Minamo / Shining [ 12k – 12k1031 ] Жанр: Electronic, Experimental, Ambient Страна-производитель диска: US Год издания: 2005 Издатель (лейбл): 12k Номер по каталогу: 12k1031 Аудиокодек: APE (*.ape) Тип рипа: image+.cue Битрейт аудио: lossless Продолжительность: 47:19 Источник (релизер): evgeny8314 Наличие сканов в содержимом раздачи: нет Треклист:
1 Crumbling 12:57
2 Raum 4:31
3 Serene 4:37
4 Tone 8:26
5 Stay Still 8:38
6 We Were 8:08
Лог создания рипа
EAC extraction logfile from 17. October 2006, 19:55 for CD Minamo / Shining Used drive : LITE-ON LTR-52246S Adapter: 1 ID: 0 Read mode : Secure with NO C2, accurate stream, disable cache Read offset correction : 6 Overread into Lead-In and Lead-Out : No Used output format : D:\Program Files\Monkey's Audio\MAC.exe (Monkey's Audio Lossless Encoder) Extra High Lossless Compression Other options : Fill up missing offset samples with silence : No Delete leading and trailing silent blocks : No Installed external ASPI interface Range status and errors Selected range Filename E:\HQ center\ape\12k1031_minamo - shining (eac-ape-cue-log)HQ by kNee\Minamo - Shining.wav.wav Peak level 98.6 % Range quality 99.9 % CRC 2DF429E6 Copy OK No errors occured End of status report
Содержание индексной карты (.CUE)
REM GENRE Electronic REM DATE 2005 REM DISCID 470B1606 REM COMMENT "ExactAudioCopy v0.95b4" PERFORMER "Minamo" TITLE "Shining" FILE "12k1031_Minamo - 2005 - Shining.ape" WAVE TRACK 01 AUDIO TITLE "Crumbling" PERFORMER "Minamo" ISRC US23K0500001 FLAGS DCP INDEX 01 00:00:00 TRACK 02 AUDIO TITLE "Raum" PERFORMER "Minamo" ISRC US23K0500002 FLAGS DCP INDEX 01 12:57:03 TRACK 03 AUDIO TITLE "Serene" PERFORMER "Minamo" ISRC US23K0500003 FLAGS DCP INDEX 01 17:28:64 TRACK 04 AUDIO TITLE "Tone" PERFORMER "Minamo" ISRC US23K0500004 FLAGS DCP INDEX 01 22:05:67 TRACK 05 AUDIO TITLE "Stay Still" PERFORMER "Minamo" ISRC US23K0500005 FLAGS DCP INDEX 01 30:31:71 TRACK 06 AUDIO TITLE "We Were" PERFORMER "Minamo" ISRC US23K0500006 FLAGS DCP INDEX 01 39:10:37
Лог проверки качества
AUDIOCHECKER v2.0 beta (build 457) - by Dester - opdester@freemail.hu ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ -=== DO NOT EDIT THIS FILE! ===- Path: ...\12k1031_Minamo - 2005 - Shining 1 -=- 12k1031_Minamo - 2005 - Shining.ape -=- CDDA (94%) 156870356
Об альбоме (сборнике)
BBC MUSIC ONLINE (UK)
Minamo are a Japanese quartet who perform using an unusual combination of instruments that includes electric and acoustic guitars, computers, keyboards and electronics. If the term 'electro-acoustic' were not so heavily associated with twentieth century modernist composition, it might be an apt one to apply to the group. The music they produce is, however, rather less intimidating than the likes of Schaeffer or Stockhausen. Minamo create shimmering clouds of sound that twinkle and resonate like tiny aurora borealises blurring in the middle distance. There's no hint of the acrid orange glows of contemporary urban conglomerations, the music instead conveys a strong sense of natural continuance and occasional development. This impression is in large part achieved by the group's tender delivery: small guitar figures unfold like origami sculptures gradually returning to virgin paper. Minamo steadfastly refuse to demand attention: their music insinuates itself into the listener's consciousness like half-remembered dreams. Concentration nevertheless pays rich dividends. 'Raum' is the musical equivalent of sitting at a table watching dust motes dance around a vase of flowers. 'Tone' wheezes patiently along like an elderly woman negotiating a garden path while myriad fireflies flicker around her. 'Stay Still' does just that, or almost so it vibrates and murmurs within a limited, humming space. The piece is imbued with a significant degree of pathos, as if regretting the passage of time. It's as though Minamo are determined to reduce the passing of a single event to something infinitely slower than a snail's pace. Perhaps they really do want to stop time, crystallise experience in microcosm. If so, their method appears similar to that of Jorge Borges' discussion of the impossibility of movement in the face of its infinite subdivision (Avatars Of The Tortoise). 'We Were' concludes this sixth missive from the group with acoustic guitar and warbling furrows of sound. The result is like a prehistoric insect caught in amber, a wish gradually fading, the sight of dandelion seeds floating on a gentle breeze in slow motion, almost obscured by remembered sunlight. Dusted Reviews : Dusted Reviews Artist: Minamo Album: Shining Label: 12k Review date: May. 25, 2005 On Minamo’s second album .kgs, the Tokyo-based foursome delivered shamanistic electronic shape-shifting and a sense of band dynamic with guitar, saxophone and computers. Their vibrant slow growth, similar to natural processes like grass growing or clouds passing, reached a near flawless height. They recreated the scene on a brief U.S. tour with Tim Barnes, illustrating that their organic approach needed no studio protection. Quite a striking anomaly amongst the throngs of similarly minded electronic musicians. Their next and first wildly available stateside release (not counting Quakebasket’s 100 edition Box series) Beautiful was a lingering step-sideways. Pieces played themselves via looped processing without the ghost of feeling. Minamo’s delicate structure can easily crumble from striking humanistic architecture into paltry, wallpaper ambience, and most of Beautiful did. On the new Shining, the erratic and spontaneous dust of albums past has been polished into a smoother, digital veneer with minor eruptions and jittering magnetics, fitting with the move to 12k. Member Keiichi Sugimoto’s recent ventures into drone and electronica with his solo Four Color and Fonica duo, respectively, lay the groundwork for Shining and the result is crisp, slow-motion improvisations that echo the environmental compositions of Jacob Kirkegaard and Giuseppe Ielasi’s solo work (whose Gesine could be a companion-piece to Shining). While the six pieces lack Namiko Sasamoto’s pervious rious saxophone gambits (she sticks solely to keyboards here), Yuichiro Iwashita’s acoustic guitar sets the true inimitable of Minamo; he slowly plucks string after string, a continuum rural folk tumbling that balances between Takoma and Taku Sugimoto. The immense drafts between his notes allow the tonal swelling to overflow. The opener, “Crumbling” grows from a dark globose character that becomes awash in brittle static and multi-melodic layers. Peeking with brilliant flutters, the piece pulses on for 12 minutes, slowly absorbing distant sine waves. Minamo doesn’t try to take you on a dramatic journey, one merely floats around their lazy river, soaking in the languid swaths of Tetsuro Yasunaga’s processed guitar and translucent chirping tones. Press your ear against the inner tube and deep, churning waves send aftershocks ricocheting during “Raum” and “Serene.” The undertows are as probing as Iwashita’s outer melodies. When he sits out, Sasamoto steps up with lingering electric piano laments that takes “Stay Still” into sentient pastures. While Minamo have opted towards a more precise sheen, their mortally charged electronica and sonorous sculptors are unchanged, still keeping them heads above the Powerbook-wielding masses. By Eric Weddlel
