(Contemporary Jazz, Neo-Soul, Fusion, Jazz-Funk) [LP] [24/192] Tom Misch & Yussef Dayes - What Kinda Music (2 LP Deluxe Edition) - 2020, FLAC (tracks)

Lineage:
Rega P10 Turntable with Rega P10 PSU > Virgin Vinyl > Rega Apheta 3 Cartridge > PS Audio NuWave Phono Converter ADC > AudioQuest Carbon USB Cable > USB-IN > Audition CC 2019 @ 24bit float, 192kHz capture.
Processing:
24bit wav > Run through Click Repair 3.9.9 at 10/0 on DeClick > Volume Boost +2/1.23/1.9/2.18 DB > Remove DC Bias > Saved as 24bit,192kHz WAV > FLAC > Tagged with Discogs tagger through Foobar.
Scans:
Epson Expression 11000XL -> 16bit 600 DPI with Unsharp Mask -> Color Correction in Photoshop CC 2019 x64 -> 8bit 600DPI PNG.

foobar2000 1.6.13 / Dynamic Range Meter 1.1.1
log date: 2022-11-26 01:06:30
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Analyzed: Tom Misch & Yussef Dayes / What Kinda Music
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DR Peak RMS Duration Track
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DR8 -5.03 dB -15.81 dB 3:50 01-What Kinda Music
DR9 -5.36 dB -16.53 dB 4:42 02-Festival
DR9 -4.24 dB -15.24 dB 5:00 03-Nightrider (feat. Freddie Gibbs)
DR7 -5.78 dB -15.64 dB 4:09 04-Tidal Wave
DR7 -5.58 dB -14.17 dB 1:25 05-Sensational
DR9 -6.41 dB -18.54 dB 2:42 06-The Real
DR8 -5.65 dB -16.30 dB 5:18 07-Lift Off (feat. Rocco Palladino)
DR9 -5.32 dB -16.46 dB 4:02 08-I Did It for You
DR9 -6.11 dB -17.58 dB 4:00 09-Last 100
DR8 -5.98 dB -16.57 dB 3:30 10-Kyiv
DR9 -4.82 dB -16.71 dB 3:18 11-Julie Mangos
DR9 -4.78 dB -16.36 dB 3:05 12-Storm Before the Calm
DR9 -4.94 dB -17.02 dB 2:29 13-Saddle
DR10 -4.96 dB -17.80 dB 1:44 14-Tidal Wave Outro
DR8 -4.80 dB -15.77 dB 1:32 15-Seagulls
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Number of tracks: 15
Official DR value: DR9
Samplerate: 192000 Hz
Channels: 2
Bits per sample: 24
Bitrate: 4782 kbps
Codec: FLAC
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Tom Misch & Yussef Dayes What Kinda Music is a masterful collaboration between two artists of very different disciplines, and one of the most unique and seamlessly original projects of its ilk to date. Moving fluidly through sleek electronica, progressive jazz, vintage hip-hop and so much more, Misch and Dayes take their listener on a ride that is by turns surprising and spontaneous, heady and head-spinning, and nothing less than compelling – a singular vision that fuses the DNA of both musicians with spectacular results.
Even though the fundamental bones of the album came together very quickly, its actual provenance stretches much further back with the pair not only growing up in the same area of South East London, but Misch actually seeing Dayes play on drums in the school talent show for the first time when he was 9. It was only when they went into a studio in the summer of 2018 however, following a chance meeting at a party for Misch’s Geography LP, that the proverbial creative sparks began to fly.
What made the pair click, according to Misch and Dayes, were the exact same factors that meant it shouldn’t by all rights work. Misch says, “Yussef comes from a more experimental background, and he has a lot of loose, crazy ideas. I know how to write a catchy melody, but with interesting chords and I have a good understanding of popular song forms, so I think I streamlined those ideas and made them accessible”.
Throughout the record, there is an utterly joyful feel of two musicians at the top of their game sparking off one another, picking up ideas and running with them – zigging where the other zags, ebbing where the other flows, with Misch producing the majority of the record and both having a hand in the overall sound and feel of the record. In fact, Dayes says that the intentions of the record go even deeper than just music. “Both our parents who’d never met each other before, are now best friends as a result of this – they now see each other more than we do! I’d like to think, in some small way, that this album has a similar impact for people too – everything feels so divided these days, it would be nice for people to hear the record and hear two very different musicians coming together and realize it doesn’t have to be that way”.