Strelnikoff Vladimir · 25-Апр-25 22:07(4 месяца 3 дня назад, ред. 25-Апр-25 22:16)
Bruno Duplant De ce paysage au loin nous
ne percevons que des sons . Bruno Duplant [born]: France Жанры: Field Recordings, Sound Collage Издатель: Sirr-ecords (Portugal) Номер по каталогу: [none] Дата релиза: 27.09.2024 Аудиокодек: FLAC (*flac) Тип рипа: tracks Носитель: WEB Источник: redacted (BC) . Треклист.[00:31:43] 01.De ce paysage au loin nous ne percevons que des sons.(31:43)
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auCDtect Task Manager
Cue Corrector v. 10.2.3 / b. 2109 (Feb. 07, 2024) ———————————————————————————————————————————————————————————————————————— --- / De ce paysage au loin nous ne percevons que des sons Folder: Bruno Duplant - 2024 - De ce paysage au loin nous ne percevons que des sons (web) Audio file: 01. De ce paysage au loin nous ne percevons que des sons.flac [31:42.178; FLAC • 817 kbps • 16 bit \ 44100 Hz • stereo; 185.39 MB (194 391 220 B)] Accuracy: -m0 File 01. De ce paysage au loin nous ne percevons que des sons - 100% CDDA [31:42:13] ————— Summary: ————— This track looks like CDDA with probability 100%. ———————————————————————————————————————————————————————————————————————— ANALYZER: auCDtect: CD records authenticity detector, version 0.8.2 Copyright (c) 2004 Oleg Berngardt. All rights reserved. Copyright (c) 2004 Alexander Djourik. All rights reserved. Time elapsed: 48.8 s Log created at April 22, 2025 13:42:21 === 89B3E0E11DAF6297F4F1911E90E14448BF18AE47DC746296CB05E1C0DBB7851B ===
official DR value
Cue Corrector v. 10.2.3 / b. 2109 (Feb. 07, 2024) log date: 2025-04-22 13:41:29 -------------------------------------------------------------------------------- Album : De ce paysage au loin nous ne percevons que des sons Year : 2024 -------------------------------------------------------------------------------- DR Peak RMS Duration Track -------------------------------------------------------------------------------- DR14 -0.10 dB -18.58 dB 31:42 01 - De ce paysage au loin nous ne percevons que des sons / Bruno Duplant -------------------------------------------------------------------------------- Number of tracks : 1 Official DR Value: DR14 Samplerate : 44100 Hz Channels : 2 Bits per sample : 16 Average bitrate : 817 kbps Codec : FLAC ================================================================================
spectrogram
об альбоме
From this landscape, in the distance, we only perceive sounds, sometimes distinct, which most often collide and resonate with each other, recalling to our memories, of the order of daydreams, of phantasmagoria. The indefiniteness of almost nothing. Bruno Duplant is particularly discreet about his sound practice.
After starting experimenting with traditional modern instruments, Bruno began recording sounds around him, not especially "natural" ones, but more "cultural' ones, developing his own approach to field recording and listening.
As Bruno puts it in a rare interview, "The composition allows me to assemble more or less logically and incongruously the different sounds collected. I never try to reproduce the sounds that surround me in a logical and precise way; that would only make me a poor copyist. I try to create something new, a new fictional entity that I have named "autofiction", "self-fiction". This must surprise the listener, lead him to ask questions. I am also thinking that places, things have memory. And to answer your question, i am thinking that there are no borders for sounds. I want to be discreet witness". Reviews: "Bruno Duplant describes his field recording practice as an "attempt at organizing chance", or the creation of an "auto-fictional" narrative that the listener completes through imagination. On de ce paysage au loin nous ne percevons que des sons, we picture each sound’s source and how it is linked with those before and after: a French town traversed by a lone flâneur who observes others from afar (the title provides a hint: "From this landscape in the distance, we only perceive sounds"). In any event, the journey is a musical one, with an ethereal organ drone ever-present. Duplant, or his fictional counterpart, encounters a lovely concert (perhaps in a church?) with a choir backed by strings. Outside, a radio plays funk tunes. Later on, a group of birds accompanies a tentative piano. And then our protagonist vanishes, with this as his only trace: a charmed visit to a nameless town, already receding into memory." (in) The Best Field Recordings on Bandcamp, October 2024
by Matthew Blackwell
