Voyage - Marina Rebeka, Mathieu Pordoy
Жанр: Classical
Страна-производитель диска: EU
Год издания: 2022
Издатель (лейбл): Prima Classic
Номер по каталогу: PRIMA014
Дата записи: May 2021
Аудиокодек: OGG
Битрейт аудио: 320 kbps
Продолжительность: 01:16:24
Источник: WEB
Наличие сканов в содержимом раздачи: да
Треклист:
01.
Henri Duparc L’Invitation au voyage/An invitation to travel
02.
Cécile Chaminade Chanson slave/Slavic song
03.
Marie Jaëll Rêverie/Dream
04.
Maurice Ravel La Flûte enchantée/The enchanted flute
05.
Camille Saint-Saëns Désir de l’Orient/Desire from the Orient
06.
Charles-Marie Widor Chanson indienne/Indian song
07.
Gabriel Fauré Les Roses d’Ispahan/The roses of Isfahan
08.
Charles Gounod Perché piangi?/Why do you cry?
Camille Saint-Saëns
09. La Madonna col bambino/The Madonna with child
10. Alla riva del Tebro/On the shore of the Tiber
11.
Charles Gounod Oh! Dille tu!/Oh! Tell her!
12.
Pauline Viardot L’innamorata/A woman in love
Marie Jaëll
13. Dein/Yours
14. Der Sturm/The storm
15. Die Vöglein/Little birds
16. Ewige Liebe/Eternal love
17. Die Wang’ ist blass/The cheek is pale
Pauline Viardot
18. Синица/The chickadee
19. Ива/The willow
20. Серенада/Serenade
21. Цветок/The flower
22. Шёпот, робкое дыханье/Whisper, timid breathing...
23. Заклинание/Invocation
Исполнители:
Marina Rebeka
Mathieu Pordoy
Доп. информация:
скрытый текст
An invitation to travel with the flair of 19th-century chamber music, written by French composers, female and male, sung in French, Italian, German, and Russian.
Some musical objects resist scholarly classifications. Straddling two genres or requiring an unusual membership, they escape the boxes in which we like to lock each score before carefully storing it in a thematic catalogue. The same goes for mélodies composed by French people on foreign texts: should they be considered as French mélodies? Are they losing their French character? Are they even still mélodies or do they become lieder, songs, or any other form specific to the language used?
By bringing together works by French musicians composed on French, Russian, German and Italian texts, or in the Tuscan dialect, this album encourages us to make a change of scale, to break the frames and respond to an invitation to travel.
Most of the mélodies in this recital were composed between 1860 and 1890, that is to say on the threshold of the Belle Époque and the Second Industrial Revolution.
Behind the mirage of national identities, we will perceive a European context conducive to dreams of escape and a cosmopolitanism embodied by great musical figures, such as Henri Duparc, Cécile Cheminade, Maurice Ravel, Camille Saint-Saëns, Charles- Marie Widor, Gabriel Fauré, Charles Gounod, and the extraordinarily talented female composers Marie Jaëll and Pauline Viardot.
Marina Rebeka and Mathieu Pordoy approach this eclectic repertoire using a rainbow of musical colors, succeeding indeed in capturing the very essence of each piece. An exquisite album for the musically curious and the armchair traveller alike.
