Cue Corrector v. 10.2.3 / b. 2109 (Feb. 07, 2024) log date: 2025-11-26 09:13:59 -------------------------------------------------------------------------------- Album : Organelles Year : 2025 -------------------------------------------------------------------------------- DR Peak RMS Duration Track -------------------------------------------------------------------------------- DR14 0.00 dB -17.78 dB 4:15 01 - Chloroplast / Kate Carr & Matt Atkins DR14 0.00 dB -19.12 dB 3:19 02 - Lysome / Kate Carr & Matt Atkins DR22 -0.03 dB -24.92 dB 5:41 03 - Golgi apparatus / Kate Carr & Matt Atkins DR19 0.00 dB -24.80 dB 6:48 04 - Rough Endoplasmic reticulum / Kate Carr & Matt Atkins DR19 0.00 dB -23.09 dB 2:55 05 - Peroxisome / Kate Carr & Matt Atkins DR15 -4.21 dB -24.56 dB 3:00 06 - Smooth Endoplasmic reticulum / Kate Carr & Matt Atkins DR18 0.00 dB -22.49 dB 8:40 07 - Mitochondria / Kate Carr & Matt Atkins DR15 -2.62 dB -21.01 dB 5:40 08 - Ribosome / Kate Carr & Matt Atkins -------------------------------------------------------------------------------- Number of tracks : 8 Official DR Value: DR17 Samplerate : 44100 Hz Channels : 2 Bits per sample : 16 Average bitrate : 694 kbps Codec : FLAC ================================================================================
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What goes on inside a cell? What might it sound like? Inspired by tiny processes and interactions "Organelles" presents a sonic imaginary of intracellular operations. Cells are busy: folding proteins, exchanging gases, creating energy, growing, dividing, mutating and communicating. Likened to minute factories or warehouses, organelles are the entities which perform the specialised tasks which enable cellular life. So often explored visually, this album offers one version of what the aural life of these tiny, fantastically-shaped organelles might sound like. Their ongoing and sporadic processes, small rhythms and exchanges and the everyday and cataclysmic events and encounters that might unfold on this smallest of scales. With both Atkins and Carr's practices rooted in the amplification and looping of small objects, instruments and gestures, the pair came to the idea of "Organelles" via the process of improvisation itself. In the encounter between Atkins' and Carr's iterations and conglomerations of small vibrating objects, "Organelles" emerged as a collection of spluttering rhythms, creaks, rustles, strikes and chimes. A miniature world of speculative microsound which lurches between spiky textures, wonky rhythms, static, and the occasional off kilter melody.
