Jozef Van Wissem and Jim Jarmusch – Concerning the Entrance into Eternity
Лейбл: Important Records
Формат: CD, Album
Страна: US
Дата выхода диска: 28 Feb 2012
Жанр: Folk, Rock
Стиль: Experimental
Аудиокодек: FLAC
Тип рипа: tracks+.cue
Битрейт аудио: lossless
Продолжительность: 41:09
Источник: azurehum, What.CD
Треклист:
1. Apokatastasis (Restoration) [10:39]
2. Concerning the Entrance into Eternity [7:15]
3. Continuation of the Last Judgement [9:56]
4. The Sun of the Natural World is Pure Fire [9:17]
5. He is Hanging by His Shiny Arms, His Heart an Open Wound with Love [4:02]
Об альбоме
Jozef Van Wissem's self-proclaimed "liberation of the lute" has always been a process of inversion. In fact, the songs on his very first release, 2000's Retrograde Renaissance Lute (A Classical Deconstruction), are literally inverted. He took traditional lute tablatures and rewrote them upside-down, then cut up and rearranged the results to form new compositions. Since then, Van Wissem has continued to invert his baroque instrument in order to be, as he told us earlier this month, "a lute player with a punk rock attitude." He's written musical palindromes (melodies which sound the same played forwards or backwards), delved into experimental techniques like field recordings and improvisation, and collaborated with modern-styled string players such as James Blackshaw and Tetuzi Akiyama.
Those players dip into classical styles themselves too, but the musical mindset of Van Wissem's latest collaborator, Jim Jarmusch, was formed in the punk-drenched milieu of late-1970's New York. There the now-famous indie film director played keyboards and sang with the no-wave band the Del Byzanteens and shot no-wave films starring musicians like John Lurie and Richard Edson. Which makes the pair's debut album the first full release Van Wissem has made with an actual punk rocker. (Jarmusch added guitar to one track on Van Wissem's 2011 solo album, The Joy That Never Ends).
Such a meeting of divergent backgrounds could result in a kind of tonal car crash, but Jarmusch easily and compellingly weaves his playing into Van Wissem's era-bridging craft. At times their sounds connect like rhyming lines of poetry; in other places, like opener "Apokatastasis (Restoration)", Jarmusch's long tones form the echo of Van Wissem's patient, precise notes. In a few instances, such as when Jarmusch plays acoustic guitar, it can even be tough to tell these twin souls apart.
That complementary vibe is due in large part to Van Wissem's simple, sparse melodies, which leave lots of room for Jarmusch to enter and move around in. Concerning the Entrance has its moments of contrast and tension, too. On "The Sun of the Natural World Is Pure Fire", the way Jarmusch grinds out caustic noise behind Van Wissem's exploratory plucks produces a mesmerizing dissonance. Later, on closer "He Is Hanging By His Shiny Arms, His Heart an Open Wound With Love", he interrupts Van Wissem's solo playing by reciting St. John of the Cross' poetry with a cool, detached tone, sounding oddly like Thurston Moore at 16 rpm.
Still, the best moments come when Van Wissem and Jarmusch share a single musical mind. The most blending comes during the album's middle track, "Continuation of the Last Judgement". As Van Wissem devoutly spins out a lute loop, Jarmusch adds small accents, then slides into electric guitar waves that slyly bend around Van Wissem's cycles. Here, the duo's capacity to find interlocking patterns feels infinite, making "Continuation" the best possible title. You can imagine these comrades spinning their wordless yarns long after the album ends.
Лог создания рипа
Exact Audio Copy V1.0 beta 3 from 29. August 2011
EAC extraction logfile from 12. March 2012, 19:41
Jozef Van Wissem and Jim Jarmusch / Concerning the Entrance Into Eternity
Used drive : HL-DT-STDVDRAM GP40LB10 Adapter: 1 ID: 0
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 6
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000
Gap handling : Appended to previous track
Used output format : User Defined Encoder
Selected bitrate : 768 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files (x86)\Exact Audio Copy\FLAC\FLAC.EXE
Additional command line options : -6 -V -T "ARTIST=%artist%" -T "TITLE=%title%" -T "ALBUM=%albumtitle%" -T "DATE=%year%" -T "TRACKNUMBER=%tracknr%" -T "GENRE=%genre%" -T "COMMENT=%comment%" -T "BAND=%albuminterpret%" -T "COMPOSER=%composer%" %haslyrics%--tag-from-file=LYRICS="%lyricsfile%"%haslyrics% -T "DISCNUMBER=%cdnumber%" -T "TOTALDISCS=%totalcds%" -T "TOTALTRACKS=%numtracks%" %hascover%--picture="%coverfile%"%hascover% %source% -o %dest%
TOC of the extracted CD
Track | Start | Length | Start sector | End sector
---------------------------------------------------------
1 | 0:00.00 | 10:39.03 | 0 | 47927
2 | 10:39.03 | 7:15.06 | 47928 | 80558
3 | 17:54.09 | 9:56.12 | 80559 | 125270
4 | 27:50.21 | 9:17.19 | 125271 | 167064
5 | 37:07.40 | 4:02.29 | 167065 | 185243
Track 1
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Copy CRC 115E7235
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Track 2
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Track 3
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Track 4
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Track 5
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End of status report
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