william65 · 27-Мар-12 14:03(13 лет 5 месяцев назад, ред. 30-Мар-12 16:14)
Camane / The Art of Camane: the Prince of Fado Жанр: Fado Страна-производитель диска: Portugal Год издания: 2004 Издатель (лейбл): EMI Music Portugal, Lda Номер по каталогу: 7243 5 94345 2 0 Страна: Portugal Аудиокодек: FLAC (*.flac) Тип рипа: Тип рипа: image+.cue Битрейт аудио: lossless Продолжительность: 00:46:12 Источник (релизер): CD Rip Наличие сканов в содержимом раздачи: да Треклист:
01. Se au menos houvesse um dia
02. Senhora do livramento
03. A cantar e que te deixas levar
04. Acordem as guitarras
05. Fado sagitario
06. Marcha do bairro alto 1995
07. Esquina de rua
08. Fado da sina
09. Maria II
10. Quem a janela
11. A minha rua
12. Maria
13. Complicadissima teia
14. Escada sem corrimao
15. Sopram ventos adversos
Лог создания рипа
Exact Audio Copy V1.0 beta 3 from 29. August 2011 EAC extraction logfile from 27. March 2012, 16:45 Camané / The Art of Camané: the Prince of Fado Used drive : PIONEER BD-RW BDR-203 Adapter: 3 ID: 0 Read mode : Burst Read offset correction : 0 Overread into Lead-In and Lead-Out : No Fill up missing offset samples with silence : Yes Delete leading and trailing silent blocks : No Null samples used in CRC calculations : Yes Used interface : Native Win32 interface for Win NT & 2000 Used output format : Internal WAV Routines Sample format : 44.100 Hz; 16 Bit; Stereo TOC of the extracted CD Track | Start | Length | Start sector | End sector --------------------------------------------------------- 1 | 0:01.00 | 3:50.03 | 75 | 17327 2 | 3:51.03 | 2:33.64 | 17328 | 28866 3 | 6:24.67 | 3:31.40 | 28867 | 44731 4 | 9:56.32 | 3:07.34 | 44732 | 58790 5 | 13:03.66 | 3:07.35 | 58791 | 72850 6 | 16:11.26 | 4:03.13 | 72851 | 91088 7 | 20:14.39 | 3:50.30 | 91089 | 108368 8 | 24:04.69 | 3:33.46 | 108369 | 124389 9 | 27:38.40 | 2:41.02 | 124390 | 136466 10 | 30:19.42 | 3:24.50 | 136467 | 151816 11 | 33:44.17 | 1:37.09 | 151817 | 159100 12 | 35:21.26 | 2:43.18 | 159101 | 171343 13 | 38:04.44 | 3:21.69 | 171344 | 186487 14 | 41:26.38 | 3:28.56 | 186488 | 202143 15 | 44:55.19 | 4:51.42 | 202144 | 224010 Range status and errors Selected range Filename D:\My Torrents\Camané - The Art of Camané- the Prince of Fado.wav Suspicious position 0:00:00 - 0:00:01 Timing problem 0:35:14 Peak level 100.0 % Extraction speed 3.9 X Test CRC 7889CAF5 Copy CRC 7889CAF5 Copy finished No errors occurred End of status report ==== Log checksum F917DA43988FD5F8DB307911B44F106273CE6225CB7DD7638A644E8FCAA88D6F ==== ------------------------------------------------------------ Exact Audio Copy V1.0 beta 3 from 29. August 2011 EAC extraction logfile from 27. March 2012, 16:46 Camané / The Art of Camané: the Prince of Fado Used drive : PIONEER BD-RW BDR-203 Adapter: 3 ID: 0 Read mode : Burst Read offset correction : 0 Overread into Lead-In and Lead-Out : No Fill up missing offset samples with silence : Yes Delete leading and trailing silent blocks : No Null samples used in CRC calculations : Yes Used interface : Native Win32 interface for Win NT & 2000 Used output format : Internal WAV Routines Sample format : 44.100 Hz; 16 Bit; Stereo TOC of the extracted CD Track | Start | Length | Start sector | End sector --------------------------------------------------------- 1 | 0:01.00 | 3:50.03 | 75 | 17327 2 | 3:51.03 | 2:33.64 | 17328 | 28866 3 | 6:24.67 | 3:31.40 | 28867 | 44731 4 | 9:56.32 | 3:07.34 | 44732 | 58790 5 | 13:03.66 | 3:07.35 | 58791 | 72850 6 | 16:11.26 | 4:03.13 | 72851 | 91088 7 | 20:14.39 | 3:50.30 | 91089 | 108368 8 | 24:04.69 | 3:33.46 | 108369 | 124389 9 | 27:38.40 | 2:41.02 | 124390 | 136466 10 | 30:19.42 | 3:24.50 | 136467 | 151816 11 | 33:44.17 | 1:37.09 | 151817 | 159100 12 | 35:21.26 | 2:43.18 | 159101 | 171343 13 | 38:04.44 | 3:21.69 | 171344 | 186487 14 | 41:26.38 | 3:28.56 | 186488 | 202143 15 | 44:55.19 | 4:51.42 | 202144 | 224010 Range status and errors Selected range Filename D:\My Torrents\Camané - The Art of Camané- the Prince of Fado.wav Suspicious position 0:00:00 - 0:00:01 Timing problem 0:35:14 Peak level 100.0 % Extraction speed 3.9 X Test CRC 7889CAF5 Copy CRC 7889CAF5 Copy finished No errors occurred End of status report ==== Log checksum 13924B4706EBE5A857A8ACE1332DEFB319D0A40B03107B96FFC7472AFC649BE0 ====
Об исполнителе (группе)
“You may not have heard of him before, but once you've heard him sing, you'll want to hear more.
Camane is the leading male singer in the new generation of stylists in Portugal's native urban song, Fado, ever since his first album came out in 1995 - and one of the few men working within this most tricky field.
Camane is also one of the most outstanding Portuguese singers to have come out of any generation; a voice so smooth and soulful, so impassionate and yet controlled that you wonder how such wise and weary vocal stylings can belong to someone so young.
That's probably because Fado runs through his blood from birth. We're about to share a secret with you if you promise not to tell: Camane was a child prodigy who sang Fado in his early teens.
It all began when seven-year old Camane was grounded at home with the flu and, being bored stiff, rummaged through his parents' record collection. All they had was Fado, so that was all he heard. And he loved it. Then he started singing it. Initially it was all in good fun, but after he won an amateur contest it became obvious there was more to it than that. Camane had his run as a child singer, and eventually grew out of it. Yet he never grew out of Fado. How could he?
So, eventually, he got right back into it. In his late teens by then, Camane knew he had the voice but also knew he wanted to establish himself as a serious artist, erase all memories of his "early years". He decided to pay his dues as all good Fado singers should: singing live as much as he could, learning the so-called tricks of the trade, performing as guest artist in theatrical revues (directed by Portugal's leading theatre director Filipe La Feria), doing the Fado club circuit… And he has never looked back.
It was during this period that he met Jose Mario Branco, one of the most respected and prestigious singer-songwriters in Portugal - and one known for his remarkably intelligent and modern approach to musical traditions. The two men hit it off instantly and vowed to work together.
In 1994 Camane signed with EMI. By then he'd been singing Fado for 20 years, professionally as an adult since the mid-eighties. With Branco as producer, he decided to use his first album as a sampler, recording it live as if he were singing a set in a fado club. And so it was, with an improvised club and a portable recording studio at the Lisbon offices EMI was working out of at the time. "Uma Noite de Fados" was released to critical acclaim in 1995, proving the prodigy had matured beyond everyone's expectations. Camane was no flash in the pan; in him, Fado, then an ailing niche song, found the perfect rejuvenator, a torchbearer ready to take it to the next level.
He did, three years later. Meanwhile, he had performed live extensively, both in Portugal and abroad (France, Spain, Italy, Holland), but "Na Linha da Vida", his second album, again with Branco as producer, showed Camane taking risks. The album showcased his growingly personal interpretative style, introducing his own material instead of relying mainly on more traditional Fado stylings, using a jazzy double bass as a rhythmic anchor. The critics knew he was on to something and the album ended up making nearly all of the year-end top-ten "best of" lists. The audiences began to listen intently. Foreign territories -- Belgium and Holland first, Korea later – recognised the talent and released the album, accompanied by short tours of those countries, along with performances at festivals in France (Rennes' Tombee de la Nuit and Paris' Les Mediterranees a l'Europeen).
In 2000, we were all rewarded beyond our expectations by Camane's third album, "Esta Coisa da Alma", released simultaneously in Portugal, Belgium and Holland. Branco was at the helm once more; and yes, Camane was maturing right there in front of our eyes. At first, it looked as if the album was a step back, because he wasn't relying as much on new material as on old standards with new lyrics. But soon yourealised that sometimes you do need to step back to move forward -- and "Esta Coisa da Alma" was a giant leap, with Camane proving himself more than a singer, na interpreter with a finely-tuned ear to every emotional nuance of the poem.
"Brilliant" was too restrictive to describe it, as audiences who heard him sing live testified by selling out venues in Holland, Belgium, Spain, Switzerland or France. And yes, he was finally popular -- the album won nearly every critic's and public choice awards in Portugal. By year's end "Esta Coisa da Alma" had gone Silver, the first Fado album to do so in Portugal in many years.
But was it still Fado? Purists see Camane as the finest male Fado singer in years and one of the finest of the 20th century; yet they will allow that what he is doing isn't conservative or even "pure" Fado. Modernists, on the other hand, think he's extraordinarily innovative, even while conceding that he hasn't strayed too far from the standard formula of voice, two guitars and one bass. Both are unanimous in that he is a great singer. And, really, when he's got such a voice combined with such na interpretative power, you could be hearing him sing the phonebook and you'd still be transfixed by it. (Rest assured, though. Camane wasn't singing the phonebook.)
"Pelo Dia Dentro", his fourth album, released in 2001, was his most mature and evocative. No point in messing with a winning team, so Jose Mario Branco returned yet again to produce a selection of carefully selected modern-day or classic poets set to ten traditional Fado standards, and five new songs. Again, the album was better than you thought it would be: when was the last time you've heard of such a career arc, where you're still going strong by your fourth album?
While touring the "Pelo Dia Dentro" concert both in Portugal and abroad, Camane released "The Art of Camane - Prince of Fado" (2003), a greatest-hits album specifically designed for the international market featuring tracks from the four records, some of which re-recorded. At the end of 2003, his first live album followed: "Como Sempre... Como Dantes", a 2-CD set that shows Camane's different approaches to performing Fado according to the night's mood and the size of the venue: one CD recorded live in front of a large audience in a theatre, the other in a series of intimate performances in a small Fado club. With sales reaching over 20,000, it became a Gold record and his biggest seller so far.
Next came a surprise: a stroll away from Fado into pop music furing a short residency at the S. Luiz theatre's intimate Winter Garden. The 2004 series of concerts, titled "Outras Cancoes", saw Camane accompanied by a full band and singing some of his favourite tunes by Portuguese and Brazilian pop composers. His foray into pop music continued with his participation in the Humanos project: songs that the late Antonio Variacoes (one of the most innovative and popular pop singers of the 1980s) demoed but never recorded, arranged in his spirit and performed by a "supergroup" of contemporary musicians. Camane was one of the three featured singers on "Humanos", a #1 chart album released at the end of 2004, and subsequent short series of concerts in 2005, alternating with his own Fado concerts in Portugal but also in Canada, Luxembourg and France, crowning the year by winning the 2005 Amalia Rodrigues Prize for Best Male Fado Singer.
2006 has been a quiet year so far - with his first concertDVD "Ao Vivo no S. Luiz" recorded during his tour to promote "Como Sempre... Como Dantes" and acclaimed performances in Italy and Finland.
2007 began with the rehearsals for “Outras Cancoes II”, a show made in April/May at S. Luiz Theatre, where he sang Brel, Sinatra and Jobim, among others.
After an year full of concerts not only in Portugal, but also abroad, Camane released, in April, his latest album called “Sempre de Mim”. With production from his co-worker from all time, Jose Mario Branco, this record has been acclaimed by the press as Camane’s best work ever. The public shared the same opinion as them, since just a week from it’s release, “Sempre de Mim” was awarded with a Gold Record. With 16 songs, ten of them traditional Fado (one theme is actually from Alain Oulmain, late Amalia Rodrigues composer) and three new songs, it was presented live in the charismatic venue Coliseu dos Recreios in Lisbon to a sold out audience.
Nowadays, Camane is preparing his next concerts where he will continue presenting his latest album. Discography: Uma Noite de Fados, EMI, 1995 Na Linha da Vida, EMI, 1998 Esta Coisa da Alma, EMI, 2000 Pelo Dia Dentro, EMI, 2001 L’Art de Camane, HEMISPHERE, 2003 Como Sempre... como Dantes, EMI, 2003 Ao vivo no Sao Luiz (DVD), EMI 2006 Sempre de Mim, EMI, 2008 Fado in Camane's own words... “All that I am, I show when I sing. None of my stage movements are ever staged; Fado is is inside my body, it walks inside my blood, runs through my heart and comes out in my throat. Fado is a music you learn to like. You have to be ready to let it in, to let it take over you, even if at first you find it strange. Who Iamin what I sing... I try to not be important, so I can totally give of who I really am. Fado lives in the communication, in the word, in the empathy between he who listens and he who sings. It is an emotional medium par excellence; there are undescribable poems that can only be sung as Fados. It is a music of the world that needs to be discovered. The voices and the poets... All of the classic singers were important for me, but three in particular: Amalia Rodrigues, Carlos do Carmo and Alfredo Marceneiro. Although I have already my own way of singing I find I am still much indebted to them. But I also look to bring new languages and new poets to Fado... or even rediscover some who had already been used, like Fernando Pessoa. Traditional Fado standards are a kind of "ground" and you can use it as a base from which to choose your own variation, namely by changing the way the words sound - you actually create new music inside those standard melodies. Fado is my path. If there's one thing that I know, it is that I want to sing Fado forever.” Information source: Vachier & Associados, Producao de Espectaculos По материалам Музея Фаду, Лиссабон
