Henry Kaiser, Damon Smith, Weasel Walter / Plane Crash Two
Жанр: Avant-Garde Jazz, Free Improvisation, New Atlantis
Носитель: WEB
Страна-производитель диска (релиза): US
Год издания: 2015
Издатель (лейбл): New Atlantis Records
Номер по каталогу: NA-CD-024
Страна исполнителя (группы): US
Аудиокодек: FLAC (*.flac)
Тип рипа: tracks
Битрейт аудио: lossless
Продолжительность: 01:06:51
Источник (релизер):
WEB
Наличие сканов в содержимом раздачи:
Треклист:
1 Cactus Makes Perfect 15:26
2 False Alarms 21:29
3 Violent Is The Word For Curly 16:23
4 Fifi Blows Her Top 13:30
Лог проверки качества
d:\>d:\aucdtect -d/-m0 d:\zzz\*.wav
auCDtect: CD records authenticity detector, version 0.8.2
Copyright (c) 2004 Oleg Berngardt. All rights reserved.
Copyright (c) 2004 Alexander Djourik. All rights reserved.
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Processing file: [01. Cactus Makes Perfect.wav]
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Processing file: [02. False Alarms.wav]
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Processing file: [03. Violent is the Word for Curly.wav]
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Processing file: [04. Fifi Blows Her Top.wav]
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Final Conclusion:
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Доп. информация:
AAJ Review
This album was created shortly after experimental guitarist Henry Kaiser's large ensemble collaboration with fabled Brit guitarist Ray Russell The Celestial Squid (Cuneiform, 2015), as Plane Crash Two marks the second installment of the trio's unadulterated free improvisation exploits. Here, three longtime associates generate that special synergy required to pull it off. Regardless of tempo or pitch, the musicians expand, contract and generate call and response patterns via microsecond-like reactions amid the ensuing developments.
The program is consummated by four 10-minute plus workouts. On the humorously titled opener "Cactus Makes Perfect," drummer Weasel Walter's stimulating, hyper-mode cymbals, drums and small percussion instrument fabrications tender a bulbous platform, contrasted by bassist Damon Smith's rugged arco-lines and limber bottom-end. Moreover, they gel to a cavalcade of jagged phrasings and flex some muscle, offset by a few quiet interludes. But when performing on electric guitar, Kaiser's off-centered choruses complete with phased, reverse-engineering effects and eerie tonalities present a bizarre outlook as the band also ventures toward subterranean depths and volcanic zeniths. They delve into asymmetrically oriented avant-metal wonderlands and on "False Alarms," Kaiser's volume control techniques and Walter's peppery snare drum rolls offer a fractured stream of consciousness with edgy dialogues.
The trio pulls out the proverbial stops with all out blitzes and frenzied soloing galas akin to a lethal aerial assault; although, "Fifi Blows Her Top" features the guitarist's nimble plucking and Smith's mournful bowed-lines and other contrapuntal schemas. In sum, the group's simmering narratives, animated exchanges and free-spirited risk-taking mechanisms spawn an indubitably intense joyride. - Glenn Astarita, All About Jazz
Состав
Double Bass – Damon Smith
Drum Kit – Weasel Walter
Guitar – Henry Kaiser
Recorded live @ Fantasy Studios Berkeley, CA, April 12, 2014.
