KOLIKLENA · 07-Сен-11 21:26(14 лет назад, ред. 23-Сен-11 18:30)
June Tabor - Rosa Mundi - 2001 Жанр: Folk Страна-производитель диска: UK Год издания диска: 2001 Издатель (лейбл): Topic Номер по каталогу: TSCD532 Страна: UK Аудиокодек: FLAC (*.flac) Тип рипа: tracks+.cue Битрейт аудио: lossless Продолжительность: 46:41 Источник (релизер): Найдено в сети(Dickthespic) Наличие сканов в содержимом раздачи: нет Треклист:
1 Roses of Picardy 4:08
2 Belle Rose 2:47
3 Deep in Love 4:58
4 O My Luve's Like a Red Red Rose 3:18
5 Rose in June 4:42
6 Paint Me, Redouté 5:26
7 Rhosyn Wyn / Winterrose 4:24
8 The Rose Is White, the Rose Is Red / Dargason 2:26
9 The Crown of Roses (Tchaikowsky's Legend) 3:59
10 Barbry Ellen 5:37
11 Maybe Then I'll Be a Rose 4:21
Лог создания рипа
Exact Audio Copy V1.0 beta 1 from 15. November 2010 EAC extraction logfile from 2. September 2011, 23:06 June Tabor / Rosa Mundi Used drive : ASUS DRW-24B1LT Adapter: 0 ID: 1 Read mode : Secure Utilize accurate stream : Yes Defeat audio cache : Yes Make use of C2 pointers : No Read offset correction : 6 Overread into Lead-In and Lead-Out : No Fill up missing offset samples with silence : Yes Delete leading and trailing silent blocks : No Null samples used in CRC calculations : Yes Used interface : Native Win32 interface for Win NT & 2000 Gap handling : Appended to previous track Used output format : User Defined Encoder Selected bitrate : 768 kBit/s Quality : High Add ID3 tag : No Command line compressor : F:\Exact Audio Copy\FLAC\flac.exe Additional command line options : -V -8 -T "artist=%a" -T "title=%t" -T "album=%g" -T "date=%y" -T "tracknumber=%n" -T "genre=%m" %s TOC of the extracted CD Track | Start | Length | Start sector | End sector --------------------------------------------------------- 1 | 0:00.00 | 4:13.25 | 0 | 18999 2 | 4:13.25 | 2:47.72 | 19000 | 31596 3 | 7:01.22 | 5:00.40 | 31597 | 54136 4 | 12:01.62 | 3:23.48 | 54137 | 69409 5 | 15:25.35 | 4:42.42 | 69410 | 90601 6 | 20:08.02 | 5:32.08 | 90602 | 115509 7 | 25:40.10 | 4:22.45 | 115510 | 135204 8 | 30:02.55 | 2:30.35 | 135205 | 146489 9 | 32:33.15 | 4:01.67 | 146490 | 164631 10 | 36:35.07 | 5:43.28 | 164632 | 190384 11 | 42:18.35 | 4:21.67 | 190385 | 210026 Track 1 Filename G:\demonoid\June Tabor - 2001 - Rosa Mundi\01 - Roses Of Picardy .wav Pre-gap length 0:00:02.00 Peak level 100.0 % Extraction speed 3.0 X Track quality 99.9 % Test CRC 2FAA2C36 Copy CRC 2FAA2C36 Accurately ripped (confidence 7) [2286E17D] Copy OK Track 2 Filename G:\demonoid\June Tabor - 2001 - Rosa Mundi\02 - Belle Rose .wav Pre-gap length 0:00:05.17 Peak level 100.0 % Extraction speed 3.7 X Track quality 100.0 % Test CRC 27EC271B Copy CRC 27EC271B Accurately ripped (confidence 7) [9FD01989] Copy OK Track 3 Filename G:\demonoid\June Tabor - 2001 - Rosa Mundi\03 - Deep In Love .wav Peak level 99.9 % Extraction speed 4.4 X Track quality 100.0 % Test CRC AF93B9DE Copy CRC AF93B9DE Accurately ripped (confidence 7) [892FE1A5] Copy OK Track 4 Filename G:\demonoid\June Tabor - 2001 - Rosa Mundi\04 - O My Luve's Like A Red Red Rose .wav Pre-gap length 0:00:02.02 Peak level 100.0 % Extraction speed 4.5 X Track quality 100.0 % Test CRC 09440843 Copy CRC 09440843 Accurately ripped (confidence 7) [98A1796E] Copy OK Track 5 Filename G:\demonoid\June Tabor - 2001 - Rosa Mundi\05 - Rose In June .wav Pre-gap length 0:00:05.57 Peak level 100.0 % Extraction speed 4.1 X Track quality 99.9 % Test CRC 2DF38117 Copy CRC 2DF38117 Accurately ripped (confidence 7) [94FBEE10] Copy OK Track 6 Filename G:\demonoid\June Tabor - 2001 - Rosa Mundi\06 - Paint Me, Redoute .wav Peak level 100.0 % Extraction speed 5.6 X Track quality 100.0 % Test CRC 7BFFC9BB Copy CRC 7BFFC9BB Accurately ripped (confidence 7) [7DA37284] Copy OK Track 7 Filename G:\demonoid\June Tabor - 2001 - Rosa Mundi\07 - Rhosyn Wyn , Winterrose .wav Pre-gap length 0:00:05.17 Peak level 100.0 % Extraction speed 5.7 X Track quality 100.0 % Test CRC 9F9E381B Copy CRC 9F9E381B Accurately ripped (confidence 7) [5167ADB6] Copy OK Track 8 Filename G:\demonoid\June Tabor - 2001 - Rosa Mundi\08 - The Rose Is White, The Rose Is Red , Dargason .wav Pre-gap length 0:00:03.26 Peak level 94.4 % Extraction speed 5.4 X Track quality 100.0 % Test CRC AB4329F7 Copy CRC AB4329F7 Accurately ripped (confidence 7) [0C956997] Copy OK Track 9 Filename G:\demonoid\June Tabor - 2001 - Rosa Mundi\09 - The Crown Of Roses (Tchaikovsky's Legend) .wav Pre-gap length 0:00:04.33 Peak level 100.0 % Extraction speed 6.1 X Track quality 100.0 % Test CRC A9F40195 Copy CRC A9F40195 Accurately ripped (confidence 7) [7F759C9B] Copy OK Track 10 Filename G:\demonoid\June Tabor - 2001 - Rosa Mundi\10 - Barbry Ellen .wav Pre-gap length 0:00:02.46 Peak level 100.0 % Extraction speed 6.6 X Track quality 100.0 % Test CRC 226CF17A Copy CRC 226CF17A Accurately ripped (confidence 7) [06AB1260] Copy OK Track 11 Filename G:\demonoid\June Tabor - 2001 - Rosa Mundi\11 - Maybe Then I'll Be A Rose .wav Pre-gap length 0:00:05.53 Peak level 84.1 % Extraction speed 6.7 X Track quality 100.0 % Test CRC D5DDF98D Copy CRC D5DDF98D Accurately ripped (confidence 7) [A9A2F645] Copy OK All tracks accurately ripped No errors occurred End of status report ==== Log checksum A5ADABCDBCEEE735A8141BD22678A5937EE8057FB63A906EF0C466416DFAA504 ====
Содержание индексной карты (.CUE)
REM GENRE folk REM DATE 2001 REM DISCID 840AF00B REM COMMENT "ExactAudioCopy v1.0b1" PERFORMER "June Tabor" TITLE "Rosa Mundi" FILE "June Tabor - 2001 - Rosa Mundi\01 - Roses Of Picardy .wav" WAVE TRACK 01 AUDIO TITLE "Roses Of Picardy" PERFORMER "June Tabor" INDEX 01 00:00:00 TRACK 02 AUDIO TITLE "Belle Rose" PERFORMER "June Tabor" INDEX 00 04:08:12 FILE "June Tabor - 2001 - Rosa Mundi\02 - Belle Rose .wav" WAVE INDEX 01 00:00:00 FILE "June Tabor - 2001 - Rosa Mundi\03 - Deep In Love .wav" WAVE TRACK 03 AUDIO TITLE "Deep In Love" PERFORMER "June Tabor" INDEX 01 00:00:00 TRACK 04 AUDIO TITLE "O My Luve's Like A Red Red Rose" PERFORMER "June Tabor" INDEX 00 04:58:38 FILE "June Tabor - 2001 - Rosa Mundi\04 - O My Luve's Like A Red Red Rose .wav" WAVE INDEX 01 00:00:00 TRACK 05 AUDIO TITLE "Rose In June" PERFORMER "June Tabor" INDEX 00 03:18:05 FILE "June Tabor - 2001 - Rosa Mundi\05 - Rose In June .wav" WAVE INDEX 01 00:00:00 FILE "June Tabor - 2001 - Rosa Mundi\06 - Paint Me, Redoute .wav" WAVE TRACK 06 AUDIO TITLE "Paint Me, Redoute" PERFORMER "June Tabor" INDEX 01 00:00:00 TRACK 07 AUDIO TITLE "Rhosyn Wyn / Winterrose" PERFORMER "June Tabor" INDEX 00 05:26:70 FILE "June Tabor - 2001 - Rosa Mundi\07 - Rhosyn Wyn , Winterrose .wav" WAVE INDEX 01 00:00:00 TRACK 08 AUDIO TITLE "The Rose Is White, The Rose Is Red / Dargason" PERFORMER "June Tabor" INDEX 00 04:19:25 FILE "June Tabor - 2001 - Rosa Mundi\08 - The Rose Is White, The Rose Is Red , Dargason .wav" WAVE INDEX 01 00:00:00 TRACK 09 AUDIO TITLE "The Crown Of Roses (Tchaikovsky's Legend)" PERFORMER "June Tabor" INDEX 00 02:26:10 FILE "June Tabor - 2001 - Rosa Mundi\09 - The Crown Of Roses (Tchaikovsky's Legend) .wav" WAVE INDEX 01 00:00:00 TRACK 10 AUDIO TITLE "Barbry Ellen" PERFORMER "June Tabor" INDEX 00 03:59:32 FILE "June Tabor - 2001 - Rosa Mundi\10 - Barbry Ellen .wav" WAVE INDEX 01 00:00:00 TRACK 11 AUDIO TITLE "Maybe Then I'll Be A Rose" PERFORMER "June Tabor" INDEX 00 05:37:63 FILE "June Tabor - 2001 - Rosa Mundi\11 - Maybe Then I'll Be A Rose .wav" WAVE INDEX 01 00:00:00
Об исполнителе (группе)
June Tabor is probably the finest female traditional British folksinger of the late 20th century — if not the best British folksinger of her time, period. What links her to Britain’s past traditions is the chilling and emotional qualities of her voice. What links her to the British present is her fine taste in material, arrangements, and backing musicians, along with a willingness to try different things and interpret work by contemporary songwriters. Her earliest public performances were at the Heart of England Folk Club, in the Fox and Vivian pub in Leamington Spa in the mid 1960s. She attended St Hugh’s College, Oxford University and appeared on University Challenge in 1968, as captain of the college team. She joined the Heritage Society at Oxford University and sang with a group called Mistral. One of her earliest recordings was in 1972 on an anthology called Stagfolk Live. Her breakthrough occurred in 1976 when she recorded the album Silly Sisters with Maddy Prior. http://www.limetorrents.com/Silly-Sisters—No-More-to-the-Dance(1988)[FLAC]-torrent-719367.html Shortly thereafter in the same year, she recorded her solo debut, Airs and Graces. She later joined again with Prior, this time using the name Silly Sisters for their duo. Starting in 1977 Martin Simpson joined her in the recording studio for three albums before he moved to America in 1987. (Simpson has returned from America to be a guest guitarist on albums in the 2000s.) After his departure, she started working closely with pianist Huw Warren. Tabor stopped performing professionally for a time after working for decades as a singer. During this time, she worked as a librarian and, with her then-husband David Taylor, ran a restaurant called “Passepartout” in Penrith, Cumbria, England before returning to music professionally in the 1990s. In 2004 she was named Folk Singer of the Year at the BBC Radio 2 Folk Awards. Her latest release drifted ASHORE earlier this week,the BBC review reads:- June Tabor has always resolutely pursued her own heart without recourse to the conformities of genre, expectations of audiences and especially not the pressures of orthodox commercial appeal.
Her hard-headed attitude may not have won her great riches and she sometimes makes challenging demands on even her most devoted followers, but it gives her a unique aura. Richard Thompson and Elvis Costello are among those who’ve written songs specifically for her, and marginalising her in the ‘folk’ category seems woefully limiting. Given her first album came out in 1976 she probably qualifies for veteran status, but there’s nothing tired or worn about this quietly dramatic, charismatic album. Constructed thematically around songs of the sea, Tabor tackles reflective themes of disaster, alienation and conflict with the dexterity of a skilled surgeon. She has a delicate way of cutting away the surface of songs to reveal hidden layers of sub-plot, so that material as familiar as Cyril Tawney’s The Oggie Man and Elvis Costello’s Shipbuilding sound like they’re being performed for the very first time. She’s helped enormously by the empathy of her regular musicians – Huw Warren (piano), Mark Emerson (viola, violin), Tim Harries (double bass) and Andy Cutting (diatonic accordion) – who add plenty without ever intruding. Warren’s tense accompaniment adds enormously to the simmering power of the 11-minute emigration epic Across the Wide Ocean. Yet when Tabor sings unaccompanied on the great Scottish street ballad The Bleacher Lassie of Kelvinhaugh, the impact is remarkable. Few, too, would dare the spoken-word interlude with which she delivers the tragic denouement of The Great Selkie of Sule Skerry. There are two French language songs from the Channel Islands, offering widely divergent moods, while Tabor also revisits a couple of tracks previously recorded in radically different forms – evocative opening track Finisterre from her Oysterband collaboration Freedom & Rain (1990), and the melancholy Grey Funnel Line, a celebrated track she previously sang with Maddy Prior on the 1976 Silly Sisters
It’s not an album for those with short attention spans but, in a world of lightweights, Tabor’s a colossus and this is one of her finest hours.
Об альбоме (сборнике)
A new Tabor album was always an event and this one--a thematic collection involving 11 songs based around the rose--offers intriguing possibilities. The rose as a symbol of love, of beauty, of devotion, of religion, of blossom, of faded glory. Songs from the 15th Century to the modern day, sparsely presented, built largely around the piano and violin arrangements of Huw Warren and Mark Emerson. Tabor herself performs with by now familiar gravitas. Nowt wrong with that. Devotees are familiar with the incessant demands for patience and commitment she makes of her audience and they in turn have generally been rewarded with an emotional experience all the more intense for its absence of artifice or extraneous diversion. Pure, intimate and stripped here to its core, her voice remains a remarkably potent weapon and she obviously feels deeply the various reflections of the heart in the likes of "Rose In June", "Crown Of Roses" and "Maybe Then I'll Be A Rose". Yet listening to it over and over, the expected sledgehammer into the soul doesn't materialise and you begin to notice the shortcomings. The unremitting melancholia, the lack of variety, the one-paced mood, the lack of light and shade, the sheer solemnity of it all. The arrangements start sounding predictable and you even begin to question her selection of material and whether the songs actually merit the reverential investment of faith and passion they clearly inspire in her. In recent times as she has drifted into new territory as a chansonier; she has become increasingly broad and even eccentric with her song selection, which has ranged from jazz standards to hoary old favourites like "First Time Ever I Saw Your Face" and "Somewhere Over The Rainbow". Usually she has found a new angle or a hidden meaning and revitalised them, particularly in those remarkable collaborations with the Creative Jazz Orchestra. This time I'm not so sure. Maybe I'm soured by the opening track "Roses Of Picardy", a love song associated with wartime, but which leaves me with images of Vince Hill and cheesy schmaltz which even June's reverential performance doesn't entirely bury. And there's Rabbie Burns's "My Love Is Like A Red Red Rose", delivered with icy grandeur like a family heirloom and images of parlour rooms and professional Scotsmen swim across the horizon. The heaviest material of all comes from the pen of Les Barker, underlined by the brooding accompaniments of Huw Warren, Mark Emerson and Richard Bolton. At such times you'd give a lot to hear June getting her teeth into a song of less oblique emotional depth, like Tommy Sands's more contemporary song about another war entirely, "There Were Roses". As it is, the most telling track is perhaps the compelling version of "Barbry Ellen", given a formidably forboding yet simple arrangement to remind us exactly how devastating she can be delivering even a ballad that has been round the houses as many times as this one. It makes you pine for a return to an all-traditional album.
