Dodo Greene - My Hour of Need
Жанр: Vocal Jazz
Страна: США
Год издания: 1962
Аудиокодек: MP3 (конвертировано из lossless)
Тип рипа: tracks
Битрейт аудио: 320 kbps
Продолжительность: 59:03
Наличие сканов в содержимом раздачи: да
Треклист:
01. My Hour of Need (Kosloff) - 4:55
02. Trouble in Mind (Jones) - 4:46
03. You Are My Sunshine (Davis-Mitchell) - 3:03
04. I'll Never Stop Loving You (Cahn-Brodszky) - 4:03
05. I Won't Cry Anymore (Frisch-Wise) - 3:47
06. Lonesome Road (Shilkret-Austin) - 4:15
07. Let There Be Love (Grant-Rand) - 3:29
08. There Must Be a Way (Saxon-Gallop) - 3:32
09. Down by the Riverside (Jordan) - 4:07
10. Little Things Mean a Lot (Lindeman-Strutz) - 4:08
11. You Don't Know Me (Walker) - 2:47
12. Not One Tear (Bell) - 3:05
13. I Hear (Duke) - 3:40
14. Time After Time (Cahn-Styne) - 3:35
15. Everybody's Happy But Me (Cheatham-Fields) - 3:13
16. Jazz in My Soul (unknown) - 2:38
Состав:
Dodo Greene - vocals
Ike Quebec, Eddie Chamblee - tenor saxophone
Grant Green - guitar
Edwin Swantson, Sir Charles Thompson - organ
Johnny Acea - piano
Herbie Lewis, Milt Hinton, Wendell Marshall - bass
Jual Curtis, Billy Higgins, Al Harewood - drums
Recorded at the Van Gelder Studio, Englewood Cliffs, NJ on April 2 (#2,7,9,10), April 17 (#1,3-6,8), September 24 (#11-14) and November 2 (#15,16), 1962.
Mastered by Ron McMaster.
Review by Scott Yanow
This set (reissued on CD) was a very unusual release for Blue Note. Greene's mixture of R&B and soulful blues in a voice very reminiscent of late-period Dinah Washington is much more pop and blues-oriented than the music on any other Blue Note release from the period. What other Blue Note album has a full program of soul ballads clocking in between three to five minutes apiece? Although Dodo Greene (who had recorded one slightly earlier record for Time) was apparently signed to an exclusive contract, her only other Blue Note session (six of its nine numbers conclude this CD) had never been previously released. In reality, the main reason to acquire the relaxed set is for the warm tenor of Ike Quebec (who is perfect in this setting) and the occasional guitar of Grant Green. A true obscurity.
