jazz.u.love · 05-Окт-21 10:22(3 года 9 месяцев назад, ред. 05-Окт-21 10:26)
Jan Jelinek / Loop-Finding-Jazz-Records [bonus tracks 9 & 10] Жанр: IDM, Glitch, Minimal Носитель: CD Страна-производитель диска (релиза): GER Год издания: 2001 (Reissue 2018) Издатель (лейбл): Faitiche Номер по каталогу: faitback01cd Страна исполнителя (группы): GER Аудиокодек: FLAC (*.flac) Тип рипа: tracks+.cue Продолжительность: 01:05:18 Источник: thanks jlzt03 on RED Наличие сканов в содержимом раздачи: да Треклист: 1. Moiré (Piano & Organ) (06:54) 2. Rock In The Videoage (08:03) 3. They, Them (07:20) 4. Them, Their (05:06) 5. Tendency (07:21) 6. Moiré (Strings) (06:25) 7. Do Dekor (05:34) 8. Drift (05:09) 9. Moiré (Guitar & Horns) (06:37) 10. Poren (06:49)
Лог создания рипа
Exact Audio Copy V1.3 from 2. September 2016 EAC extraction logfile from 30. January 2021, 21:32 Jan Jelinek / Loop-Finding-Jazz-Records Used drive : HL-DT-STDVDRAM GP95NW70 Adapter: 1 ID: 0 Read mode : Secure Utilize accurate stream : Yes Defeat audio cache : Yes Make use of C2 pointers : No Read offset correction : 6 Overread into Lead-In and Lead-Out : No Fill up missing offset samples with silence : Yes Delete leading and trailing silent blocks : No Null samples used in CRC calculations : Yes Used interface : Native Win32 interface for Win NT & 2000 Gap handling : Appended to previous track Used output format : User Defined Encoder Selected bitrate : 768 kBit/s Quality : High Add ID3 tag : No Command line compressor : C:\Program Files (x86)\Exact Audio Copy\Flac\flac.exe Additional command line options : -8 -V -T "TITLE=%title%" -T "ARTIST=%artist%" -T "ALBUMARTIST=%albumartist%" -T "ALBUM=%albumtitle%" -T "DATE=%year%" -T "TRACKNUMBER=%tracknr%" -T "TRACKTOTAL=%numtracks%" -T "GENRE=%genre%" -T "COMMENT=%comment%" -T "PERFORMER=%albuminterpret%" -T "COMPOSER=%composer%" %source% -o %dest% TOC of the extracted CD Track | Start | Length | Start sector | End sector --------------------------------------------------------- 1 | 0:00.00 | 6:56.33 | 0 | 31232 2 | 6:56.33 | 8:05.73 | 31233 | 67680 3 | 15:02.31 | 7:20.41 | 67681 | 100721 4 | 22:22.72 | 5:08.19 | 100722 | 123840 5 | 27:31.16 | 7:23.17 | 123841 | 157082 6 | 34:54.33 | 6:27.43 | 157083 | 186150 7 | 41:22.01 | 5:34.46 | 186151 | 211246 8 | 46:56.47 | 5:11.11 | 211247 | 234582 9 | 52:07.58 | 6:39.15 | 234583 | 264522 10 | 58:46.73 | 6:48.66 | 264523 | 295188 Track 1 Filename C:\Users\User1\Music\jlzt03\Jan Jelinek - Loop-finding-jazz-records (CD, RE, 2018)\01 Moiré (Piano Organ).wav Pre-gap length 0:00:02.00 Peak level 100.0 % Extraction speed 1.2 X Track quality 100.0 % Test CRC 0BFFAA89 Copy CRC 0BFFAA89 Accurately ripped (confidence 4) [9D93B660] (AR v2) Copy OK Track 2 Filename C:\Users\User1\Music\jlzt03\Jan Jelinek - Loop-finding-jazz-records (CD, RE, 2018)\02 Rock In The Videoage.wav Pre-gap length 0:00:02.00 Peak level 100.0 % Extraction speed 1.5 X Track quality 100.0 % Test CRC 994D4C38 Copy CRC 994D4C38 Accurately ripped (confidence 4) [7DDD3A00] (AR v2) Copy OK Track 3 Filename C:\Users\User1\Music\jlzt03\Jan Jelinek - Loop-finding-jazz-records (CD, RE, 2018)\03 They, Them.wav Pre-gap length 0:00:02.00 Peak level 100.0 % Extraction speed 1.3 X Track quality 99.9 % Test CRC 1CC128E6 Copy CRC 1CC128E6 Accurately ripped (confidence 4) [2E5AF4E3] (AR v2) Copy OK Track 4 Filename C:\Users\User1\Music\jlzt03\Jan Jelinek - Loop-finding-jazz-records (CD, RE, 2018)\04 Them, Their.wav Peak level 100.0 % Extraction speed 1.7 X Track quality 100.0 % Test CRC 48FDD0F0 Copy CRC 48FDD0F0 Accurately ripped (confidence 4) [6EACA932] (AR v2) Copy OK Track 5 Filename C:\Users\User1\Music\jlzt03\Jan Jelinek - Loop-finding-jazz-records (CD, RE, 2018)\05 Tendency.wav Pre-gap length 0:00:01.74 Peak level 89.1 % Extraction speed 1.6 X Track quality 99.9 % Test CRC 11E02339 Copy CRC 11E02339 Accurately ripped (confidence 4) [17709FC3] (AR v2) Copy OK Track 6 Filename C:\Users\User1\Music\jlzt03\Jan Jelinek - Loop-finding-jazz-records (CD, RE, 2018)\06 Moiré (Strings).wav Pre-gap length 0:00:01.74 Peak level 93.3 % Extraction speed 2.1 X Track quality 100.0 % Test CRC D3D3F2DD Copy CRC D3D3F2DD Accurately ripped (confidence 4) [A6C1311D] (AR v2) Copy OK Track 7 Filename C:\Users\User1\Music\jlzt03\Jan Jelinek - Loop-finding-jazz-records (CD, RE, 2018)\07 Do Dekor.wav Pre-gap length 0:00:01.74 Peak level 100.0 % Extraction speed 1.6 X Track quality 99.9 % Test CRC 2D8CDF45 Copy CRC 2D8CDF45 Accurately ripped (confidence 4) [D5E6A299] (AR v2) Copy OK Track 8 Filename C:\Users\User1\Music\jlzt03\Jan Jelinek - Loop-finding-jazz-records (CD, RE, 2018)\08 Drift.wav Peak level 100.0 % Extraction speed 2.2 X Track quality 100.0 % Test CRC 011050A6 Copy CRC 011050A6 Accurately ripped (confidence 4) [95909336] (AR v2) Copy OK Track 9 Filename C:\Users\User1\Music\jlzt03\Jan Jelinek - Loop-finding-jazz-records (CD, RE, 2018)\09 Moiré (Guitar & Horns).wav Pre-gap length 0:00:01.56 Peak level 99.9 % Extraction speed 2.4 X Track quality 100.0 % Test CRC FE8704C2 Copy CRC FE8704C2 Accurately ripped (confidence 4) [0FC93A48] (AR v2) Copy OK Track 10 Filename C:\Users\User1\Music\jlzt03\Jan Jelinek - Loop-finding-jazz-records (CD, RE, 2018)\10 Poren.wav Pre-gap length 0:00:01.56 Peak level 99.8 % Extraction speed 2.5 X Track quality 100.0 % Test CRC BB550621 Copy CRC BB550621 Accurately ripped (confidence 4) [02DD67CD] (AR v2) Copy OK All tracks accurately ripped No errors occurred End of status report ---- CUETools DB Plugin V2.1.6 [CTDB TOCID: tZUTg6o1jKEtzKh6HcF.DtG4LZI-] found Submit result: already submitted Track | CTDB Status 1 | (19/19) Accurately ripped 2 | (19/19) Accurately ripped 3 | (19/19) Accurately ripped 4 | (19/19) Accurately ripped 5 | (19/19) Accurately ripped 6 | (19/19) Accurately ripped 7 | (19/19) Accurately ripped 8 | (19/19) Accurately ripped 9 | (19/19) Accurately ripped 10 | (19/19) Accurately ripped ==== Log checksum A1A2836A2A51E7E338709A88556D5D27DE7CB3CE5630400173AD4F78A2C3C962 ====
Содержание индексной карты (.CUE)
REM DATE 2018 REM DISCID 8E0F5F0A REM COMMENT "ExactAudioCopy v1.3" PERFORMER "Jan Jelinek" TITLE "Loop-Finding-Jazz-Records" REM COMPOSER "Jan Jelinek" FILE "01 Moire (Piano Organ).wav" WAVE TRACK 01 AUDIO TITLE "Moire (Piano Organ)" PERFORMER "Jan Jelinek" REM COMPOSER "Jan Jelinek" INDEX 01 00:00:00 TRACK 02 AUDIO TITLE "Rock In The Videoage" PERFORMER "Jan Jelinek" REM COMPOSER "Jan Jelinek" INDEX 00 06:54:33 FILE "02 Rock In The Videoage.wav" WAVE INDEX 01 00:00:00 TRACK 03 AUDIO TITLE "They, Them" PERFORMER "Jan Jelinek" REM COMPOSER "Jan Jelinek" INDEX 00 08:03:73 FILE "03 They, Them.wav" WAVE INDEX 01 00:00:00 FILE "04 Them, Their.wav" WAVE TRACK 04 AUDIO TITLE "Them, Their" PERFORMER "Jan Jelinek" REM COMPOSER "Jan Jelinek" INDEX 01 00:00:00 TRACK 05 AUDIO TITLE "Tendency" PERFORMER "Jan Jelinek" REM COMPOSER "Jan Jelinek" INDEX 00 05:06:20 FILE "05 Tendency.wav" WAVE INDEX 01 00:00:00 TRACK 06 AUDIO TITLE "Moire (Strings)" PERFORMER "Jan Jelinek" REM COMPOSER "Jan Jelinek" INDEX 00 07:21:18 FILE "06 Moire (Strings).wav" WAVE INDEX 01 00:00:00 TRACK 07 AUDIO TITLE "Do Dekor" PERFORMER "Jan Jelinek" REM COMPOSER "Jan Jelinek" INDEX 00 06:25:44 FILE "07 Do Dekor.wav" WAVE INDEX 01 00:00:00 FILE "08 Drift.wav" WAVE TRACK 08 AUDIO TITLE "Drift" PERFORMER "Jan Jelinek" REM COMPOSER "Jan Jelinek" INDEX 01 00:00:00 TRACK 09 AUDIO TITLE "Moire (Guitar & Horns)" PERFORMER "Jan Jelinek" REM COMPOSER "Jan Jelinek" INDEX 00 05:09:30 FILE "09 Moire (Guitar & Horns).wav" WAVE INDEX 01 00:00:00 TRACK 10 AUDIO TITLE "Poren" PERFORMER "Jan Jelinek" REM COMPOSER "Jan Jelinek" INDEX 00 06:37:34 FILE "10 Poren.wav" WAVE INDEX 01 00:00:00
https://www.allmusic.com/artist/jan-jelinek-mn0000177310
Artist Biography by Diana Potts German electronic musician Jan Jelinek produces a wide variety of works based on manipulated samples, ranging from glitchy minimal techno to electro-acoustic drones to radio plays. Rather than playing traditional instruments, he creates his work using sounds derived from sources ranging from field recordings to popular music, which are processed beyond recognition. His live performances, as a solo artist or in collaboration with other musicians or ensembles, are entirely improvised. Jelinek first received acclaim for his abstract techno tracks produced under the names Farben (compiled on 2002's Textstar) and Gramm (1999's Personal Rock), as well as recordings under his birth name for Pole's ~scape label, such as 2001's revered Loop-Finding-Jazz-Records. His music gradually became less beat-driven and more avant-garde, nearly abandoning rhythm altogether by the time he founded the Faitiche label in 2008. Jelinek's output during the 2010s included several collaborations with vibraphonist Masayoshi Fujita, as well as commissioned work for dance pieces or radio plays, including 2018's Zwischen. Moving to Berlin in 1995 for the sake of his university degree in philosophy and sociology, Jelinek started experimenting with sampling media. His experimentation turned into solid productions, and in 1998 he started releasing minimal techno records under the moniker Farben on Klang Elektronik. His first full-length, Personal Rock, was released under the name Gramm in 1999. The Gramm alias, reserved for abstract dub and glitch-techno, served as a vehicle for Jelinek to create a compromise between listening and dance music. Using his sampler as a tool to dissect and tape together new tracks, Jelinek moved on to ~scape for Loop-Finding-Jazz-Records. Jelinek cut and pasted jazz sequences from the '60s and '70s, rearranging them with audio tools for a unique end product. The album was a critical success, as was Textstar, a 2002 CD compilation of Farben tracks taken from limited-vinyl EPs. The EPs themselves were also released as the box set Starbox. In addition to performing live at clubs, Jelinek has taken part in electronic music-focused festivals and largely contributed to the Hanover, Germany-based Expo 2000, creating multimedia land and soundscapes for the youth media exhibit. One such performance with a laptop group, Computer Soup, was caught on tape and released as Improvisations and Edits: Tokyo, 09/26/2001. In 2003, Jelinek released La Nouvelle Pauvreté, a record credited to Jan Jelinek Avec the Exposures that offered a more abstract version of the Loop-Finding-Jazz-Records sound, occasionally incorporating vocals. Another collaboration was released, also in 2003, with Triosk. The result, entitled 1+3+1, featured Jelinek tweaking out the live trio. Lost Recordings 2000-2004, an album of blunted glitch-hop billed as just the Exposures, was released by Eastern Developments in 2005. The earthy Kosmischer Pitch appeared in 2005, drifting away from techno and closer to Krautrock and ambient sounds. Arriving in 2006, Tierbeobachtungen followed in this path, and was Jelinek's final solo full-length for ~scape. He launched his Faitiche label in 2008 with Recordings 1969-1988, an album presented as a compilation of recordings by previously unknown electronic artist and sound researcher Ursula Bogner, who allegedly died in 1994. While the label maintained that Bogner was a real person, it was widely assumed that it was merely Jelinek in disguise, further manifested by the fact that Jelinek presented concerts and exhibitions of Bogner's work. Jelinek also began releasing sound collage work under the name Gesellschaft Zur Emanzipation des Samples, and participated in Groupshow, an improvisational trio that also included Andrew Pekler and Hanno Leichtmann. In 2010, Jelinek released Bird, Lake, Objects, his first collaboration with Japanese vibraphonist Masayoshi Fujita. He also returned to making techno tracks as Farben, issuing a self-titled EP followed by 2011's Xango. He then released several limited LPs commissioned by museums or composed for dance pieces or radio plays, as well as live recordings with Fujita. These were then collected as Temple Vinylbox in 2013. A full-length collaboration between Farben and James Din A4 (Dennis Busch) was released in 2014. Schaum, a second full-length with Fujita, appeared in 2016. In 2018, Jelinek released Zwischen, a truncated version of a radio play he produced for German public broadcaster SWR2. The recording made use of interview clips by notable figures from Karlheinz Stockhausen to Lady Gaga, editing out their words and leaving only pauses, breathing sounds, and false starts. Later in the year, Jelinek issued Puls-Plus-Puls, a live improvisation with Swedish drummer Sven-Åke Johansson. Signals Bulletin, a rippling ambient collaboration with Japanese artist Asuna, appeared in 2019.
Об альбоме (сборнике)
https://www.allmusic.com/album/loop-finding-jazz-records-mw0000115298
Review by Mark Richardson
Though he shares an interest in sonic byproduct with artists like SND, Sutekh, and Pole, Jan Jelinek sets himself apart by probing the warm and luminous corners of the digital landscape. So while his music may well be just as theory-based as his peers, Jelinek's work has a strong emotional component that at times verges on the sentimental. Loop-Finding-Jazz-Records is Jelinek's first full-length under his own name, but it's not far from his fine records as Farben and Gramm. The rhythms are more varied here, and Jelinek is working with a richer sound palette centered on warm, fuzzy chords and static. Leadoff track "Moiré," which is built around nervous, unsteady drones (possibly sampled from an organ) and a bed of slowly shifting noise, slowly undulates between dread and comfort. "Rock in the Video Age" reprises the gently insistent house thump featured more prominently on Gramm's Personal Rock, and undercuts the beat with surging chords and unpredictable percussive accents. "Do Dekor" is another highlight, with marked dub inflection, an aggressive, tearing bassline, and gentle tones modulating between three chords on top. Each listen to Loop-Finding-Jazz-Records reveals another intriguing layer, and this is certainly one of the more inviting records in the world of electronic listening music. https://pitchfork.com/reviews/albums/4234-loop-finding-jazz-records/
Amold used in casting needs to be the precise spatial opposite of the desired object. If you want a piece of iron that looks like a human foot, you need a mold with empty space shaped like a human foot. It's obvious-- as the material is cast, matter becomes space and space becomes matter. This image comes to mind as I listen to Jan Jelinek's Loop-finding-jazz-records; this album is like hearing the mold used to cast proper pop. It's a perfect inversion of conventional music, a sonic negative. Everything that would typically be foreground is moved back or pushed off the screen altogether, and the flecks of sonic debris that would normally be covered by other sounds are left to carry the melody and rhythm. These thoughts came to me the first time I heard "Do Dekor," which I would swear is the negative image used to imprint the "AFX Fast Mix" of Seefeel's "Time to Find Me." The rhythm is just as relentless (and nearly identical, beat-wise), but Jelinek's percussion of choice is not drums or even a drum machine, but tiny rips of static pasted into place. Taking the same idea even further is "Them, Their" which uses a single microscopic click as a substitute for a snare drum, as the full bass outlines a funky rhythm a half tick from hip-hop, and dreamy out-of-tune keyboards seem lifted from some distant memory. It's so computerized it hurts. And yes, it's fucking gorgeous. The title here is meaningless, a joke coming from a guy who named a track on one of his records (under his Farben alias) "Live at the Hollywood Bowl." Some of the noises here may well have been sourced from jazz records, but you'd never know it. Besides, the palette here is similar to Jelinek's last album as Gramm, even though the goals are quite different. Gramm's personal_rock (which you should definitely check out if this record interests you) was more intent on exploring Jelinek's microsound ideas in the context of 4/4 dance rhythms-- something Loop-finding-jazz-records only touches on with "Rock in the Video Age" and "Tendency." With these tracks, Jelinek works territory similar to Wolfgang Voight's Gas project, anchoring his amorphous textures with the familiar house groove. The bulk of Loop-finding-jazz-records is given over to a more idiosyncratic pulse, which sheds more light on what Jelinek is doing with his peculiar mixing ideas. https://janjelinek.bandcamp.com/album/loop-finding-jazz-records
Faitiche is delighted to present a long-lost vinyl album: for the last 14 years, Jan Jelinek's Loop-Finding-Jazz-Records, originally released in 2001 on ~scape, existed only as a download. Now the album is available again on vinyl, as a double LP with two bonus tracks (B-sides from the Tendency EP, 2000). What the press said about Loop-Finding-Jazz-Records: “Don’t be misled by the title, though for there isn’t a finger-snapping rhythm c bebop lead anywhere on the album. Instead, Jelinek chooses to explore the visual effect moiré - two shifting patterns creating an implied third dimension - in the audio realm.” (Alternative Press) “The title acts as explanation for the studio technique that provided the basis for this album, snippets of other people’s arrangements deconstructed through a sampler into loops and then splashed onto an audio canvas.” (ATM) “Jelinek’s sound evolved out of his dislike for (and inability to play) keyboards.”
(RPM) “Jelinek has abstracted his sources beyond recognition, looping his millisecond samples into flickering patterns of sonic moiré laid atop a dub Techno framework. (...) Jelinek might as well have sampled a horn player’s hissing intake of breath – it would have been ‘jazz’ enough for his purposes.“
(The Wire) “It’s a perfect inversion of conventional music, a sonic negative. Everything that would typically be foreground is moved back or pushed off the screen altogether, and the flecks of sonic debris that would normally be covered by other sounds are left to carry the melody and rhythm.”
(Pitchfork) “All you need to know is that these onomatopoeic non-specific songs (...) are warm, paradisical creations”.
(NME) “Listen carefully and you’ll hear textures slowly unfolding and mutating. Presuming you’ve not fallen asleep of course.”
(iDJ) “At times, it’s all a bit dripping tap Japanese water torture; so sedentary it drowns in its own motionlessness”
(DJ) “Loop Finding Jazz Records' is a genuine modern classic whose re-release is anything but a cynical mortgage repayment exercise. Consider this a second chance, then pretend you had it all along.”
(Boomkat) PS: “I’ve been fortunate enough to see Jan Jelinek live once, at Tonic NYC (...). Wearing a black and white striped shirt, he looked like a nihilistic Charlie Brown.”
(beachsloth)
