J.S.Bach - Goldberg Variations (Pieter Dirksen)
Жанр: Classical harpsichord & organ solo
Страна-производитель диска: Made in the EU?
Год издания диска: 2010
Издатель (лейбл): Etcetera
Номер по каталогу: KTC1400
Дата записи: 2010
Аудиокодек: FLAC
Тип рипа: image+.cue
Битрейт аудио: lossless
Продолжительность: 46'00 + 60'49 / 01:47:00
Источник: релизер
сайт-источник/ник/другое: basso profundo, подарок; Caterina Sforza - работа с cue, доп. сканы
Наличие сканов в содержимом раздачи: да, два полных авторских буклета jpeg и pdf, 19 стр.
Треклист:
CD 1
Goldberg Variations BWV 988, Part I:
[1] Aria - 5:08
[2-16] Variatio 1-15 - 40:51
CD 2
Goldberg Variations BWV 988, Part II:
[1-15] Variatio 16-30 - 43:14
[16] Aria da capo - 3:02
[17-21] Canonic Variations BWV 769 - 14:33
Исполнители
Johann Sebastian Bach (1685-1750)
Goldberg Variations, BWV 988
Canonic Variations, BWV 769
Pieter Dirksen, harpsichord (Sebastián Núñez, 1996, after Johannes Ruckers) and organ (Albertus Hinsz, 1734)
Release Date: 19th Apr 2010
Release Date June 8, 2010
Лог создания рипа
CD1
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Pieter Dirksen / Bach - Goldberg Variations CD1
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CD2
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EAC extraction logfile from 6. July 2020, 11:59
Pieter Dirksen / Bach - Goldberg Variations CD2
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Содержание индексной карты (.CUE)
CD1
REM GENRE Baroque
REM DATE 2008
REM DISCID C80AC810
REM COMMENT "ExactAudioCopy v1.5"
PERFORMER "Pieter Dirksen, harpsichord"
TITLE "Bach - Goldberg Variations CD1"
REM COMPOSER "Johann Sebastian Bach (1685-1750)"
FILE "Pieter Dirksen - Bach - Goldberg Variations CD1.flac" WAVE
TRACK 01 AUDIO
TITLE "Clavier Ubung bestehend in einer Aria mit verschiedenen Verænderungen vors Clavicimbal mit 2 Manualen, BWV 988 (1741): Aria"
PERFORMER "Pieter Dirksen"
REM COMPOSER "Johann Sebastian Bach"
FLAGS DCP
INDEX 01 00:00:00
TRACK 02 AUDIO
TITLE "Variatio 1. a 1 Clav"
PERFORMER "Pieter Dirksen"
REM COMPOSER "Johann Sebastian Bach"
FLAGS DCP
INDEX 01 05:09:39
TRACK 03 AUDIO
TITLE "Variatio 2. a 1 Clav"
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INDEX 01 07:33:03
TRACK 04 AUDIO
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PERFORMER "Pieter Dirksen"
REM COMPOSER "Johann Sebastian Bach"
FLAGS DCP
INDEX 01 09:48:58
TRACK 05 AUDIO
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INDEX 01 12:18:68
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INDEX 01 15:47:18
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PERFORMER "Pieter Dirksen"
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INDEX 01 17:28:40
TRACK 09 AUDIO
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PERFORMER "Pieter Dirksen"
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INDEX 01 22:05:42
TRACK 11 AUDIO
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INDEX 01 24:21:46
TRACK 12 AUDIO
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INDEX 01 26:25:25
TRACK 13 AUDIO
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CD2
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REM DATE 2008
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TITLE "Einige canonische Veränderungen über das Weihnachtslied: Vom Himmel hoch da komm ich her. Vor die Orgel mit 2 Clavieren und dem Pedal, BWV 769 (1747). Variatio 1: Canon all’Ottava (Canto fermo in Pedal)"
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INDEX 01 49:27:46
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About
The Canonic Variations on the Christmas chorale Vom Himmel hoch, da komm ich her were composed a few years later than the Goldberg Variations. The later work was composed for organ. Pieter Dirksen has published many baroque keyboard works and regularly presents masterclasses and lectures. His first solo CD on Etcetera, Bach’s Art of the Fugue (KTC1348) was much acclaimed.
Review
AllMusic Review by Blair Sanderson [-]
While there are many excellent things in Pieter Dirksen's performance of J.S. Bach's Goldberg Variations, BWV 988, listeners need to accept one characteristic that is apparent from the beginning of this recording: Dirksen takes the Goldbergs at a steady and deliberate pace. This is not to say he doesn't play some of the variations at a moderately fast tempo, but it's difficult to call his playing quick, and it is never virtuosic or showy. A Bach scholar with deep insights, he takes his time to address every possibility for ornamentation, observe every repeat, give every phrase its full length, and make the music reveal as much as possible. Dirksen's diligent rendering of the Goldberg Variations may be too detail-oriented for people with short attention spans, yet there is no other reason to fault him, for his harpsichord playing is meticulous and tasteful, and his understanding of Bach's idiom is profound and thorough. The filler work, the Canonic Variations on Vom Himmel hoch da komm ich her, BWV 769, is played on the organ, and Dirksen is equally fastidious and measured in his performance, and just as unhurried in his tempo. EtCetera's sound is clean and focused.
