Hadley Caliman - Gratitude Жанр: Post-Bop Носитель: CD Страна-производитель диска (релиза): США Год издания: 2008 Издатель (лейбл): Origin Records Номер по каталогу: 82499 Аудиокодек: FLAC (*.flac) Тип рипа: tracks+.cue Битрейт аудио: lossless Продолжительность: 48:16 Источник (релизер): redacted Наличие сканов в содержимом раздачи: сетевые Треклист:
01. Back for More (Marriott) - 5:58
02. This Is New (Weill) - 6:00
03. Invitation (Kaper) - 5:46
04. Kickin' on the Inside (Caliman) - 6:56
05. Comencio (Caliman) - 4:22
06. Linda (Caliman) - 3:49
07. If (Henderson) - 6:22
08. Joe Joe Dancer Bossa Nova (Caliman) - 5:22
09. Old Devil Moon (Lane) - 3:41 Состав:
Hadley Caliman - tenor saxophone
Thomas Marriott - trumpet
Joe Locke - vibes
Phil Sparks - bass
Joe La Barbera - drums Recorded at Robert Lang Studios, Seattle, WA on September 20, 2007.
TITLE "Gratitude" PERFORMER "Hadley Caliman" REM GENRE "Jazz" REM DATE "2008" REM DISCID 840B4F09 REM REPLAYGAIN_ALBUM_GAIN -7.15 dB REM REPLAYGAIN_ALBUM_PEAK 0.977386 FILE "01 - Back for More.flac" WAVE TRACK 01 AUDIO TITLE "Back for More" REM REPLAYGAIN_TRACK_GAIN -7.41 dB REM REPLAYGAIN_TRACK_PEAK 0.977386 INDEX 01 00:00:00 TRACK 02 AUDIO TITLE "This Is New" REM REPLAYGAIN_TRACK_GAIN -7.62 dB REM REPLAYGAIN_TRACK_PEAK 0.977386 INDEX 00 05:52:44 FILE "02 - This Is New.flac" WAVE INDEX 01 00:00:00 TRACK 03 AUDIO TITLE "Invitation" REM REPLAYGAIN_TRACK_GAIN -7.49 dB REM REPLAYGAIN_TRACK_PEAK 0.977386 INDEX 00 05:55:64 FILE "03 - Invitation.flac" WAVE INDEX 01 00:00:00 TRACK 04 AUDIO TITLE "Kickin' on the Inside" REM REPLAYGAIN_TRACK_GAIN -6.57 dB REM REPLAYGAIN_TRACK_PEAK 0.977356 INDEX 00 05:41:17 FILE "04 - Kickin' on the Inside.flac" WAVE INDEX 01 00:00:00 TRACK 05 AUDIO TITLE "Comencio" REM REPLAYGAIN_TRACK_GAIN -7.07 dB REM REPLAYGAIN_TRACK_PEAK 0.977356 INDEX 00 06:55:04 FILE "05 - Comencio.flac" WAVE INDEX 01 00:00:00 TRACK 06 AUDIO TITLE "Linda" REM REPLAYGAIN_TRACK_GAIN -5.58 dB REM REPLAYGAIN_TRACK_PEAK 0.977356 INDEX 00 04:19:74 FILE "06 - Linda.flac" WAVE INDEX 01 00:00:00 TRACK 07 AUDIO TITLE "If" REM REPLAYGAIN_TRACK_GAIN -7.48 dB REM REPLAYGAIN_TRACK_PEAK 0.977386 INDEX 00 03:48:01 FILE "07 - If.flac" WAVE INDEX 01 00:00:00 TRACK 08 AUDIO TITLE "Joe Joe Dancer Bossa Nova" REM REPLAYGAIN_TRACK_GAIN -6.86 dB REM REPLAYGAIN_TRACK_PEAK 0.977386 INDEX 00 06:16:65 FILE "08 - Joe Joe Dancer Bossa Nova.flac" WAVE INDEX 01 00:00:00 TRACK 09 AUDIO TITLE "Old Devil Moon" REM REPLAYGAIN_TRACK_GAIN -6.97 dB REM REPLAYGAIN_TRACK_PEAK 0.977386 INDEX 00 05:17:30 FILE "09 - Old Devil Moon.flac" WAVE INDEX 01 00:00:00
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AllMusic Review by Adam Greenberg
For his first album as a leader in a couple of decades, Hadley Caliman returns with a bang. Though released by Seattle's Origin label, it's not strictly Northwest jazz, and though containing a couple of players from the California scenes, it's not strictly West Coast jazz. It's something different, tangible, with ties to the classics but explorations well into the new beyond. For someone who's played with everyone from Dexter Gordon to Santana, perhaps this shouldn't be surprising. The album opens with "Back for More," a new item from trumpeter Thomas Marriott with some nice parallel lines and a driving rhythm section. "This Is New" provides vibist Joe Locke with his first of many opportunities to stretch out on a good extended solo that does what few vibe players are apt to pull off in this era -- maintain excitement while not succumbing to a pure show of force. By the time the album gets to "Invitation," there's a sense of Coltrane in Caliman's playing -- not mimicry, but certainly some influence. "Comencio" takes advantage of a shiny Latin groove as a backdrop for more horn interaction between Caliman and Marriott and an excellent drum solo courtesy of Joe La Barbera. "If" comes from the San Francisco scene, and has a bit of the jazz club jam sound to it, but then lets Locke loose for a vibe extravaganza only matched by the groove in bassist Phil Sparks' extended solo. The album finishes off the way it started, with a delivery that promises more. The album is a fine one, rife with Caliman's obvious talent on the sax, but perhaps more so by the full supporting cast, each member of which gets plenty of time in the limelight, and makes it worthwhile.
