(Electronic, Experimental, Friedman) [WEB] Burnt Friedman - Anthology (1980-2017) - 2017, FLAC (tracks), lossless

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Copyright (c) 2004 Oleg Berngardt. All rights reserved.
Copyright (c) 2004 Alexander Djourik. All rights reserved.
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    Track: 04. Burnt Friedman - Sorcier (1994)
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    Track: 02. Burnt Friedman - Monkhide (2011)
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    Track: 03. Burnt Friedman - The Pestle (2010)
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    Track: 01. Burnt Friedman - En Bu 2 (2012)
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    Track: 05. Burnt Friedman - Nerfs D'Acier (1999)
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    Track: 06. Burnt Friedman - Intrication (1996)
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    Track: 07. Burnt Friedman - Secret Route (1980)
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    Track: 08. Burnt Friedman - Near Life (2011)
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    Track: 09. Burnt Friedman - Acroagnosis (2016)
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    Track: 10. Burnt Friedman - Languish (2015)
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    Track: 11. Burnt Friedman - Grace (2010)
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    Track: 12. Burnt Friedman - Wentletrap (2007)
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    Track: 13. Burnt Friedman - Knick (1994)
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    Track: 14. Burnt Friedman - Monsun (2017)
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    Track: 15. Burnt Friedman - Ochlott (1988)
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    Track: 16. Burnt Friedman - Day In Rho (1993)
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    Track: 17. Burnt Friedman - Sayonara (1985)
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This compilation spanning a period of 37 years features Burnt Friedman’s releases and edits thereof from vinyl-only labels (Latency (FR), Marionette (CA), Dekmantel (NL) amongst others) plus 4 hitherto unreleased tracks, making them available on digital formats. Friedman’s music from 1980 to 2017 covers a broad spectrum of played and programmed rhythmic styles that traverse not only club music from techno, electro and dub, but, above all, trace Friedman’s own artistic development. A trajectory that owes a lot to his long-standing collaboration with Can drummer Jaki Liebezeit, who died at the age of 79 in 2017. Like Liebezeit, Friedman already explored even and uneven rhythms back in the late 1980s. This selection of 17 tracks documents this pursuit while bringing rough or discarded tracks to light, which did not fit onto any album or were intended for the Nonplace label. The compilation runs the entire gamut of his work on percussion, keyboard, samplers and toys of all kinds using various production methods (tape, Atari, Midi, sampler, hard disk recording, digital audio tape). Studio work (instant-composition, programming and recording) underwent major technological changes and revolutions in the 1980s and 1990s, but Friedman’s distinctive signature style prevails throughout.

reeds by Hayden Chisholm, tracks 2/12
sarod by Takeshi Nishimoto, track 3
electric guitars by Joseph Suchy, track 11
casio keyboard by Roy Steinbrecher, track 17