William Basinski / The Disintegration Loops Жанр: Minimal, Ambient, Abstract Носитель: CD Страна-производитель диска (релиза): US Год издания: 2013 Издатель (лейбл): Temporary Residence Limited Номер по каталогу: TRR194 Страна исполнителя (группы): US Аудиокодек: FLAC (*.flac) Тип рипа: tracks+.cue Битрейт аудио: lossless Продолжительность: 05:53:37 Источник (релизер): waffles.fm Наличие сканов в содержимом раздачи: Треклист:
CD5-1 –The Wordless Music Orchestra dlp 1.1 Live At The Metropolitan Museum Of Art, September 11, 2011
CD5-2 –Alter Ego Ensemble dlp 1.1 Live At The 54th Venice Music Biennale, October 18, 2008
Лог создания рипа
CD1
X Lossless Decoder version 20121027 (142.1) XLD extraction logfile from 2012-11-17 13:06:21 -0800 Basinski, William / The Disintegration Loops I Used drive : HL-DT-ST DVDRW GWA4080MA (revision AE39) Ripper mode : XLD Secure Ripper Disable audio cache : OK for the drive with a cache less than 1375KiB Make use of C2 pointers : NO Read offset correction : 667 Max retry count : 100 Gap status : Analyzed, Appended (except HTOA) TOC of the extracted CD Track | Start | Length | Start sector | End sector --------------------------------------------------------- 1 | 00:00:00 | 63:35:59 | 0 | 286183 2 | 63:35:59 | 10:50:16 | 286184 | 334949 AccurateRip Summary Disc not found in AccurateRip DB. All Tracks Album gain : -1.54 dB Peak : 0.869202 Statistics Read error : 0 Jitter error (maybe fixed) : 0 Retry sector count : 0 Damaged sector count : 0 Track 01 Filename : /XLD/FLAC/William Basinski/The Disintegration Loops/The Disnintegration Loops I/01 - d|p 1.1.flac Pre-gap length : 00:02:00 Track gain : -0.53 dB Peak : 0.869202 CRC32 hash (test run) : D54ACA50 CRC32 hash : D54ACA50 CRC32 hash (skip zero) : 7BD8483B AccurateRip v1 signature : CA4B22A9 AccurateRip v2 signature : 26EE4A5E ->Track not present in AccurateRip database. Statistics Read error : 0 Jitter error (maybe fixed) : 0 Retry sector count : 0 Damaged sector count : 0 Track 02 Filename : /XLD/FLAC/William Basinski/The Disintegration Loops/The Disnintegration Loops I/02 - d|p 2.1.flac Pre-gap length : 00:03:65 Track gain : -2.52 dB Peak : 0.819336 CRC32 hash (test run) : 022B97A1 CRC32 hash : 022B97A1 CRC32 hash (skip zero) : 12EFCDC3 AccurateRip v1 signature : 7840440C AccurateRip v2 signature : 1488AB8F ->Track not present in AccurateRip database. Statistics Read error : 0 Jitter error (maybe fixed) : 0 Retry sector count : 0 Damaged sector count : 0 No errors occurred End of status report
CD2
X Lossless Decoder version 20121027 (142.1) XLD extraction logfile from 2012-11-17 14:03:43 -0800 Basinski, William / The Disintegration Loops II Used drive : HL-DT-ST DVDRW GWA4080MA (revision AE39) Ripper mode : XLD Secure Ripper Disable audio cache : OK for the drive with a cache less than 1375KiB Make use of C2 pointers : NO Read offset correction : 667 Max retry count : 100 Gap status : Analyzed, Appended (except HTOA) TOC of the extracted CD Track | Start | Length | Start sector | End sector --------------------------------------------------------- 1 | 00:00:00 | 32:40:06 | 0 | 147005 2 | 32:40:06 | 41:50:69 | 147006 | 335324 AccurateRip Summary Disc not found in AccurateRip DB. All Tracks Album gain : -3.07 dB Peak : 0.897766 Statistics Read error : 0 Jitter error (maybe fixed) : 0 Retry sector count : 0 Damaged sector count : 0 Track 01 Filename : /XLD/FLAC/William Basinski/The Disintegration Loops/The Disintegration Loops II/01 - dlp 2.2 .flac Pre-gap length : 00:02:00 Track gain : -2.36 dB Peak : 0.897766 CRC32 hash (test run) : C84F669D CRC32 hash : C84F669D CRC32 hash (skip zero) : EC5B1518 AccurateRip v1 signature : 25AAF8E5 AccurateRip v2 signature : AF9949F0 ->Track not present in AccurateRip database. Statistics Read error : 0 Jitter error (maybe fixed) : 0 Retry sector count : 0 Damaged sector count : 0 Track 02 Filename : /XLD/FLAC/William Basinski/The Disintegration Loops/The Disintegration Loops II/02 - dlp 3 .flac Pre-gap length : 00:03:65 Track gain : -3.37 dB Peak : 0.889618 CRC32 hash (test run) : A2E68E73 CRC32 hash : A2E68E73 CRC32 hash (skip zero) : 4530C9E0 AccurateRip v1 signature : BDF4CC4D AccurateRip v2 signature : 66D476E0 ->Track not present in AccurateRip database. Statistics Read error : 0 Jitter error (maybe fixed) : 0 Retry sector count : 0 Damaged sector count : 0 No errors occurred End of status report
CD3
X Lossless Decoder version 20121027 (142.1) XLD extraction logfile from 2012-11-17 17:37:35 -0800 Basinski, William / The Disintegration Loops III Used drive : HL-DT-ST DVDRW GWA4080MA (revision AE39) Ripper mode : XLD Secure Ripper Disable audio cache : OK for the drive with a cache less than 1375KiB Make use of C2 pointers : NO Read offset correction : 667 Max retry count : 100 Gap status : Analyzed, Appended (except HTOA) TOC of the extracted CD Track | Start | Length | Start sector | End sector --------------------------------------------------------- 1 | 00:00:00 | 20:11:19 | 0 | 90843 2 | 20:11:19 | 52:20:56 | 90844 | 326399 AccurateRip Summary Disc not found in AccurateRip DB. All Tracks Album gain : -4.62 dB Peak : 0.988007 Statistics Read error : 0 Jitter error (maybe fixed) : 0 Retry sector count : 0 Damaged sector count : 0 Track 01 Filename : /XLD/FLAC/William Basinski/The Disintegration Loops Boxset/The Disintegration Loops III/01 - dlp 4.flac Pre-gap length : 00:02:00 Track gain : -5.23 dB Peak : 0.988007 CRC32 hash (test run) : 3CBEAAF6 CRC32 hash : 3CBEAAF6 CRC32 hash (skip zero) : C26DA47B AccurateRip v1 signature : 7075B442 AccurateRip v2 signature : 32C92DEB ->Track not present in AccurateRip database. Statistics Read error : 0 Jitter error (maybe fixed) : 0 Retry sector count : 0 Damaged sector count : 0 Track 02 Filename : /XLD/FLAC/William Basinski/The Disintegration Loops Boxset/The Disintegration Loops III/02 - dlp 5.flac Pre-gap length : 00:03:65 Track gain : -4.41 dB Peak : 0.987885 CRC32 hash (test run) : 078A0CAD CRC32 hash : 078A0CAD CRC32 hash (skip zero) : DC860ECB AccurateRip v1 signature : 9E01701F AccurateRip v2 signature : C7F2DF02 ->Track not present in AccurateRip database. Statistics Read error : 0 Jitter error (maybe fixed) : 0 Retry sector count : 0 Damaged sector count : 0 No errors occurred End of status report
CD4
X Lossless Decoder version 20121027 (142.1) XLD extraction logfile from 2012-11-17 18:31:40 -0800 Basinski, William / The Disintegration Loops IV Used drive : HL-DT-ST DVDRW GWA4080MA (revision AE39) Ripper mode : XLD Secure Ripper Disable audio cache : OK for the drive with a cache less than 1375KiB Make use of C2 pointers : NO Read offset correction : 667 Max retry count : 100 Gap status : Analyzed, Appended (except HTOA) TOC of the extracted CD Track | Start | Length | Start sector | End sector --------------------------------------------------------- 1 | 00:00:00 | 40:37:26 | 0 | 182800 2 | 40:37:26 | 21:43:70 | 182801 | 280595 3 | 62:21:21 | 11:57:54 | 280596 | 334424 AccurateRip Summary Disc not found in AccurateRip DB. All Tracks Album gain : -5.15 dB Peak : 0.988037 Statistics Read error : 0 Jitter error (maybe fixed) : 0 Retry sector count : 0 Damaged sector count : 0 Track 01 Filename : /XLD/FLAC/William Basinski/The Disintegration Loops Boxset/The Disintegration Loops IV/01 - dlp6.flac Pre-gap length : 00:02:00 Track gain : -5.67 dB Peak : 0.988037 CRC32 hash (test run) : D6BDA347 CRC32 hash : D6BDA347 CRC32 hash (skip zero) : FC252BE9 AccurateRip v1 signature : 34F9B444 AccurateRip v2 signature : DA2EDEE2 ->Track not present in AccurateRip database. Statistics Read error : 0 Jitter error (maybe fixed) : 0 Retry sector count : 0 Damaged sector count : 0 Track 02 Filename : /XLD/FLAC/William Basinski/The Disintegration Loops Boxset/The Disintegration Loops IV/02 - dlp1.2.flac Pre-gap length : 00:05:65 Track gain : -3.41 dB Peak : 0.987976 CRC32 hash (test run) : 890127E4 CRC32 hash : 890127E4 CRC32 hash (skip zero) : 0E22A7FE AccurateRip v1 signature : 929DAAEE AccurateRip v2 signature : 0331CB75 ->Track not present in AccurateRip database. Statistics Read error : 0 Jitter error (maybe fixed) : 0 Retry sector count : 0 Damaged sector count : 0 Track 03 Filename : /XLD/FLAC/William Basinski/The Disintegration Loops Boxset/The Disintegration Loops IV/03 - dlp1.3.flac Pre-gap length : 00:03:65 Track gain : -3.53 dB Peak : 0.957764 CRC32 hash (test run) : 60FC3687 CRC32 hash : 60FC3687 CRC32 hash (skip zero) : 73450386 AccurateRip v1 signature : 65A95D03 AccurateRip v2 signature : 711367F3 ->Track not present in AccurateRip database. Statistics Read error : 0 Jitter error (maybe fixed) : 0 Retry sector count : 0 Damaged sector count : 0 No errors occurred End of status report
CD5
X Lossless Decoder version 20121027 (142.1) XLD extraction logfile from 2012-11-17 10:39:06 -0800 William Basinski / The Disintegration Loops Used drive : HL-DT-ST DVDRW GWA4080MA (revision AE39) Ripper mode : XLD Secure Ripper Disable audio cache : OK for the drive with a cache less than 1375KiB Make use of C2 pointers : NO Read offset correction : 667 Max retry count : 100 Gap status : Analyzed, Appended (except HTOA) TOC of the extracted CD Track | Start | Length | Start sector | End sector --------------------------------------------------------- 1 | 00:00:00 | 42:33:40 | 0 | 191514 2 | 42:33:40 | 15:15:35 | 191515 | 260174 AccurateRip Summary Disc not found in AccurateRip DB. All Tracks Album gain : -0.65 dB Peak : 0.821320 Statistics Read error : 0 Jitter error (maybe fixed) : 0 Retry sector count : 0 Damaged sector count : 0 Track 01 Filename : /XLD/William Basinski/The Disintegration Loops/The Disintegration Loops Live/01 - Dlp 1.1 Live At The Metropolitan Museum Of Art 9пјЏ11пјЏ2011.flac Pre-gap length : 00:02:00 Track gain : 0.64 dB Peak : 0.821320 CRC32 hash (test run) : 4ADA58F4 CRC32 hash : 4ADA58F4 CRC32 hash (skip zero) : 8BF28501 AccurateRip v1 signature : 4618F9AE AccurateRip v2 signature : B4F8CEE7 ->Track not present in AccurateRip database. Statistics Read error : 0 Jitter error (maybe fixed) : 0 Retry sector count : 0 Damaged sector count : 0 Track 02 Filename : /XLD/William Basinski/The Disintegration Loops/The Disintegration Loops Live/02 - Dlp 1.1 Live At The 54th Venice Biennale 10пјЏ18пјЏ2008.flac Pre-gap length : 00:03:65 Track gain : -2.47 dB Peak : 0.821228 CRC32 hash (test run) : 2B618CC6 CRC32 hash : 2B618CC6 CRC32 hash (skip zero) : 77F336C4 AccurateRip v1 signature : E8F5A02C AccurateRip v2 signature : 28325865 ->Track not present in AccurateRip database. Statistics Read error : 0 Jitter error (maybe fixed) : 0 Retry sector count : 0 Damaged sector count : 0 No errors occurred End of status report
Содержание индексной карты (.CUE)
CD1
TITLE "The Disintegration Loops I" PERFORMER "Basinski, William" REM GENRE "Contemporary Electronica; Trance" REM DATE "2001" REM DISCNUMBER 1 REM TOTALDISCS 1 REM DISCID 15117202 REM REPLAYGAIN_ALBUM_GAIN -1.54 dB REM REPLAYGAIN_ALBUM_PEAK 0.869202 FILE "01 - dlp 1.1.flac" WAVE TRACK 01 AUDIO TITLE "d|p 1.1" SONGWRITER "William Basinski" REM REPLAYGAIN_TRACK_GAIN -0.53 dB REM REPLAYGAIN_TRACK_PEAK 0.869202 INDEX 01 00:00:00 TRACK 02 AUDIO TITLE "d|p 2.1" SONGWRITER "William Basinski" REM REPLAYGAIN_TRACK_GAIN -2.52 dB REM REPLAYGAIN_TRACK_PEAK 0.819336 INDEX 00 63:31:69 FILE "02 - dlp 2.1.flac" WAVE INDEX 01 00:00:00
CD2
TITLE "The Disintegration Loops II" PERFORMER "Basinski, William" REM GENRE "Contemporary Electronica; Trance" REM DATE "2003" REM DISCNUMBER 1 REM TOTALDISCS 1 REM DISCID 14117702 REM REPLAYGAIN_ALBUM_GAIN -3.07 dB REM REPLAYGAIN_ALBUM_PEAK 0.897766 FILE "01 - dlp 2.2 .flac" WAVE TRACK 01 AUDIO TITLE "dlp 2.2 " REM REPLAYGAIN_TRACK_GAIN -2.36 dB REM REPLAYGAIN_TRACK_PEAK 0.897766 INDEX 01 00:00:00 TRACK 02 AUDIO TITLE "dlp 3 " REM REPLAYGAIN_TRACK_GAIN -3.37 dB REM REPLAYGAIN_TRACK_PEAK 0.889618 INDEX 00 32:36:16 FILE "02 - dlp 3 .flac" WAVE INDEX 01 00:00:00
CD3
TITLE "The Disintegration Loops III" PERFORMER "Basinski, William" REM GENRE "Other" REM DATE "2003" REM DISCID 09110002 REM REPLAYGAIN_ALBUM_GAIN -4.62 dB REM REPLAYGAIN_ALBUM_PEAK 0.988007 FILE "01 - dlp 4.flac" WAVE TRACK 01 AUDIO TITLE "dlp 4" REM REPLAYGAIN_TRACK_GAIN -5.23 dB REM REPLAYGAIN_TRACK_PEAK 0.988007 INDEX 01 00:00:00 TRACK 02 AUDIO TITLE "dlp 5" REM REPLAYGAIN_TRACK_GAIN -4.41 dB REM REPLAYGAIN_TRACK_PEAK 0.987885 INDEX 00 20:07:29 FILE "02 - dlp 5.flac" WAVE INDEX 01 00:00:00
CD4
TITLE "The Disintegration Loops IV" PERFORMER "Basinski, William" REM GENRE "Contemporary Electronica" REM DATE "2003" REM DISCNUMBER 1 REM TOTALDISCS 1 REM DISCID 25116B03 REM REPLAYGAIN_ALBUM_GAIN -5.15 dB REM REPLAYGAIN_ALBUM_PEAK 0.988037 FILE "01 - dlp6.flac" WAVE TRACK 01 AUDIO TITLE "dlp6" REM REPLAYGAIN_TRACK_GAIN -5.67 dB REM REPLAYGAIN_TRACK_PEAK 0.988037 INDEX 01 00:00:00 TRACK 02 AUDIO TITLE "dlp1.2" REM REPLAYGAIN_TRACK_GAIN -3.41 dB REM REPLAYGAIN_TRACK_PEAK 0.987976 INDEX 00 40:31:36 FILE "02 - dlp1.2.flac" WAVE INDEX 01 00:00:00 TRACK 03 AUDIO TITLE "dlp1.3" REM REPLAYGAIN_TRACK_GAIN -3.53 dB REM REPLAYGAIN_TRACK_PEAK 0.957764 INDEX 00 21:40:05 FILE "03 - dlp1.3.flac" WAVE INDEX 01 00:00:00
CD5
TITLE "The Disintegration Loops" PERFORMER "William Basinski" REM GENRE "Electronica" REM DATE "2012" REM DISCNUMBER 5 REM TOTALDISCS 5 REM DISCID 130D8D02 REM REPLAYGAIN_ALBUM_GAIN -0.65 dB REM REPLAYGAIN_ALBUM_PEAK 0.821320 FILE "01 - Dlp 1.1 Live At The Metropolitan Museum Of Art 9-11-2011.flac" WAVE TRACK 01 AUDIO TITLE "Dlp 1.1 Live At The Metropolitan Museum Of Art 9/11/2011" SONGWRITER "William Basinski" REM REPLAYGAIN_TRACK_GAIN 0.64 dB REM REPLAYGAIN_TRACK_PEAK 0.821320 INDEX 01 00:00:00 TRACK 02 AUDIO TITLE "Dlp 1.1 Live At The 54th Venice Biennale 10/18/2008" SONGWRITER "William Basinski" REM REPLAYGAIN_TRACK_GAIN -2.47 dB REM REPLAYGAIN_TRACK_PEAK 0.821228 INDEX 00 42:29:50 FILE "02 - Dlp 1.1 Live At The 54th Venice Biennale 10-18-2008.flac" WAVE INDEX 01 00:00:00
Доп. информация:
Album Review from Pitchfork.com
In the early part of the last decade, William Basinski's The Disintegration Loops was the sort of music you passed around. Once you heard it, you wanted to tell somebody about it. There was obviously the sound itself, so hypnotic that it was immediately understood as a classic of ambient music. But there was more to it. The Disintegration Loops arrived with a story that was beautiful and heartbreaking in its own right. It's been repeated so many times that Basinski himself has grown weary of telling it: in the 1980s, he constructed a series of tape loops consisting of processed snatches of music captured from an easy listening station. When going through his archives in 2001, he decided to digitize the decades-old loops to preserve them. He started a loop on his digital recorder and left it running, and when he returned a short while later, he noticed that the tape was gradually crumbling as it played. The fine coating of magnetized metal was slivering off, and the music was decaying slightly with each pass through the spindle. Astonished, Basinski repeated the process with other loops and obtained similar results. Shortly after Basinski digitized his loops came the September 11 attacks. From the roof of his space in Brooklyn, he put a video camera on a tripod and captured the final hour of daylight on that day, pointing the camera at a smoldering lower Manhattan. On September 12, he cued the first of his newly created sound pieces and listened to it while watching the footage. The impossibly melancholy music, the gradual fade, and the images of ruin: the project suddenly had a sense of purpose. It would become an elegy for that day. Stills from the video were used for the covers of the CDs, and eventually, the hour-long visual with sound was released on DVD. The video is included with the four volumes of the music and two new live pieces in this lavish and impressive box set. The beauty of the music is not easy to explain. There are plenty of pieces that work in a similar way-- the beat-less drone pieces of Gas, a few of Gavin Bryars' most heartrending works, the experiments in memory by the Caretaker-- but it's hard to quantify this music's special pull. Each of the nine pieces on the original four volumes has its own character, yet all are related and function like variations on a theme. "Dlp 1.1", marked by a plaintive horn sound, has the air of a dejected fanfare, a meditation on death and loss (it was this loop that was paired with the 9/11 video). "Dlp 2.1" is more of a metallic drone, filled with anxiety and encroaching dread. The source material on "Dlp 4" sounds like a soundtrack to an educational film, not terribly far from the warble of an early Boards of Canada interlude, but the chaotic ripples of distortion make it seem even more uneasy. "Dlp 3" feels like a snippet from an impossibly lush and shimmering Debussy piece stretched to infinity and then lowered into an acid bath. The moods and textures of these pieces are all different but they become more powerful in relation to one another. There's an irony to the four volumes of The Disintegration Loops appearing here on vinyl for the first time, since the defiantly analog origin of the music is central to its appeal. Even 10 years later, the internet is generally a poor space for contemplating the end; there are few digital metaphors for the process of dying. With Basinski's pieces, the metaphor couldn't be more simple. This music reminds us of how everything eventually falls apart and returns to dust. We're listening to music as it disappears in front of us. Hearing the music on vinyl, with its inherent imperfections, and imagining the records changing over time, lends another layer of poignancy. Given the central idea behind the project, the length of the individual tracks is important. The first, "Dlp 1.1", is just over an hour long, and its source only lasts a few seconds. To listen to the entire piece is to hear that segment many hundreds of times, and the progression from "music" to silence happens incrementally with each play. But the loops don't fade linearly. It often takes a few minutes for the obvious cracks to appear, and then the tumble toward the void speeds up at the end, presumably because the cumulative runs against the tape head had loosened even the bits of tape that were still hanging on. The process is so gradual it focuses attention in unique way; I find myself examining each new cycle to discover what is left and what has vanished. It's possible to use this music in the quintessential ambient sense, allowing it to play in the background while doing something else. The sound is uniform and drone-like, so you can adjust the volume and not worry about it intruding. But there is something uncanny about the emotion embedded in this music. It never feels neutral, so it's hard for me to just have it playing in the background. Part of that is what I know of how it was made, and part of that is the nature of the loops themselves. Basinski has a rare feel for mood and texture. The sounds on their own are haunting, and Basinski has a wonderful ear for how a loop can work, how to capture these bits of incidental music in a place where there's just a hint of tension that is never released. One unexpected twist in The Disintegration Loops story is that some of the work was later performed. New music ensembles have charted the progression and decay of the pieces and scored them for a live setting, and recordings from two shows are included in this box set. (One of the performances is by the ensemble Alter Ego, who partnered with Gavin Bryars and Philip Jeck in 2007 to record a new version of Bryars' "The Sinking of the Titanic". The presence of Alter Ego reinforces the thematic and emotional connection between the two pieces.) I was skeptical of these live versions at first, but over time they made more sense. They bring a different quality to the experience and offer a subtle twist. The key to live recordings lies in the rests. Little by little, the players have to insert a bit more silence into the piece and hold that silence as they cycle through the same phrase. And there's something especially tense and uneasy about hearing this happen in a moment with live performers. It also makes it difficult for the audience to know exactly when the piece has ended, and when it finally does, they explode with applause and, presumably, relief. I've owned many box sets and this is possibly the most gorgeous and substantial one I've ever seen. There are CD and vinyl versions of all the music; the vinyl is heavy, and the pressings are very well done. There's a book that has liner notes from Antony Hegarty, David Tibet, Basinski himself, and others. But most of the book consists of blown-up frames from the video piece. It's almost like a flip book, as each new shot brings us a little closer to darkness. For me, it functions like a more tolerable version of the video piece, which, even after all this time, I still have trouble watching. I respect it and understand that it might work very differently for someone who was there, but it's still difficult for me to watch footage of burning Manhattan in an "art" context. It's been said that box sets are tombstones, but this one feels like a living and breathing thing. And there's an irony in that too. The obvious observation about The Disintegration Loops is that it's about death, but of course, life gives death meaning. A couple of days ago I was listening to "Dlp 4" while riding the subway to work. For the track's early half, I was gripped by the sublime beauty of the repeating music and I was lost in my own world completely. But then as it started to break apart and silence took over I started to become aware of what was around me. I could hear the engines, the rattle of the tracks, and the voices of people in the subway car. The music had me thinking about the biggest questions-- why we are here and how we exist and what it all means. And then as the last crackle faded and the music was no more, I took in my surroundings and looked around at the faces and I was right there with everybody and we were alive. - Mark Richardson, Pitchfork.com
Тама релиз все же 2012-го года
в 13-м он отдельно бокс с дисками выпустил
а что на вате, что на вафле - рипы с винилового издания, воот в комплекте которого и шли то дискочки
