ANothing · 23-Май-13 13:00(12 лет 1 месяц назад, ред. 11-Дек-14 16:00)
Georg Philipp Telemann
Overtures (8CD)Жанр: Classical || Страна-производитель диска: The Netherlands || Год издания: 2012 Издатель (лейбл): Brilliant Classics || Номер по каталогу: 94411 || Дата записи: 2004-2008 Аудиокодек: MP3 || Тип рипа: tracks || Битрейт аудио: 320 kbps || Продолжительность: 9:04:14 Источник релиза: https://rutr.life/forum/viewtopic.php?t=4171652 (FLAC) Наличие сканов в содержимом раздачи: да
Track Listing
CD1
[1]-[7] Overture in D major TWV55: D18 for two trumpets, timpani, strings and basso continuo
[8]-[14] Overture in G major TWV55: G10 'Burlesque de Quixotte' for strings and basso continuo
[15]-[21] Overture in C minor TWV55: c2 for two oboes, strings and basso continuo
[22]-[30] Overture in D major TWV55: D4 for two oboes, recorder. two violins, strings and basso continuo CD2
[1]-[9] Overture in F major TWV55: F11 'Alster' for four horns, two oboes, basson, strings and basso continuo
[10]-[17] Overture in B flat major TWV55: B5 'Völker' for strings and basso continuo
[18]-[26] Overture in D minor TWV55: d2 for oboe, strings and basso continuo
[27]-[32] Overture in B flat major TWV55: B7 for two oboes, bassoon, strings and basso continuo CD3
[1]-[7] Overture in A minor TWV55: a4 for two recorders, two oboes, strings and basso continuo
[8]-[13] Overture in A major TWV55: A4 for violin, strings and basso continuo
[14]-[22] Overture in D major TWV55: D23 for two flutes, bassoon, horn, strings and basso continuo
[23]-[31] Overture in G major TWV55: G4 'Des Nations anciens et modernes' for strings and basso continuo CD4
[1]-[7] Overture in D major TWV55: D22 'Ouverture jointes d'une Suite tragi-comique' for three trumpets, timpani, strings and basso continuo
[8]-[14] Overture in E minor TWV55: e7 for strings and basso continuo
[15]-[21] Overture in B minor TWV55: h4 for violin, strings and basso continuo
[22]-[26] Overture in E minor TWV55: e3 for two flutes, two oboes, bassoon, two violins, strings and basso continuo
[27] Overture in C minor TWV55: c4 for two oboes, violin, strings and basso continuo CD5
[1]-[9] Overture in D minor TWV55: d3 for three oboes, bassoon, strings and basso continuo
[10]-[14] Overture in F major TWV55: F4 for horns, strings and basso continuo (TWV44: 7)
[15]-[20] Overture in B flat major TWV55: B11 'La Bourse' for two oboes, bassoon, strings and basso continuo
[21]-[27] Overture in E flat major TWV55: Es1 for two horns (ad lib.), strings and basso continuo CD6
[1]-[8] Overture in C major TWV55: C6 for three oboes, strings and basso continuo
[9]-[17] Overture in F minor TWV55: f1 for two recorders, strings and basso continuo
[18]-[24] Overture in B flat major TWV55: B8 'Burlesque' for strings and basso continuo
[25]-[31] Overture in G minor TWV55: g9 for two oboes, bassoon, strings and basso continuo CD7
[1]-[7] Overture in D major TWV55: D17 for two trumpets, bassoon, strings and basso continuo
[8]-[14] Overture in A major TWV55: A2 for strings and basso continuo
[15]-[21] Overture in A minor TWV55: a2 for recorder, strings and basso continuo
[22]-[28] Overture in E minor TWV55: e8 'l'Omphale' for two oboes, bassoon, strings and basso continuo CD8
[1]-[7] Overture in F major TWV55: F16 'Pour S.A.S. Monseigneur Le Landgrave de Darmstadt' for two horns, bassoon, strings and basso continuo
[8]-[15] Overture in G minor TWV55: g2 'La Changeante' for strings and basso continuo
[16]-[20] Overture in G major TWV55: G7 for two oboes, violin, strings and basso continuo
[21]-[26] Overture in D major TWV55: D13 'La Gaillarde' for strings and basso continuo
В очередной раз, слушая Телеманна, удивляюсь, как несправедливо эксперты от музыкальной историографии продолжают упорно называть Баха самым выдающимся германским композитором позднего барокко. Замечательная подборка сих увертюр говорит о богатом таланте этого современника "великого". Вообще-то, как по мне, саксонская школа из многочисленных германских княжеств наиболее сильная в красоте и изящности исполнения такой музыки.
Вот не могу не согласиться с предыдыдущим оратором. Не вижу ни одной причины, почему Телеманн менее известен, чем, скажем, Вивальди, Бах или, прости господи, Гендель. Считаю это вселенской несправедливостью к гению
