DimoVaz2-2 · 11-Фев-25 21:22(2 месяца 24 дня назад, ред. 11-Фев-25 21:30)
Последний самурай / The Last Samurai Название альбома: Recording Sessions, Bootleg Жанр: Score Композитор: Hans Zimmer Дополнительная музыка: Geoff Zanelli, Blake Neely, Trevor Morris Дополнительные арранжировки: Fred Selden Носитель: CD, Bootleg Страна-производитель диска (релиза): США Год издания: 2003 Аудиокодек: FLAC (*.flac) Тип рипа: tracks Продолжительность: 1:48:18 Треков: 37 Источник: интернет (неизвестен) Информация: ссылка Наличие сканов в содержимом раздачи: нет
Треклист
01. 1m01 v3 Opening Titles (2:03)
02. 1m03 v2 The Little Bighorn Tale (1:41)
03. 1m05 v5 Algren Travels To Japan (2:06)
04. 1m06S Japanese Market Source (1:12)
05. 1m08 Boot Camp (1:45)
06. 2m09 v5 Scalping Technique (2:42)
07. 2m10 v8 Just Shoot Me! (1:41)
08. 2m11-12 v25 Samurai Will Find Us / Battle In The Fog (7:45)
09. 2m13 v12 Captured (1:14)
10. 2m13 ALT Captured (Alternate) (1:28)
11. 3m15 v3 Sake (2:24)
Hans Zimmer & Blake Neely
12. 3m16 v10 Algren Explores Village (3:12)
13. 3m17 v19 Beating In The Rain (2:24)
Hans Zimmer & Trevor Morris
14. 3m18 Intriguing People (2:49)
15. 3m19 v12 Too Many Mind (1:09)
16. 4m20 v8 Seasons Pass (4:52)
17. 4m21 It's A Draw (1:26)
18. 4m23 v13 Nite At The Theater / Ninja Attack (4:49)
Hans Zimmer & Geoff Zanelli and Fred Selden
19. 4m24 v20 Every Soldier Has Nightmares / Farewell / Safe Passage (7:19)
20. 5m27 v10 Haircut (2:53)
21. 5m28 v3 I Refuse To Give Up My Sword (1:24)
22. 5m29A v6 One Mind Pt 1 (1:45)
23. 5m29B v2 One Mind Pt 2 (2:28)
24. 5m30 v1 Get Past The Guards (0:25)
25. 5m31A v4 President Of The United States (1:23)
26. 5m31B v6 The Escape (2:19)
27. 5m31C v11 Nobutada's Death (2:36)
28. 6m32-33 v7 Don't Go / Prepare For Battle (3:33)
29. 6m34 v7 Wear This Armor (2:58)
30. 6m35 v5 To The Battlefield (2:28)
31. 6m36 v8 They Won't Surrender (1:37)
32. 6m37 v16 Warrior Games (3:44)
33. 7m38-39A v2 Archers / On The Battlefield (4:30)
34. 7m39B v4 Death & Carnage (1:50)
35. 7m40A v37 The Final Charge (4:37)
Hans Zimmer & Geoff Zanelli
36. 7m40B-C Samurai Die By Gatling Gun / Katsumoto's Death (5:30)
37. 7m41 v14 Small Measure Of Peace (8:02)
Доп. информация
Bootleg. Lossless.
FILM CREDITS (Состав) & ALBUM ASSEMBLY
THE LAST SAMURAI, 2003, Directed by Edward Zwick FILM CREDITS Music by Hans Zimmer Music Score Arranged & Programmed by Hans Zimmer, Geoff Zanelli, Blake Neely & Clever Trevor Morris
Orchestrated by Bruce Fowler, Suzette Moriarty & Ladd McIntosh
Conducted by Blake Neely
Music Editor: Marc Streitenfeld
Assistant Music Editor: Del Spiva
Score Recorded by Alan Meyerson & Slamm Andrews
Score Mixed by Alan Meyerson
Music Score Consultants: Clever Trevor Morris, Melissa Muik & Mark Wherry
Musicians: Dolores Clay, Craig Eastman, Steve Erdody, Benjamin Hale, June Kuramoto, Emil Richards, Bill Shozan Schultz & Fred Selden ALBUM ASSEMBLY A Way Of Life : 4m20 v8 Seasons Pass (Edited) + 6m34 v7 Wear This Armor (Edited) + 3m17 v19 Beating In The Rain
Spectres In The Fog : 2m13 ALT Captured + 2m11-12 v25 Samurai Will Find Us - Battle In The Fog (Edited)
Taken : 6m32-33 v7 Don't Go - Prepare For Battle
A Hard Teacher : 3m18 Intriguing People (Edited) + 3m16 v10 Algren Explores Village
To Know My Enemy : 7m39B v4 Death & Carnage + 5m29B v2 One Mind Pt 2 (Edited) + 5m31C v11 Nobutada's Death (Edited)
Idyll's End : 4m24 v20 Every Soldier Has Nightmares - Farewell - Safe Passage (Edited)
Safe Passage : 5m27 v10 Haircut + 5m28 v3 I Refuse To Give Up My Sword + 3m19 v12 Too Many Mind
Ronin : 1m08 Boot Camp (Edited) + 6m36 v8 They Won't Surrender (Edited)
Red Warrior : 6m35 v5 To The Battlefield (Edited) + 7m38-39 v2 Archers - On The Battlefield (Edited)
The Way Of The Sword : 7m40A v37 The Final Charge (Edited) + 7m40B-C Samurai Die By Gatling Gun - Katsumoto's Death
A Small Measure Of Peace : 7m41 v14 Small Measure Of Peace
The Final Charge : 7m40A v37 The Final Charge HANS ZIMMER: "If you're lucky enough to get nominated for an Oscar, you get invited to the Oscar nominee's luncheon where they hand out these little nomination certificates. There are usually 150 people standing there, and people are invited up in alphabetical order, starting with the As. By the time they get to the Cs, everybody's already back at their table chatting and eating, and while the first people called get thunderous applause, you can imagine what it's like when your name starts with Z! So Ed Zwick and I were standing there, waiting at one of these luncheons about four years ago, and we started talking to each other. I asked him what he was working on and he told me about this movie called The Last Samurai, which I thought sounded interesting and I asked him to send me a script. After the script arrived, I didn't hear from him for a long time and I thought he'd forgotten about me, not thinking about how difficult it is to set up a samurai movie these days. The other thing I liked about the project was that Tom Cruise was involved, so it was like returning home, since I've scored a bunch of his movies – I knew we were going to have a good time. Ed and his editor Steve Rosenblum are such gentlemen, so together and professional, and they basically did one cut of the film, screened it, and everyone loved their work. So after this, they had plenty of time to come and hang with me, and while I usually love the re-cutting process because it's a diversionary tactic to keep the director and editor out of my life, these guys were great to have around. Of course, my sense of paranoia made me think that something was going wrong all the time, waiting for the other shoe to drop, as it were, but it never happened. Ed phoned this morning and I thought, "Oh my god – rewrite!" It's just how my brain works. But I think he and I feel a bit odd now: we've been seeing each other every day for months, and suddenly we're done. I completely understand why people have a problem finishing a movie, because there's something really nice about the process – completion is far more boring. My problem is that I feel Japanese music is really inaccessible to Western ears, and I was really struggling with this film initially, trying to figure out what I was doing. This idea popped into my head for using Western-style themes, but applying a Japanese aesthetic to them, which sounds great of course, until I had to ask myself what I meant! Actually, I think it's just my way of not overloading certain things with too many colors, or being geometrically precise about my cues and not making them too flowery. The Tom Cruise character is one of those nasty drunks at the beginning, who obviously has some serious problems he's trying to deal with, or not deal with. He's obnoxious and restless, suffering sleepless nights and is very un-Tom. For me, this character's journey was about his need to earn tranquility and peace, so within the score there's this very romantic, overblown and passionate theme. It's like a juvenile way of dealing with life and death – the pain and liebestod. However, to contrast with these very relentless themes, there are a number of stark, formal and sober pieces, because I wanted to take Tom's character on a journey. He comes from America and ends up in this foreign place where he doesn't speak the language or understand the culture. But at the end of the movie, I want the audience to think that there isn't a more beautiful place for him to be, that he is at home in Japan and finally at peace. There are many useless acts of bravery we do out of misguided romanticism, and this movie is full of courageous and dignified acts of bravery. So I wanted to play off these acts, since both the American and Japanese cultures have a concept of heroism, and I just wanted to see if I could play with the nature of the two different concepts." (Originally from Soundtrack.net) GEOFF ZANELLI: "One of the most important pieces I wrote for The Last Samurai was the ninja attack (4m23 Nite At The Theater - Ninja Attack). I've always had a reputation for writing good action music. My first attempt at the scene was to score it only with percussion, to make the ninjas feel mechanically deliberate and brutal in their precision. It's still largely percussive, but I couldn't stop myself from bringing in a little bit of orchestra from time to time." (Originally from GeoffZanelli.com) TREVOR MORRIS: "Hans and I were building his new writing studio together around this time. Which was bitter sweet, we both wanted The Last Samurai to be the first project in his new room. It just wasn't meant to be timing wise. Although Hans old room (now occupied by a fellow composer at Remote Control) has like 15+ years of hit movie scores in the walls. So in a way it was odd to see it go. Ed Zwick, likely the coolest director on the planet, would show up and have a glass of scotch and listen to cues. It was an amazing time for me, I always wanted to participate on a movie like this with Hans, an epic sweeper, the kind of film he does better than anyone else. We recorded Taikos of every size and shape, and watched as Hans bussed them through Pro-Tools and triggered old Analog Modular synthesizers for extra bottom end, to make the ultimate Taikos for use in the score. This process took over 3 weeks straight. It was exciting before he even wrote a note. Although, myself and his other staff did pitch in and buy him a real Samurai sword for inspiration (which he put over his writing desk during the movie). The joke being he always had a way out if the going got too rough on the score! It resides in his new studio as a reminder of how close we all are to voluntary suicide as film composers. Anyhow, TLS was one of my first movies doing any sort of musical contribution for Hans. We sat together day after day, working on 12 minute action sequences. I would do arrangements and program the crap out of ostinatos and Taiko patterns until I was blind, things of this nature. It's a memorable film for me, as it reminds the first time I felt like Hans really trusted me musically, which was a big nod from him. And the sort of film composers dream of getting to score, even once in their career. Here is my favorite cue from the film (3m17 Beating In The Rain), one of the first cues he wrote, and one of the first cues I did any work on (I added 8 bars of low Trombone voicing due to a picture insert change, was a big day for me :). Plus Tom Cruise gets the crap beat of out of him in the rain in this cue, how fun is that to score? Listen and behold the bottom end of Hans Zimmer (so to speak). If you listen to around the 1:25 mark, you will hear the staggering genius of my trombone voicing for a good solid 9 seconds or so :)." (Originally from TrevorMorris.com)
Динамический отчет (DR)
foobar2000 2.1.5 / Замер динамического диапазона (DR) 1.1.1 Дата отчёта: 2025-02-11 21:21:10 -------------------------------------------------------------------------------- Анализ: Hans Zimmer & Blake Neely / The Last Samurai (Recording Sessions, Bootleg) (by Hans Zimmer) (2003, flac) (1) Hans Zimmer & Geoff Zanelli and Fred Selden / The Last Samurai (Recording Sessions, Bootleg) (by Hans Zimmer) (2003, flac) (2) Hans Zimmer & Geoff Zanelli / The Last Samurai (Recording Sessions, Bootleg) (by Hans Zimmer) (2003, flac) (3) Hans Zimmer & Trevor Morris / The Last Samurai (Recording Sessions, Bootleg) (by Hans Zimmer) (2003, flac) (4) Hans Zimmer / The Last Samurai (Recording Sessions, Bootleg) (by Hans Zimmer) (2003, flac) (5-36) Tokyo Gakuso / The Last Samurai (Recording Sessions, Bootleg) (by Hans Zimmer) (2003, flac) (37) -------------------------------------------------------------------------------- DR Пики RMS Продолжительность трека -------------------------------------------------------------------------------- DR10 -3.76 дБ -19.58 дБ 2:25 11-2m15 v3 Sake DR12 0.00 дБ -15.06 дБ 4:49 18-4m23 v13 Nite At The Theater / Ninja Attack DR11 0.00 дБ -14.99 дБ 4:38 35-7m40A v37 The Final Charge DR11 -1.24 дБ -16.19 дБ 2:24 13-3m17 v19 Beating In The Rain DR12 -3.68 дБ -23.48 дБ 2:03 01-1m01 v3 Opening Titles DR13 -2.51 дБ -22.84 дБ 1:41 02-1m03 v2 The Little Bighorn Tale DR13 -3.72 дБ -25.05 дБ 2:06 03-1m05 v5 Algren Travels To Japan DR10 -5.01 дБ -21.47 дБ 1:46 05-1m08 Boot Camp DR13 -0.60 дБ -20.35 дБ 2:42 06-2m09 v5 Scalping Technique DR11 -5.45 дБ -23.34 дБ 1:41 07-2m10 v8 Just Shoot Me! DR11 -0.42 дБ -17.01 дБ 7:45 08-2m11-12 v25 Samurai Will Find Us / Battle In The Fog DR13 -3.00 дБ -19.84 дБ 1:14 09-2m13 v12 Captured DR13 -3.82 дБ -20.89 дБ 1:28 10-2m13 ALT Captured (Alternate) DR13 -5.15 дБ -23.31 дБ 3:19 12-3m16 v10 Algren Explores Village DR12 -12.62 дБ -31.73 дБ 2:49 14-3m18 Intriguing People DR11 -1.40 дБ -18.93 дБ 1:10 15-3m19 v12 Too Many Mind DR10 -11.21 дБ -27.98 дБ 4:52 16-4m20 v8 Seasons Pass DR11 -0.03 дБ -17.97 дБ 1:28 17-4m21 It's A Draw DR12 -1.34 дБ -20.39 дБ 7:19 19-4m24 v20 Every Soldier Has Nightmares / Farewell / Safe Passage DR11 0.00 дБ -17.61 дБ 2:53 20-5m27 v10 Haircut DR11 -5.99 дБ -23.72 дБ 1:24 21-5m28 v3 I Refuse To Give Up My Sword DR12 -2.31 дБ -21.18 дБ 1:45 22-5m29A v6 One Mind Pt 1 DR10 -0.01 дБ -16.67 дБ 2:28 23-5m29B v2 One Mind Pt 2 DR7 -8.75 дБ -20.54 дБ 0:25 24-5m30 v1 Get Past The Guards DR11 -6.98 дБ -23.87 дБ 1:23 25-5m31A v4 President Of The United States DR9 -0.42 дБ -14.77 дБ 2:19 26-5m31B v6 The Escape DR9 -0.59 дБ -13.57 дБ 2:36 27-5m31C v11 Nobutada's Death DR11 -0.49 дБ -18.34 дБ 3:34 28-6m32-33 v7 Don't Go / Prepare For Battle DR13 -8.07 дБ -28.36 дБ 2:58 29-6m34 v7 Wear This Armor DR10 0.00 дБ -15.58 дБ 2:29 30-6m35 v5 To The Battlefield DR11 0.00 дБ -14.70 дБ 1:37 31-6m36 v8 They Won't Surrender DR10 -0.02 дБ -14.38 дБ 3:44 32-6m37 v16 Warrior Games DR11 0.00 дБ -14.63 дБ 4:30 33-7m38-39 v2 Archers / On The Battlefield DR7 0.00 дБ -10.61 дБ 1:50 34-7m39B v4 Death & Carnage DR10 -0.44 дБ -15.68 дБ 5:30 36-7m40B-C Samurai Die By Gatling Gun / Katsumoto's Death DR12 -2.03 дБ -18.88 дБ 8:02 37-7m41 v14 Small Measure Of Peace DR16 -2.43 дБ -21.84 дБ 1:12 04-1m06S Japanese Market Source -------------------------------------------------------------------------------- Количество треков: 37 Реальные значения DR: DR11 Частота: 44100 Гц Каналов: 2 Разрядность: 16 Битрейт: 684 кбит/с Кодек: FLAC ================================================================================
