(Jazz) [LP] [24/96] Martin Tingvall - En Ny Dag - 2012, FLAC (tracks)

DR-analysis - VINYL
foobar2000 1.2 / Dynamic Range Meter 1.1.1
log date: 2013-03-15 19:38:11
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Analyzed: Martin Tingvall / En Ny Dag
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DR Peak RMS Duration Track
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DR14 -1.93 dB -23.11 dB 2:10 ?-A 01 En Stjärna Faller (A Falling Star)
DR12 -2.29 dB -19.10 dB 4:25 ?-A 02 En Borjan (A Beginning)
DR11 -0.58 dB -14.98 dB 4:21 ?-A 03 Debbie And The Dogs
DR11 -2.06 dB -17.73 dB 4:22 ?-A 04 Efter Vi Skildes At (After We Had Parted)
DR13 -2.33 dB -19.84 dB 4:45 ?-A 05 En Ny Dag (A New Day)
DR14 -9.89 dB -30.27 dB 0:56 ?-A 06 Karlavagnen (The Big Dipper)
DR10 -0.77 dB -15.14 dB 3:46 ?-B 01 Det Är aska I Luften ( There's Thunder In The Air)
DR13 -3.54 dB -22.27 dB 4:41 ?-B 02 Til Dem Därhemma (For The Loved Ones At Home)
DR10 -0.60 dB -14.89 dB 3:06 ?-B 03 Myggan Som Inte Ville Dö (Tje Mosquito That Wouldn't Die)
DR11 -3.31 dB -19.09 dB 4:09 ?-B 04 Sa Hissas Flaggan Pa Midsommarafton (Hoisting The Flag On Midsommar)
DR12 -2.44 dB -19.87 dB 4:14 ?-B 05 Kvällens Sista Dans (The Last Dance Of The Evening)
DR13 -11.42 dB -29.64 dB 1:52 ?-B 06 Dagens Slug (At The End Of The Day)
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Number of tracks: 12
Official DR value: DR12
Samplerate: 96000 Hz
Channels: 2
Bits per sample: 24
Bitrate: 4608 kbps
Codec: PCM
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Personal/Production
Martin Tingvall – Steinway D Grand Piano, Producer
Bernd Skibbe – Co-Producer
Michael Dahlvid – Recording
Lars Nilson – Recording, Mixing
Has-Jörk Mauksch – Mastering, Mixing
Jenny Kornmacher – Photograph
Patrick Kespeler-Pagels – Artwork
Recorded at Nilento Studio, Kållered, Sweden
Mastered by Pauler Acoustics, Northeim, Germany
Ripping Info / Technical Log
Hardware:
TT: Clearaudio Emotion modifeyd with “clearaudio magnet bearing (CMB)”
Cartridge: Transrotor Uccello Reference MM (based on the ‘Goldring G1000 Series’)
Interconnects: Original Clearaudio
Phonopreamplifier: Clearaudio Smart Phono
Recording:
Sony PCM-M10 – 24bit/96kHz – directly connected with the Clearaudio Smart Phono Box!
Interconnects: Oehlbach NF 1 Y-Adapter
Software / Treatment / Cleaning
This is what I do in general. Not every step is done for all my rips – otherwise as mentioned below:
Clickrepair
(the whole recording / each side):
Light de-Clicking, significant clicks manually removing
De-Noising: no
@ Level: 7 / 15% auto
DeCrackle: off
Pitch Protection: on
Reverse: on
Method: Simple
Clickrepair / Sony Sound Forge Pro 10
Lead in, Lead out, gap between the tracks – no signal @ level: 100 – 100% auto: always (not in live recordings!)
heavy clicks / anomalies ( mark the region, copy in a new (Sony Sound Forge Pro 10) file. Open in Clickrepair (every option off) and let it run until the click/part and repair/removing manually (Clickrepair is able to calculate the possible groove running, try out how it most fits …)
Sony Sound Forge Pro 10
manual click/anomalies removal
split into individual tracks
iZotope RX Advanced
manual click/anomalies removal – very carefully (if necessary)
FLAC
dbPowerAmp: Level 8
Cleaning process
Wood Glue: No
Okki Nokki: Yes
Artwork
Canon EOS 1100D – Digital Camera
PSP 9.0 – Preparation
That’s all; no any other treatments!
Please note, sometimes less is more!
Please burn gapless to match original tracklayout.
Record shape
Side A NM
Side B NM
Note! The LP conditions are NM, flat and 100% centered!
I try to do my very best to clean it from every clicks and anomalies, that’s for sure. My aim is to use clickrepair on a very low level. My own experience has shown me if the “Clickrepair-Level” is too high (over 15), it can be happen that you lose music signals, especially at acoustic guitar music and/or also at hard electronic signals.
Sometimes less is more!