Francis Dhomont / Cycle Du Son
Жанр: Electroacoustic
Страна-производитель диска: Canada
Год издания диска: 2001
Издатель (лейбл): Empreintes DIGITALes
Номер по каталогу: IMED 0158
Аудио кодек: FLAC (*.flac)
Тип рипа: tracks+.cue
Битрейт аудио: lossless
Продолжительность: 55:32
Источник (релизер): what.cd (
suspar)
Наличие сканов в содержимом раздачи: нет
Треклист:
01
Objets Retrouves 5:20
02
AvatArsSon 18:11
03
Novars 19:06
04
Phonurgie 12:43
Лог создания рипа
X Lossless Decoder version 20100911 (122.0)
XLD extraction logfile from 2010-09-15 16:20:43 -0400
Francis Dhomont / Cycle du son
Used drive : MATSHITA DVD-R UJ-85J (revision FM0S)
Use cdparanoia mode : YES (CDParanoia III 10.2 engine)
Disable audio cache : OK for the drive with cache less than 2750KB
Make use of C2 pointers : NO
Read offset correction : 102
Max retry count : 100
Gap status : Analyzed, Appended
TOC of the extracted CD
Track | Start | Length | Start sector | End sector
---------------------------------------------------------
1 | 00:00:00 | 05:24:73 | 0 | 24372
2 | 05:24:73 | 18:14:27 | 24373 | 106449
3 | 23:39:25 | 19:10:08 | 106450 | 192707
4 | 42:49:33 | 12:42:42 | 192708 | 249899
All Tracks
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Peak : 1.000000
Track 01
Filename : /Users/scottems/Music/temp/Francis Dhomont - Cycle du son (2001)/01 Objets retrouvГ©s.flac
Pre-gap length : 00:02:00
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Peak : 1.000000
CRC32 hash (test run) : 569CC4DC
CRC32 hash : 569CC4DC
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->Accurately ripped! (confidence 1)
Statistics
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Edge jitter error (maybe fixed) : 0
Atom jitter error (maybe fixed) : 0
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Duplicated bytes error (maybe fixed) : 0
Inconsistency in error sectors : 0
Track 02
Filename : /Users/scottems/Music/temp/Francis Dhomont - Cycle du son (2001)/02 AvatArsSon.flac
Pre-gap length : 00:05:00
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CRC32 hash : 5566F002
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->Accurately ripped! (confidence 1)
Statistics
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Inconsistency in error sectors : 0
Track 03
Filename : /Users/scottems/Music/temp/Francis Dhomont - Cycle du son (2001)/03 Novars.flac
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->Accurately ripped! (confidence 1)
Statistics
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Inconsistency in error sectors : 0
Track 04
Filename : /Users/scottems/Music/temp/Francis Dhomont - Cycle du son (2001)/04 Phonurgie.flac
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->Accurately ripped! (confidence 1)
Statistics
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Edge jitter error (maybe fixed) : 0
Atom jitter error (maybe fixed) : 0
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Duplicated bytes error (maybe fixed) : 0
Inconsistency in error sectors : 0
No errors occurred
End of status report
Содержание индексной карты (.CUE)
TITLE "Cycle du son"
PERFORMER "Francis Dhomont"
CATALOG 0771028015825
REM GENRE "electroacoustic"
REM DATE 2001
REM DISCID 240D0404
FILE "01 Objets retrouvГ©s.wav" WAVE
TRACK 01 AUDIO
TITLE "Objets retrouvГ©s"
ISRC CAD500114540
INDEX 01 00:00:00
TRACK 02 AUDIO
TITLE "AvatArsSon"
ISRC CAD500114560
INDEX 00 05:19:73
FILE "02 AvatArsSon.wav" WAVE
INDEX 01 00:00:00
TRACK 03 AUDIO
TITLE "Novars"
ISRC CAD500114570
INDEX 00 18:10:28
FILE "03 Novars.wav" WAVE
INDEX 01 00:00:00
TRACK 04 AUDIO
TITLE "Phonurgie"
ISRC CAD500114570
INDEX 00 19:06:09
FILE "04 Phonurgie.wav" WAVE
INDEX 01 00:00:00
Об альбоме (сборнике)
This disc was produced with the assistance of the Canada Council for the Arts and SODEC.
"Cycle du son" premiered on November 22th, 1998 as part of the 5th "L'espace du son" Festival acousmatique international in Brussels, Belgium.
"Novars" was included on the "Mouvances-Metaphores" 2 disc set in 1991 and re-released on "Les Derives du signe" in 1996.
"Phonurgie" was included in 1998 on the "Inventionen '98" disc and in 1999 on the "III CIMESP 1999" disc.
from electrocd.com:
This ‘Cycle’ celebrates sound (a major discovery of the twentieth century) and concrete music. It is a fiftieth-anniversary homage to the inventiveness of Pierre Schaeffer, who clearly created an upheaval in the world of music that has had no precedent. Drawing on the same sound material which was forged from the first movement of Schaeffer’s Etude aux objets, as well as from a personal collection of sounds that have been stored away over the years, these four pieces go through a process where they develop out of each other, question each other, echo each other, and complete each other through allusions, commentaries, metonymies, and continuations. With poetic freedom they both evoke a historic journey and propose a connection between the object of sage Schaefferian observation and the wildest “metamorphologies” of sound art. Years after its composition, Novars, the third part of this cycle but the first to be composed, remains the section around which the entire work turns.
