Various Artists - Read: Interpreting Bjork
Жанр: Experimental / Electronic / Pop
Год выпуска диска: February 3, 2004
Производитель диска: U.S.A.
Label: Hush Records
Номер в каталоге:
HUSH 043
Тип рипа: tracks
Аудио кодек: MP3 Lame 3.98.4 float.point #-q 2 -b 320# /foobar2000 v1.1
Битрейт аудио: 320 kbps
Продолжительность: 00:41:45.733
Источник: wha.cd#
стянуто blackshark52, за что ему мегоспасибо.
Трэклист:
01. Noise for Pretend - It's Oh So Quiet
4:42
02. Blanket Music - Hyper-Ballad
4:20
03. Kaitlyn Ni Donovan - The Hunter
4:36
04. Ben Gibbard feat. Ben Barnett - Jóga
3:01
05. The Decemberists - Human Behaviour
4:16
06. Corrina - You've Been Flirting Again
3:11
07. The Roots of Orchis - Possibly Maybe
5:36
08. Pete Miser - Immature
3:09
09. Bobby Birdman - Unravel
4:22
10. In The Musicals - Kind of Like Spitting
4:32
Доп. информация
These interpretations of Björk originals* were commissioned by HUSH in the summer of 2001 [save The Decemberists' recasting of "Human Behavior", which is more recent] and indefinitely shelved soon thereafter. HUSH director and Blanket Music front man Chad Crouch made the executive decision to abandon the project when it was nearly completed, having lost enthusiasm not for the songs, but for the idea in general. Tribute albums, a relatively modern invention, are suspect releases for a record label, often co-opting and commodifying the tributee's fame under a veneer of homage. Our intentions were earnest, but the calculation loomed large: would HUSH be compromising its identity by releasing an album that, on the surface at least, capitalizes on Björk's star power?
Nine of the songs briefly surfaced on the internet in the winter of 2002 and rode on an amazing, worldwide tide of enthusiastic word-of-mouth. At this time Folkcore, a progressive young imprint of P-Vine [licensors of several Matador Records offerings], contacted HUSH, expressing an interest in releasing the collection in Japan, despite never being issued domestically. HUSH happily handed over the tracks -- spiffed up with an original portrait painting and design by Crouch -- satisfied that Japan would be an excellent test market.
While many official Björk remixes may sound dated with the passing of two years [drum machine aesthetics evolving on par with the price of computer memory], this collection retains a certain timelessness owing to the largely acoustic arrangements and solid vocal performances. Above all we hope that should you choose to adopt this into your collection, you find it nothing less than sincere.