(Bop, Hard Bop, Cool) Kenny Burrell - Jazzmen Detroit (2010 Japan Edition) - 1956, FLAC (image+.cue), lossless

Exact Audio Copy V1.0 beta 1 from 15. November 2010
EAC extraction logfile from 30. December 2011, 0:07
Kenny Burrell / Jazzmen Detroit
Used drive  : ASUS    DRW-24B1LT   Adapter: 5  ID: 0
Read mode               : Secure
Utilize accurate stream : Yes
Defeat audio cache      : Yes
Make use of C2 pointers : No
Read offset correction                      : 6
Overread into Lead-In and Lead-Out          : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks   : No
Null samples used in CRC calculations       : Yes
Used interface                              : Native Win32 interface for Win NT & 2000
Used output format              : User Defined Encoder
Selected bitrate                : 768 kBit/s
Quality                         : High
Add ID3 tag                     : No
Command line compressor         : C:\Program Files\Exact Audio Copy\Flac\flac.exe
Additional command line options : -8 -V -T "ARTIST=%a" -T "TITLE=%t" -T "ALBUM=%g" -T "DATE=%y" -T "TRACKNUMBER=%n" -T "TOTALTRACKS=%x" -T "GENRE=%m" -T "ALBUMARTIST=%v" -T "ALBUM ARTIST=%v" -T "COMMENT=EAC Secure Mode, Test & Copy, AccurateRip, FLAC -8" %s
TOC of the extracted CD
     Track |   Start  |  Length  | Start sector | End sector
    ---------------------------------------------------------
        1  |  0:00.00 |  5:57.47 |         0    |    26821
        2  |  5:57.47 |  4:46.23 |     26822    |    48294
        3  | 10:43.70 |  5:28.60 |     48295    |    72954
        4  | 16:12.55 |  5:21.57 |     72955    |    97086
        5  | 21:34.37 |  5:37.00 |     97087    |   122361
        6  | 27:11.37 |  6:40.55 |    122362    |   152416
Range status and errors
Selected range
     Filename F:\audio\Kenny Burrell - Jazzmen Detroit.wav
     Peak level 97.8 %
     Extraction speed 0.9 X
     Range quality 99.9 %
     Test CRC 3732749A
     Copy CRC 3732749A
     Copy OK
No errors occurred
AccurateRip summary
Track  1  accurately ripped (confidence 1)  [A43E375D]
Track  2  accurately ripped (confidence 1)  [72B11448]
Track  3  accurately ripped (confidence 1)  [84E74FCD]
Track  4  accurately ripped (confidence 1)  [6785ACA5]
Track  5  accurately ripped (confidence 1)  [C7E012B5]
Track  6  accurately ripped (confidence 1)  [B338FE0C]
All tracks accurately ripped
End of status report
==== Log checksum 15EF95D555690DD48AE3FD253F1F83B9079AE9AF72A0C2CA61EBEABED825F567 ====

REM GENRE Jazz
REM DATE 1956
REM DISCID 5507F006
REM COMMENT "ExactAudioCopy v1.0b1"
PERFORMER "Kenny Burrell"
TITLE "Jazzmen Detroit"
FILE "Kenny Burrell - Jazzmen Detroit.wav" WAVE
  TRACK 01 AUDIO
    TITLE "Afternoon in Paris"
    PERFORMER "Kenny Burrell"
    INDEX 01 00:00:00
  TRACK 02 AUDIO
    TITLE "You Turned the Tables on Me"
    PERFORMER "Kenny Burrell"
    INDEX 00 05:55:45
    INDEX 01 05:57:47
  TRACK 03 AUDIO
    TITLE "Apothegm"
    PERFORMER "Kenny Burrell"
    INDEX 00 10:41:40
    INDEX 01 10:43:70
  TRACK 04 AUDIO
    TITLE "Your Host"
    PERFORMER "Kenny Burrell"
    INDEX 00 16:10:53
    INDEX 01 16:12:55
  TRACK 05 AUDIO
    TITLE "Cottontail"
    PERFORMER "Kenny Burrell"
    INDEX 00 21:32:15
    INDEX 01 21:34:37
  TRACK 06 AUDIO
    TITLE "Tom's Thumb"
    PERFORMER "Kenny Burrell"
    INDEX 00 27:09:30
    INDEX 01 27:11:37

This Savoy CD lists Kenny Burrell as session leader, but it is clearly a group effort that could easily have been attributed to Pepper Adams or pianist Tommy Flanagan. Burrell has the edge, though, in writing credits with the contribution of two tunes: the quietly assured "Your Host" and the bluesy, hard bop line "Tom's Thumb." Adams offers his leisurely, sophisticated "Apothegm" to the date. Flanagan, for his part, is pure elegance, subtlety, and swing. With the exception of drummer Kenny Clarke, all the players hail from the motor city. Coming up through the same hometown music scene may help account for the fine group interplay. It's also apparent the musicians had the luxury of working through these six tunes before sitting down to record. The result does full justice to the fine writing and arranging and allows for thoughtfully developed improvisations. Ensemble entries are crisp and assured, as are the entrances by all soloists. Burrell favors a dry, clean attack here, while Adams reins in his more full-throated tendencies. Clarke, Flanagan, and bassist Paul Chambers support with consummate taste. The overall mood may be a bit too polite, but this remains a classy, near classic performance. There's no padding, although, at 33 minutes, the running time is brief. The sound recording is excellent.