Jimin Oh-Havenith / Ludwig van Beethoven: Piano Sonatas Nos. 23, 30 & 32
Формат записи/Источник записи: [TR24][OF]
Наличие водяных знаков: Нет
Год издания/переиздания диска: 2020
Жанр: Classical • Piano
Издатель (лейбл): audite|forum
Продолжительность: 01:16:24
Наличие сканов в содержимом раздачи: Буклет PDF
Треклист:
01. Piano Sonata No. 23 in F Minor, Op. 57 'Appassionata': I. Allegro assai [11:04]
02. Piano Sonata No. 23 in F Minor, Op. 57 'Appassionata': II. Andante con moto [05:43]
03. Piano Sonata No. 23 in F Minor, Op. 57 'Appassionata': III. Allegro ma non troppo - Presto [08:36]
04. Piano Sonata No. 30 in E Major, Op. 109: I. Vivace ma non troppo, sempre legato - Adagio espressivo [03:48]
05. Piano Sonata No. 30 in E Major, Op. 109: II. Prestissimo [02:46]
06. Piano Sonata No. 30 in E Major, Op. 109: III. Gesangvoll, mit innigster Empfindung. Andante molto cantabile ed espressivo [02:24]
07. Piano Sonata No. 30 in E Major, Op. 109: III. Variation I. Molto espressivo [01:57]
08. Piano Sonata No. 30 in E Major, Op. 109: III. Variation II. Leggieramente [01:39]
09. Piano Sonata No. 30 in E Major, Op. 109: III. Variation III. Allegro vivace [00:26]
10. Piano Sonata No. 30 in E Major, Op. 109: III. Variation IV. Un poco meno andante ciò è un poco più adagio come il tema [02:44]
11. Piano Sonata No. 30 in E Major, Op. 109: III. Variation V. Allegro, ma non troppo [00:58]
12. Piano Sonata No. 30 in E Major, Op. 109: III. Variation VI. Tempo primo del tema [01:54]
13. Piano Sonata No. 30 in E Major, Op. 109: III. Cantabile [01:30]
14. Piano Sonata No. 32 in C Minor, Op. 111: I. Maestoso - Allegro con brio ed appassionato [10:06]
15. Piano Sonata No. 32 in C Minor, Op. 111: II. Arietta. Adagio molto semplice cantabile [20:52]
Контейнер: FLAC (*.flac)
Тип рипа: tracks
Разрядность: 24/96
Формат: PCM
Количество каналов: 2.0
Лог проверки качества
foobar2000 2.1 / Dynamic Range Meter 1.1.1
log date: 2024-01-27 06:42:16
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Analyzed: Jimin Oh-Havenith / Ludwig van Beethoven: Piano Sonatas Nos. 23, 30 & 32
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DR Peak RMS Duration Track
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DR13 -0.50 dB -17.42 dB 11:04 01-Piano Sonata No. 23 in F Minor, Op. 57 'Appassionata': I. Allegro assai
DR14 -0.50 dB -22.77 dB 5:43 02-Piano Sonata No. 23 in F Minor, Op. 57 'Appassionata': II. Andante con moto
DR13 -0.50 dB -16.63 dB 8:36 03-Piano Sonata No. 23 in F Minor, Op. 57 'Appassionata': III. Allegro ma non troppo - Presto
DR13 -0.50 dB -19.59 dB 3:48 04-Piano Sonata No. 30 in E Major, Op. 109: I. Vivace ma non troppo, sempre legato - Adagio espressivo
DR12 -0.50 dB -17.29 dB 2:46 05-Piano Sonata No. 30 in E Major, Op. 109: II. Prestissimo
DR13 -8.99 dB -27.79 dB 2:24 06-Piano Sonata No. 30 in E Major, Op. 109: III. Gesangvoll, mit innigster Empfindung. Andante molto cantabile ed espressivo
DR13 -5.22 dB -23.85 dB 1:57 07-Piano Sonata No. 30 in E Major, Op. 109: III. Variation I. Molto espressivo
DR14 -4.33 dB -24.76 dB 1:39 08-Piano Sonata No. 30 in E Major, Op. 109: III. Variation II. Leggieramente
DR11 -2.40 dB -16.58 dB 0:26 09-Piano Sonata No. 30 in E Major, Op. 109: III. Variation III. Allegro vivace
DR12 -3.98 dB -21.23 dB 2:44 10-Piano Sonata No. 30 in E Major, Op. 109: III. Variation IV. Un poco meno andante ciò è un poco più adagio come il tema
DR12 -0.50 dB -17.28 dB 0:58 11-Piano Sonata No. 30 in E Major, Op. 109: III. Variation V. Allegro, ma non troppo
DR10 -0.50 dB -17.17 dB 1:54 12-Piano Sonata No. 30 in E Major, Op. 109: III. Variation VI. Tempo primo del tema
DR14 -11.11 dB -30.87 dB 1:30 13-Piano Sonata No. 30 in E Major, Op. 109: III. Cantabile
DR13 -0.50 dB -17.75 dB 10:06 14-Piano Sonata No. 32 in C Minor, Op. 111: I. Maestoso - Allegro con brio ed appassionato
DR14 -1.01 dB -20.90 dB 20:52 15-Piano Sonata No. 32 in C Minor, Op. 111: II. Arietta. Adagio molto semplice cantabile
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Number of tracks: 15
Official DR value: DR13
Samplerate: 96000 Hz
Channels: 2
Bits per sample: 24
Bitrate: 2383 kbps
Codec: FLAC
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Источник (релизер):
https://www.qobuz.com/ie-en/album/ludwig-van-beethoven-piano-sonatas-nos-23-30-32...th/gy8mjr6b95xxc
Исполнитель: Jimin Oh-Havenith, piano
Об исполнителе (группе)
An exceptional sonority and fidelity owed to the text determine Jimin Oh-Havenith’s piano playing. Her warm sound, which is always embedded within the rhythmic structure, lets music come alive in all its richness.
Synchronicity of sound and rhythm, not arbitrary changes in tempo and dynamics determine the clarity of her interpretation.
JImin Oh-Havenith was born in Seoul, South Korea. In 1979 she began her piano studies with Jin-Woo Chung at the Seoul National University. From 1981 to 1984 she continued her studies with Aloys Kontarsky at the Musikhochschule Köln.
In addition to her concert activities as a soloist, radio and CD recordings, she also performed as a piano duo with her late husband Raymund Havenith (†1993).
Jimin taught at the Hochschule für Musik, Mainz and the Hochschule für Musik und Darstellende Kunst, Frankfurt am Main.
Since 2013 she is active as a soloist again.
Об альбоме (сборнике)
This new recording by Jimin Oh-Havenith presents three of Beethoven's most famous, beautiful, but also most demanding piano sonatas. In addition to the dramatic F minor Sonata, Op. 57 'Appassionata', the pianist plays the late Sonatas in E major, Op. 109, and C minor, Op. 111, the last of the 32 piano sonatas.
The exploration and crossing of boundaries can be seen as a central motif in Beethoven's compositions in general, and in his piano music in particular. While the variation movement in the Appassionata is flanked by rugged outer movements and the ending is a lively dance, Opp. 109 and 111 close with extended, expressive variation movements. In the finale of Op. 109 and in the simple, yet rapturously poignant Arietta of Op. 111 with the metamorphoses in its five variations, Beethoven enters uncharted territory. Here, Beethoven not only reaches expressive extremes, but also challenges his instrument: the keyboard range is stretched to the limit. The listener experiences the end of the C minor Sonata as a farewell to the world and to the genre of the sonata itself, but also as a beginning of something new and unknown.
Jimin Oh-Havenith's interpretation convinces through carefully chosen tempi, which facilitate a vivid and transparent presentation of the thematic structures and internal developments. The clarity and expressiveness of her playing provides an immediate experience of Beethoven's inexhaustible imaginative power and the transformation of the poetic idea. © Audite
Jimin Oh-Havenith Hi-Res
