(Contemporary Jazz) [CD] Aarhus Jazz Orchestra feat. Dave Liebman, Marilyn Mazur & Lars Moller - ReWrite of Spring (Tribute to Igor Stravinsky’s “Rite of Spring”) [2 CD] - 2015, FLAC (tracks+.cue), lossless

Exact Audio Copy V1.0 beta 6 from 9. April 2015
EAC extraction logfile from 29. November 2015, 19:45
Aarhus Jazz Orchestra feat. David Liebman & Marilyn Mazur / ReWrite of Spring
Used drive  : Optiarc DVD RW AD-7260S   Adapter: 1  ID: 0
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Quality                         : High
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Track  1
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Track  3
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Track  4
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==== Log checksum 84132A022D4D7B650A5493FCBD73B2EAF954F87B638A0E0591F26A74D95DC333 ====

Exact Audio Copy V1.0 beta 6 from 9. April 2015
EAC extraction logfile from 29. November 2015, 22:34
Aarhus Jazz Orchestra feat. David Liebman & Marilyn Mazur / ReWrite of Spring
Used drive  : Optiarc DVD RW AD-7260S   Adapter: 1  ID: 0
Read mode               : Secure
Utilize accurate stream : Yes
Defeat audio cache      : Yes
Make use of C2 pointers : No
Read offset correction                      : 48
Overread into Lead-In and Lead-Out          : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks   : No
Null samples used in CRC calculations       : Yes
Used interface                              : Native Win32 interface for Win NT & 2000
Gap handling                                : Appended to previous track
Used output format              : User Defined Encoder
Selected bitrate                : 1024 kBit/s
Quality                         : High
Add ID3 tag                     : No
Command line compressor         : C:\Program Files (x86)\Exact Audio Copy\FLAC\FLAC.EXE
Additional command line options : -8 -V -T "ARTIST=%artist%" -T "TITLE=%title%" -T "ALBUM=%albumtitle%" -T "DATE=%year%" -T "TRACKNUMBER=%tracknr%" -T "GENRE=%genre%" -T "PERFORMER=%albuminterpret%" -T "COMPOSER=%composer%" %haslyrics%--tag-from-file=LYRICS="%lyricsfile%"%haslyrics% -T "ALBUMARTIST=%albumartist%" -T "DISCNUMBER=%cdnumber%" -T "TOTALDISCS=%totalcds%" -T "TOTALTRACKS=%numtracks%" -T "COMMENT=%comment%" %source% -o %dest%
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        4  | 31:19.45 | 15:13.55 |    140970    |   209499
Track  1
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Track  2
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Track  3
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Track  4
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End of status report
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  1   | (2/2) Accurately ripped
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  4   | (2/2) Accurately ripped
==== Log checksum 748257390CE873CE5DE851450CFA2C39DEC05E16B9790087E9AA3296D1E54C6D ====

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“ReWrite of Spring” is a tribute to Igor Stravinsky’s “Rite of Spring” – one of the iconic modern masterpieces of music with decisive influence on the development of jazz music. “ReWrite of Spring” by internationally renowned saxophonist, composer and conductor Lars Møller, is the first major project from his pen as director of the Aarhus Jazz Orchestra.
With melodic, rhythmic and dramatic inspiration from Stravinsky, “ReWrite of Spring” spans transparency and ambiguity, virility and funk, exploiting the full expressive palette of one of Northern Europe’s best big bands and topped by contributions from two world-class musicians, saxophonist David Liebman and percussionist Marilyn Mazur.
While deeply rooted in American and European orchestral traditions, “ReWrite of Spring” is a vital artistic statement representing a creative voice in the quest for a personal big band sound.
A note by Liebman
Lars [Møller] was one of my first students in Europe, meeting in Copenhagen in the mid ‘80s at a workshop. I remember handing out an assignment to transcribe something according to my quite detailed method. Returning the next year, sure enough Lars did what I asked and more. I think it was Coltrane and Sonny Rollins that he transcribed back to back over the two years. I could see then here was a serious dude. We became friends and I even hung with his family, convincing them that Lars needed to go to New York, Well, not only did he go through the course at the New School, but also he got to work with a true master on more than one occasion, drummer Jimmy Cobb. Finally, there were Lars’ Indian trips. One of the things I emphasize when I talk about artistic evolution is that when you have done your WORK up to a certain level of proficiency, then you must look outside the jazz box, into something else to inspire and enable you to bring back something of value to in this case, jazz. His studies in India on the shenai, tapes of which I have and use to motivate others, were great and really influenced his tenor playing through all the quartertones and so forth one hears in the Indian idiom. Lars was prepared to find his own voice, which he did subsequently as a performer and especially composer/arranger. Through the years, we would meet and at times play together so I could see the path that he was following. To say I am proud of him would be a gross understatement!
This project is absolutely one of the most exciting big band projects I have taken part in. There is a palpable sense of drama throughout…true story telling. The way Lars integrated concepts from Stravinsky and transformed them, especially rhythmically and harmonically, is incredible. He made the piece his own and to be honest he used me absolutely in the right contexts. Like Duke and all the great arrangers, when you have a stylist as the main soloist, you have to figure out the best place for that individual’s voice to be effective towards finding the right balance with the ensemble. Lars figured it out beautifully while the band excelled technically and musically. The idea of a studio and live version is really interesting and shows an artistic consideration that is rare these days in our business. My compliments to the producers for having a vision.
I want to thank Lars, Marilyn, Christian Munch-Hansen for his fantastic liner notes, the band and all the people associated with the project for their support and excellent, professional work. Great project!!

Aarhus Jazz Orchestra
David Liebman - soprano saxophone, wooden flute
Marilyn Mazur - drums, percussion
Lars Møller - composer, conductor

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