(Jazz) [3LP] [16/44] Louis Armstrong - The Complete Great Chicago Concert (PurePleasure 3 LP-Set mono) - 1956, FLAC (tracks)

Analyzed folder: D:\*******\Louis Armstrong - The Complete Great Chicago Concert 1956 [flac] {PurePleasure 3 LP-Set; mono; CD-format}\
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DR Peak RMS Filename
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DR15 -2.52 dB -22.40 dB A1 - Medley (Flee As a Bird to the Mountain; Oh, Didn't He Ramble).wav
DR14 -0.84 dB -17.49 dB A2 - Medley (Memphis Blue; Frankie and Johnny; Tiger Rag).wav
DR14 -4.09 dB -21.45 dB A3 - Do You Know What it Means to Miss New Orleans.wav
DR13 -2.65 dB -19.04 dB A4 - Basin Street Blues.wav
DR15 -2.70 dB -20.94 dB B1 - Black and Blue.wav
DR14 -0.72 dB -21.40 dB B2 - West End Blues.wav
DR12 -3.16 dB -18.86 dB B3 - On the Suny Side of the Street.wav
DR14 -2.38 dB -18.76 dB B4 - Struttin' With Some Barbecue.wav
DR13 -3.25 dB -22.17 dB B5 - When It's Sleepy Time Down South.wav
DR15 -2.01 dB -20.88 dB C1 - Medley (Manhattan; When it's Söeepy Time Down South).wav
DR13 -2.95 dB -19.03 dB C2 - Indiana.wav
DR13 -4.43 dB -21.17 dB C3 - The Gypsy.wav
DR14 -1.30 dB -18.26 dB C4 - The Faithful Hussar.wav
DR15 -2.19 dB -21.03 dB D1 - Rockin' Chair.wav
DR13 -1.52 dB -17.30 dB D2 - Bucket's Got a Hole in it.wav
DR13 -1.97 dB -19.95 dB D3 - Perdido.wav
DR14 -2.18 dB -18.42 dB D4 - Clarinet Marmalade.wav
DR14 -0.71 dB -19.90 dB E1 - Mack the Knife.wav
DR16 -2.21 dB -22.13 dB E2 - Medley (Tenderly; You'll Never Walk Alone).wav
DR13 -1.16 dB -17.21 dB E3 - Stompin' at the Savoy.wav
DR14 -3.59 dB -21.31 dB E4 - Margie.wav
DR15 -0.78 dB -18.88 dB F1 - Big Mama's Back in Town.wav
DR15 -2.38 dB -22.25 dB F2 - That's My Desire.wav
DR13 -1.64 dB -18.43 dB F3 - Ko Ko Mo (I Love You So).wav
DR13 -2.79 dB -19.61 dB F4 - When the Saints Go Marching In.wav
DR15 -1.47 dB -20.52 dB F5 - The Star Spangled Banner.wav
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Number of files: 26
Official DR value: DR14
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Originally out on a double LP, this is a definitive set of the Louis Armstrong All-Stars of 1956. The music and many of the solos will be familiar to longtime Armstrong fans, but whether it be "Struttin' with Some Barbecue," "Basin Street," or his then-new hit, "Mack the Knife," the spirit and enthusiasm of this music is irresistible. This is his best live set in the '50s.
- Scott Yanow/AMG ”
There has never been (nor will there ever be again) a musician so beloved all over the world as Louis Armstrong. Artistically, he was not only the single most influential fount and inspiration for every pop-music instrumentalist and singer of his time and thereafter, but he was quite easily the greatest entertainer ever to step on the stage, musical or theatrical. And where Louis was concerned, there was no separation; he was as theatrical as he was musical.
This album doc
uments just one of his countless concert appearances. It is unique and typical at the same time, for the evening began with a review of “50 years of Jazz” (which also paralled Armstrong’s life, for he and jazz were both born at the turn of the century – Louis in 1901, as a baptismal certificate discovered after his deathhas established, not 1900, as he had always believed), followed by a standard-issue Armstrong All Stars program. Although his choice of selections would change slightly from one night to another, and then more so from one year to the next, certain elements remained constant. No matter how often a composition was repeated (he opened every show “Sleepy time Down South”, almost invariably followed by “Indiana”), Louis Armstrong gave his all every performance – no matter how many or few in the audience, and no matter if the decades of nearly non-stop touring had left him exausted on a particular night.