Strelnikoff Vladimir I · 14-Июн-25 10:55(4 месяца 13 дней назад)
Aidan Baker, Saåad & Frédéric D. Oberland
"No Night Is Long Enough to Dream Twice" . •Жанры: Free Improvisation, Electroacoustic •Издатель: BLWBCK (France) •Номер по каталогу: BLWBCK085 •Дата релиза:14.03.2025 •Аудиокодек: FLAC (*flac) •Битрейт аудио: lossless •Тип рипа: tracks •Источник: Deezer •Формат: WEB | Album . Aidan Baker:. electric guitar Romain Barbot:. modular synthesizer Frédéric D. Oberland:. bells, bird calls, flutes, saxophone, vocals . •TRACK LISTING 01..Phase I.(05:44) 02..Phase II.(09:08) 03..Phase III.(05:01) 04..Phase IV.(05:00) 05..Phase V.(03:38)
total length [00:28:29]
Лог проверки качества:
Cue Corrector v. 10.2.3 / b. 2109 (Feb. 07, 2024) ———————————————————————————————————————————————————————————————————————— --- / No Night Is Long Enough to Dream Twice Folder: Aidan Baker, Saåad & Frédéric D. Oberland - 2025 - No Night Is Long Enough to Dream Twice (web) Audio files: 01. Phase I.flac [05:43.018; FLAC • 890 kbps • 16 bit \ 44100 Hz • stereo; 36.42 MB (38 191 048 B)] 02. Phase II.flac [09:07.343; FLAC • 923 kbps • 16 bit \ 44100 Hz • stereo; 60.23 MB (63 151 017 B)] 03. Phase III.flac [05:00.634; FLAC • 896 kbps • 16 bit \ 44100 Hz • stereo; 32.13 MB (33 686 935 B)] 04. Phase IV.flac [04:59.266; FLAC • 939 kbps • 16 bit \ 44100 Hz • stereo; 33.53 MB (35 161 761 B)] 05. Phase V.flac [03:37.792; FLAC • 846 kbps • 16 bit \ 44100 Hz • stereo; 21.99 MB (23 058 039 B)] Accuracy: -m0 File 01. Phase I - 99% CDDA [05:43:01] File 02. Phase II - 100% CDDA [09:07:26] File 03. Phase III - 100% CDDA [05:00:48] File 04. Phase IV - 100% CDDA [04:59:20] File 05. Phase V - 100% CDDA [03:37:59] ————— Summary: ————— These tracks looks like CDDA with probability 100%. ———————————————————————————————————————————————————————————————————————— ANALYZER: auCDtect: CD records authenticity detector, version 0.8.2 Copyright (c) 2004 Oleg Berngardt. All rights reserved. Copyright (c) 2004 Alexander Djourik. All rights reserved. Time elapsed: 50.4 s Log created at June 02, 2025 13:53:53 === 0DBBE8A0D8DB00ACD4ECFAE353D4E939E07F239C9D431E1C5F1274498126120D ===
Динамический отчет (DR):
Cue Corrector v. 10.2.3 / b. 2109 (Feb. 07, 2024) log date: 2025-06-02 13:52:59 -------------------------------------------------------------------------------- Album : No Night Is Long Enough to Dream Twice Year : 2025 -------------------------------------------------------------------------------- DR Peak RMS Duration Track -------------------------------------------------------------------------------- DR6 0.00 dB -9.05 dB 5:43 01 - Phase I / Aidan Baker, Saåad & Frédéric D. Oberland DR5 0.00 dB -8.06 dB 9:07 02 - Phase II / Aidan Baker, Saåad & Frédéric D. Oberland DR8 0.00 dB -11.01 dB 5:01 03 - Phase III / Aidan Baker, Saåad & Frédéric D. Oberland DR4 0.00 dB -6.22 dB 4:59 04 - Phase IV / Aidan Baker, Saåad & Frédéric D. Oberland DR7 0.00 dB -9.91 dB 3:38 05 - Phase V / Aidan Baker, Saåad & Frédéric D. Oberland -------------------------------------------------------------------------------- Number of tracks : 5 Official DR Value: DR6 Samplerate : 44100 Hz Channels : 2 Bits per sample : 16 Average bitrate : 905 kbps Codec : FLAC ================================================================================
Скриншоты спектров частот:
об альбоме
Some performances are never meant to last. Their impact isn't measured in permanence but in the weight of the moment itself. "No Night Is Long Enough to Dream Twice" captures one such fleeting alignment — a live improvisation recorded at Dada, Toulouse, in March 2024, featuring three artists whose paths have intertwined for nearly two decades. Aidan Baker (Nadja, Hypnodrone Ensemble), Romain Barbot (Saåad, FOUDRE!, Sables Noirs), and Frédéric D. Oberland (Oiseaux-Tempête, FOUDRE!, Farewell Poetry) have each carved their own singular routes through experimental music, but on this particular night, without discussion they stepped into the unknown together. For exactly 30 minutes, sound took shape between them—emerging, expanding, and vanishing as naturally as breath. Thankfully recorded by Aurélien Prévost and later restored and mastered with forensic care by Jean-Charles Bastion, the unedited recording preserves the immediacy of this suspended moment — one that might otherwise have been lost entirely. Guitar lines spiral outward like slow-motion shockwaves, while pulses of wind and distant chimes rise and fall like submerged signals. Layers of sound press against each other, stretching time until it frays. The title, borrowed from poet Mahmoud Darwish, speaks of nights too brief for dreams to return — nights burdened with loss, with fire. The music breathes in that same spirit: weightless yet full of tension, dreamlike yet sharp-edged. Less a composition than a spontaneous entanglement, it's a web spun in the dark—delicate, intricate, inescapable. There is no repetition, no second take. Just a single dream, unraveling before it's gone.
