100 INDEX 01 20:59:61 TRACK 11 AUDIO TITLE "Second Acte “l’Enfer”; Scène 2 - “Cessez, cessez, fameux coupables” (Orphée)" PERFORMER "Sébastien Daucé, Robert Getchell, Ensemble Correspondances" ISRC FR7JM1655110 INDEX 01 22:14:26 TRACK 12 AUDIO TITLE "Second Acte “l’Enfer”; Scène 2 - “Quelle touchante voix” (Ixion, Tantale, Titye)" PERFORMER "Sébastien Daucé, Stephen Collardelle, Davy Cornillot, Étienne Bazola, Ensemble Correspondances" ISRC FR7JM1655120 INDEX 01 24:18:37 TRACK 13 AUDIO TITLE "Second Acte “l’Enfer”; Scène 2 - “Je ne refuse point” (Orphée)" PERFORMER "Sébastien Daucé, Robert Getchell, Ensemble Correspondances" ISRC FR7JM1655130 INDEX 01 25:51:36 TRACK 14 AUDIO TITLE "Second Acte “l’Enfer”; Scène 2 - “Il n’est rien aux Enfers” (Chœur des Furies)" PERFORMER "Sébastien Daucé, Ensemble Correspondances" ISRC FR7JM1655140 INDEX 01 26:52:64 TRACK 15 AUDIO TITLE "Second Acte “l’Enfer”; Scène 2 - Entrée des Fantômes" PERFORMER "Sébastien Daucé, Ensemble Correspondances" ISRC FR7JM1655150 INDEX 01 28:12:69 TRACK 16 AUDIO TITLE "Second Acte “l’Enfer”; Scène 3 - “Que cherche en mon palais” (Pluton)" PERFORMER "Sébastien Daucé, Nicolas Brooymans, Ensemble Correspondances" ISRC FR7JM1655160 INDEX 01 29:19:56 TRACK 17 AUDIO TITLE "Second Acte “l’Enfer”; Scène 3 - “Je ne viens point ici” (Orphée)" PERFORMER "Sébastien Daucé, Robert Getchell, Ensemble Correspondances" ISRC FR7JM1655170 INDEX 01 30:15:28 TRACK 18 AUDIO TITLE "Second Acte “l’Enfer”; Scène 3 - “Pauvre amant” (Proserpine, Chœur d’Ombres Heureuses, de Coupables et de Furies)" PERFORMER "Sébastien Daucé, Lucile Richardot, Ensemble Correspondances" ISRC FR7JM1655180 INDEX 01 32:49:18 TRACK 19 AUDIO TITLE "Second Acte “l’Enfer”; Scène 3 - “Eurydice n’est plus” (Orphée)" PERFORMER "Sébastien Daucé, Robert Getchell, Ensemble Correspondances" ISRC FR7JM1655190 INDEX 01 34:02:34 TRACK 20 AUDIO TITLE "Second Acte “l’Enfer”; Scène 3 - “Le destin est contraire” (Pluton)" PERFORMER "Sébastien Daucé, Nicolas Brooymans, Ensemble Correspondances" ISRC FR7JM1655200 INDEX 01 36:26:37 TRACK 21 AUDIO TITLE "Second Acte “l’Enfer”; Scène 3 - “Tu ne la perdras point” (Orphée)" PERFORMER "Sébastien Daucé, Robert Getchell, Ensemble Correspondances" ISRC FR7JM1655210 INDEX 01 37:57:60 TRACK 22 AUDIO TITLE "Second Acte “l’Enfer”; Scène 3 - “Quel charme impérieux” (Pluton, Proserpine, Chœur d’Ombres Heureuses, de Coupables et de Furies)" PERFORMER "Sébastien Daucé, Nicolas Brooymans, Lucile Richardot, Ensemble Correspondances" ISRC FR7JM1655220 INDEX 01 40:17:40 TRACK 23 AUDIO TITLE "Second Acte “l’Enfer”; Scène 3 - “Souviens-toi du larcin” (Orphée)" PERFORMER "Sébastien Daucé, Robert Getchell, Ensemble Correspondances" ISRC FR7JM1655230 INDEX 01 41:46:54 TRACK 24 AUDIO TITLE "Second Acte “l’Enfer”; Scène 3 - “Je cède, je me rends” (Pluton, Orphée)" PERFORMER "Sébastien Daucé, Nicolas Brooymans, Robert Getchell, Ensemble Correspondances" ISRC FR7JM1655240 INDEX 01 44:38:63 TRACK 25 AUDIO TITLE "Second Acte “l’Enfer”; Scène 4 - “Vous partez donc” (Ixion, Tantale, Titye, Chœur d’Ombres Heureuses, de Coupables et de Furies)" PERFORMER "Sébastien Daucé, Stephen Collardelle, Davy Cornillot, Étienne Bazola, Ensemble Correspondances" ISRC FR7JM1655250 INDEX 01 46:52:21 TRACK 26 AUDIO TITLE "Second Acte “l’Enfer”; Scène 4 - Entree des Fantômes" PERFORMER "Sébastien Daucé, Ensemble Correspondances" ISRC FR7JM1655260 INDEX 01 51:44:48
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Marc-Antoine Charpentier (1643-1704) dedicated himself principally to composing sacred music for a pious duchess and a Jesuit chapel. Those works often smolder with inner embers, making him the musical equivalent of the French Caravaggist painter Georges de la Tour. His only full-scale opera was a flop (“too learned,” said the critics), but he also composed several short operas for the duchess’s entertainments. The most intriguing, La Descente d’Orphée aux Enfers (The Descent of Orpheus into Hell), has been recorded several times before, but never as convincingly as in this luminous performance by Ensemble Correspondances (directed from the organ by Sébastien Daucé), in which historical scholarship deepens engaged musical instincts. Top-drawer early-music chamber singers lead the cast, including the American light tenor Robert Getchell, affecting as grief-stricken Orphée, and the French bass Nicolas Brooymans, as malleable Pluton. The choral and instrumental work is exemplary, everywhere subtle in phrasing and fluid in embellishment; the nymphs and shepherds lamenting Eurydice’s death prove heartrending in the restrained articulation of their dissonances. This emotionally wrenching piece ends enigmatically, with Orpheus recovering Eurydice but just setting out on his journey with her back to the land of the living — a trip we know will be bumpy — while the Shades dance a ghostly goodbye.
